Kevin J. Anderson talks about working with the band Rush on the book “Clockwork Angels: The Novel”

Kevin J. Anderson is the co-author of the book “Clockwork Angels: The Novel”, which is based on the band Rush’s latest album. The novelization is co-written with Neil Peart, who is the drummer and lyricist for the band. Media Mikes had a chance to chat with Kevin about this collaboration and his work with Rush.

Mike Gencarelli: How did you end up collaborating with Rush drummer and lyricist Neil Peart on “Clockwork Angels: The Novel”?
Kevin J. Anderson: Neil and I have been friends since around 1990; I’ve always been a Rush fan, and he reads my novels. My first novel, Resurrection, Inc., was inspired by the Rush album Grace Under Pressure. Over the years we’ve toyed with the idea of doing a novel/album crossover project, but the stories and the schedules never synched up. As Clockwork Angels began to take shape, though, it had that right set of ingredients. As he developed the story for the songs, he suggested that I do the novel.

MG: Since Neil wrote “Clockwork Angels” as a concept album, did that make the adapting process easier?
KJA: He’s always given me props for my worldbuilding skills, and when he started putting the songs and the story together, he turned me loose to let me develop the world, to see how the pieces fit together (like “Clockwork,” naturally!). Neil had most of the framework for the story, which is set out in the songs, but I helped connect the dots, added extra characters, fleshed out the scenes. But I didn’t change anything in the album or the songs—Neil wrote what he wanted to write, and I developed a story that captured it as best I could.

MG: What was your inspiration for the dystopian fiction featured in the story?
KJA: Oddly, we consider this a “nice” sort of dystopia. Yes, the Watchmaker controls a lot of people’s lives, which is a bad thing if you’re a square peg and the rest of the world is made of round holes, but for the vast majority of the population, this really is an idyllic sort of world. But our character is a dreamer and wants something more.

MG: How did you end up merging this story with the steampunk subgenre?
I’ve been writing steampunk since 1989 (before the term was ever invented, I think), and Neil liked that aspect. He had the idea of a steampunk motif from the very beginning, and it was always part of the canvas as the story and music took shape.

MG: Tell us about your work with artist Hugh Syme?
KJA: Hugh had already done some of the paintings for the CD booklet before I started writing. I used his artwork for details and inspiration, and he read the drafts of some scenes as I delivered them. Hugh had an uncanny knack for taking a detail or a metaphor at the core of the story (something even I didn’t realize) and pulling it to the surface, which would send me back to the draft to emphasize that part and add new scenes. We worked closely together for the illustrated booklet that accompanies the unabridged audiobook (which Neil Peart narrates), Hugh and I getting the finished content, design, and layout done for Brilliance Audio in only a few days!

MG: I think that this novel would make a great movie…(Hint Hint)!
I certainly wouldn’t disagree with you, but it doesn’t matter what I think. Some movie producer has to get that idea in his or her head!

MG: Do you feel that there will ever been another additional chapter to this story?
KJA: Not as an endless series of book after book. But Neil and I love the world and the characters, and we feel that some of the side tales might be worth exploring. Not in the immediate future, though. I have two massive books I’m writing, and Rush has this tour thing they’re on…

MG: What is your favorite song on the album “Clockwork Angels”?
KJA: It often changes as I keep listening to the album. Right now, the one that seems closest to my heart is “Headlong Flight,” which means so much to the story and means so much to me about my life.

MG: What do you have planned next? Any plans to work with Rush again?
KJA: Right now I am editing MENTATS OF DUNE with Brian Herbert, my next major novel in that series, and I am beginning a new trilogy in my gigantic “Seven Suns” universe, THE DARK BETWEEN THE STARS. It’ll probably be a thousand pages long, and as of today I hit the halfway point! And I have two other novels ready to be cued up in the new year. It’s too soon to think about doing anything else with Rush —they’ll be touring for quite some time yet.



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