Author: Mike Smith

• SUPERGIRL
• Starring:  Milly Alcock, Eve Ridley and David Cornsweat
• Directed by:  Craig Gillispie
• Rated:  PG 13
• Running time:  1 hr 48 mins
• Warner Bros

Our score:  2.5 out of 5

It was good while it lasted.  The James Gunn-led era at DC Studios started out well last summer with the latest tale of “Superman.”  That filmed ended with a fun teaser featuring Kara Zor-El, better known to comic book fans as Supergirl.  I don’t know what happened between the time they shot the teaser clip and the feature film, but the girl certainly deserves better.

We meet our heroine (Alcock) in the middle of an alcoholic bender.  Since her powers are only activated thanks to the yellow sun of Earth, she has chosen to live on a planet with a red sun, choosing to blend in with the rest of humanity.  She is accompanied by her dog, Krypto and occasionally chats with her cousin, Superman (Cornsweat), looking very uncomfortable, as if they snuck this film into his contract.  Meanwhile, a band of baddies kill the family of a young girl (Ridley), who now swears revenge on Kren, the main villain (Matthias Schoenaerts).  Oh, and Jason Mamoa shows up, but he’s NOT Aquaman.  What a mess.

Though the film tries to remain faithful to the comics (we see how the City of Argo is saved from the destruction of Krypton) more often then not, the filmmakers decided to just ignore important things like the script and plot points and just throw non-stop action at the audience.  The mood is dark, as if the idea was to make a film like “Logan,” but decided half-way through production to go in a different direction.

It’s not the cast’s fault.  Alcock and Ridley have a great big sister/little sister chemistry and Mamoa chews the scenery and spits it out as Lobo.  But, again, it’s Jason Mamoa.  Aquaman.  I don’t know if DC thought that since Robert Downey, Jr is going from playing Iron Man to Dr. Doom led the filmmakers to cast Mamoa, but RDJ is playing complex characters.  Mamoa is basically playing Aquaman on a motorcycle.  It’s as if director Gillespie showed Mamoa all the scenes from “Raising Arizona” that featured Randall “Tex” Cobb and said, “do that.”

The visual effects are well done, even though it appears that on whatever planet she’s on, Kara can’t find a hairbrush!  If they find one, they should put the filmmakers over their knee and give them a few whacks with it.  It worked on me when my Aunt Mildred did it!

On a scale of zero to five, “Supergirl” receives ★★½  

• SPIDER-MAN:  BRAND NEW DAY
• Starring:  Tom Holland, Zendaya and Jon Bernthal
• Directed by:  Destin Daniel Cretton
• Rated:  PG 13
• Running time:  2 hrs 25 mins
• SONY Pictures

Our score:  4 out of 5

I’ve always been a Spider-man fan.  Even though, as a kid in the 1960s, I was primarily a “DC” guy – I read every Batman and Superman comic book I could find, even enduring issues of “Superman’s Pal – Jimmy Olsen.”  But whenever the chance arose, and if I didn’t have to use my allowance to buy it, I would read the latest adventures of Spider-man.  While I enjoyed the earlier films that featured Toby Maguire and Andrew Garfield as the webslinger, it wasn’t until Tom Holland came along that the Marvel Cinematic Universe (MCU to save space) hit cinema gold.  Through three dedicated films, and numerous appearances in other films in the MCU, Holland’s portrayal of Peter Parker/Spider-man has always been a high point.  I’m happy to say that with the latest adventure, “Spider-man:  Brand New Day,” that streak continues.

When we last saw Peter Parker (Holland), he had just saved the day at an enormous expense by having Doctor Strange cast a spell that made everyone who knew he was Spider-man forget that fact.  This included the love of his life, MJ (Zendaya) and his best friend, Ned (Jacob Batalon).  Four years later we find him living alone and dedicating all his time to fighting crime.  He keeps an eye on his friends from a distance but can’t bring himself to tell them the truth.   But, because this is a superhero film, he has a lot more to worry about.

Like recent MCU films, “Spider-man: Brand New Day” peppers itself with other characters who may or may not be familiar to fans, among them the Punisher (Bernthal), who appears in his own series on Netflix.  I’ve never watched the show but, as I am familiar with the character, I knew who he was.  Newcomers to the film series may not.  The film also gives Mark Ruffalo a spotlight to shine in as Professor Bruce Banner, aka the Hulk.  The Banner character is criminally underused in the various “Avengers” films, with filmmakers apparently assuming that people are just there for the “Hulk SMASH!” sequences.  But with an actor as good as Ruffalo is, I think audiences would welcome the chance to spend more then a few minutes with the Professor.  Though I’m afraid that, as far along in the MCU as the films are they couldn’t do a proper Hulk origin story I do hope we get more of Banner in upcoming films.

Like all of the films in this series, the cast has a genuine chemistry and the emotional ride Peter Parker takes is a rough one.  Holland, who is also a major asset in the currently showing “The Odyssey,” continues to grow in the role, just as Peter is growing as a young man.  Zendaya is her usual tough but caring self and Batalon’s Ned (probably my favorite character in these films – he is “the man in the chair” – has always been the glue that holds these friendships together.  There are also a few new surprises here leading up to December’s big Avengers film “Doomsday.”

On a scale of zero to five, “Spider-man: Brand New Day” receives ★★★★  

• THE ODYSSEY
• Starring:  Matt Damon, Tom Holland and Anne Hathaway
• Directed by:  Christopher Nolan
• Rated:  R
• Running time:  2 hrs 45 mins
• Universal

Our score:  4.5 out of 5

EPIC.  If I was asked to describe Christopher Nolan’s latest film, that is the word I would use.  He has mounted a film that rivals the greatest achievements of filmmakers like Cecil B. DeMille or David Lean.  And, like the films of those mentioned, it’s runs a tad too long.

I was shocked, but pleased, to see that my 12-year-old granddaughter recently did a school paper on King Agamemnon.  Thank goodness they’re still teaching History in our schools.  Based on Homer’s “The Odyssey,” the film tells the story of King Odysseus (Damon) and his adventures which, if you’ve read “The Odyssey,” include the Trojan Horse, the Cyclops and assorted angry Greek gods.  The film covers each of these adventures in great detail, sparing nothing in the production design department.  While Odysseus is away – and he’s gone for a l-o-n-g time, his wife Penelope (Hathaway) has to endure a never ending string of “suitors,” men lining up in the hopes of replacing the King should he not return.  The men are nothing more then scavengers, taking advantage of the law of Zeus, which decrees no one should be turned away.  This angers the Queen’s son, Telemachus (Holland), who must control his temper when the men try to bait him into a fight, the idea being if Telemachus is killed, the new husband would become the King.  It’s all very interesting and complicated.  And long.

Director Nolan is one of the rare filmmakers who, in my opinion, has never made a bad film.  From “Memento” to the “Dark Knight” trilogy to the Oscar-winning “Oppenheimer,” he has proven himself a true master of cinema.  “The Odyssey” only adds to that distinguished resume’

The cast is a tribute to Nolan himself who, like Woody Allen, can pretty much get anyone he wants for his films because, as an actor, why wouldn’t you want a credit in one of his films.  Besides the three stars named above, the cast includes Robert Pattinson, John Leguizamo, Zendaya, James Remar, Jon Bernthal, Oscar nominees Samantha Morton and Elliot Page as well as Oscar winners Charlize Theron and  Lupita Nyongo.  As MGM used to advertise, “more stars than there are in heaven.”

The script and story are pretty faithful to the source material, though for some reason it bothered me whenever Telemacus referred to Odysseus as “dad.”  Never father.  The weird things you notice.  Visual.y the film is stunning and the Trojan Horse and battle of Troy are worth the price of admission alone.  I will add that I did see the film in 70 mm and, if that format is playing in your town, I urge you to see it in that format.

On a scale of zero to five, “The Odyssey” receives ★★★★ ½

• MINIONS & MONSTERS
• Starring the voices of:  Christoph Waltz, Jeff Bridges and Allison Janey
• Directed by:  James (with Piere Coffin and Patrick Delarge)
• Rated:  PG
• Running time:  1 hr 30 mins
• Universal

Our score:  5 out of 5

They’re back!  Those cute, funny, overall clad beings from who knows where are once again back on the silver screen.  Back on it?  If I’m not mistaken, they invented it.

Funny and sweet, with some great nods to the great films of the past, “Minions & Monsters” shines the spotlight on how the Minions came to be.  We start back in prehistoric times, when the lads – I assume they’re all male – are searching for the evillest person in the world to serve as their, well, minions.  From a giant caveman to the renaissance to early Hollywood, the Minions do their best to succeed.  Among them is James, who is very artistic.  James is not appreciated by the rest but does find a kindred soul in Henry.  Together they document the group’s adventures, hoping to one day tell their story.  It is while in Hollywood that the group, mistaking a scene being shot for a film as real, end up on film, much to the glee of the heads of Brother Studios, Frank and Elwood (both voiced by Jeff Bridges).  The films director, Max (Waltz) soon finds himself working with the Minions, all the time encouraging James to tell his story.  As the saying goes, hilarity ensues!

It says a lot about the quality of the “Minions” films that the cast boast no less then six Academy Award nominees with four Oscars between them.  The cast gives their all, with even George Lucas making a vocal cameo.  As one of the titular “Monsters,” Trey Parker gives Gummi a childlike quality that belies the monster inside.  If you’re a fan of “South Park,” you’ll instantly recognize that Gummi has a lot in common with that shows character Butters.  And why not?  The film is a love letter to Hollywood, with classic films like “Modern Times,” “Citizen Kane,” Safety First,” and “The General” being recognized.  Heck, there’s even a great “True Romance” nod that had me chuckling out loud.

To some people, the Minions’ language is gibberish.  Usually, the only word you can make out is “banana.”  However, as voiced by director Coffin, it is a language full of fun and excitement, wonder and curiosity.  Maybe one day, like Klingon, the language will gain its own dictionary.

June is over.  Here comes July in all it’s bright yellow excitement.  Celebrate America 250 with the Minions.  You wont be disappointed!

On a scale of zero to five, “Minions & Monsters” receives ★★★★★

• DISCLOSURE DAY
• Starring:  Emily Blunt, Josh O’Connor and Colin Firth
• Directed by:  Steven Spielberg
• Rated:  PG 13
• Running time:  2 hrs 25 mins
• Universal

Our score:  5 out of 5

We are not alone.

Those four words were the tag line of one of the best films of the 1970s, Steven Spielberg’s “Close Encounters of the Third Kind.”  In “CE3K,” Spielberg made us wonder if there was, indeed, life “out there.”  With “Disclosure Day” he shows us there is.

Margaret (Blunt) is the popular weather person at a local Kansas City television station.  She is always looking for bigger and better things and when we meet her she is discussing a possible change with her boyfriend, Jackson (Wyatt Russell).  Running late for work, she is pulled over but, without explanation, begins speaking with the officer regarding his private life…things she certainly shouldn’t know.  Later, during her broadcast, she begins acting strange and emitting sounds that puzzle her superiors.  Is something wrong with Margaret?  Maybe…

A film that makes you question everything you’ve ever thought or believed about extra terrestrial life existing in this and other universes.  Like Richard Dreyfuss and Melinda Dillon in “CE3K,” Margaret teams up with Daniel Kellner (O’Connor), a former government employee currently on the run from the Feds as he is about to release everything the government has accumulated on other world visitors.  He also possess a special “device” that, in the wrong hands, can wreak havoc.  They are pursued by Noah, played by an almost unrecognizable Collin Firth.  Noah also has a “device,” despite the danger, feeling his actions are necessary to protect his department.  As the three play an ongoing game of hide and seek, the excitement and tension grow.

As the director of the greatest film ever made, “Jaws,” Steven Spielberg is no stranger to presenting familiar things in amazingly new ways.  You can’t throw a rock without hitting an “are there aliens out there movie” but “Disclosure Day” makes them all pale in comparison.

The action is accompanied by an incredible musical score by the maestro, John Williams, who came out of retirement at Spielberg’s behest to write the score for this film.  Reminiscent at times of his Oscar-nominated score for “CE3K” – which lost to the score for “Star Wars,” also written by Williams – the music is as much an important character in the film as the actors.  My prediction here is that for his work here he will receive his amazing 55^th Academy Award nomination and his 6^th Oscar.

On a scale of zero to five, “Disclosure Day” receives ★★★★★

• REMARKEDLY BRIGHT CREATURES
• Starring:  Sally Field, Coln Meany and Lewis Pullman
• Directed by:  Olivia Newman
• Rated:  PG 13
• Running time:  1 hr 51 mins
• NETFLIX

Our score:  4 out of 5

I don’t know what it is about the Octopus.  Beautiful creatures that rather swim along then bother people.  Ringo Starr knows what I’m talking about.  So does the new film, “Remarkedly Bright Creatures,” which is narrated by an octopus named Marcellus.

Tova (Field) spends her nights alone, cleaning the local aquarium.  It’s a boring job but it gives her quiet time to think.  When not scraping gum off the floor, she is constantly tracking down Marcellus, an octopus who has found a way to get out of his tank and explore the dark corners of the museum.  Though she hasn’t told her friends, Tova is considering selling her home and moving to a retirement community.

Cameron (Pullman) is a musician on the road.  When his van breaks down he finds himself needing a job to pay for the repairs.  The town mechanic (Meany) suggest the museum and soon Cameron finds himself being trained by Tova, who insists that things be done the right way.  No shortcuts.  Both Tova and Cameron are dealing with personal tragedies and as their story intertwines they discover more about each other then either one knew was possible.

Full of charm, “Remarkedly Bright Creatures” is a film about life, loss and the power of love.  Field must deal daily with the whispers of townspeople who gossip about her loss while Cameron, a young man with low self-esteem, finds himself kicked out of his band, really the only family he has.  Like Tova, Cameron shares his thoughts with Marcellus, who turns out to be a great listener!  Like the title character in “My Octopus Teacher,” we are drawn to Marcellus and upset him as a true member of the cast.  The scrip, by director Newman, John Whittington and Shelby van Pelt, is sharp and captures the small town feel necessary to embrace the story.  Field is her usual strong/spunky self, making you imagine what Norma Rae would have been like in her later years.  Pullman, the son of Bill, plays well off of Field, giving the two a genuine friendly chemistry.  And I must give kudos to Alfred Molina, who provides the “voice” of Marcellus.  He handles each moment beautifully, making what could have been standard narration come alive.

On a scale of zero to five, “Remarkedly Bright Creatures” receives ★★★★   

• MARTY:  LIFE IS SHORT
• Starring:  Martin Short, Steve Martin and Eugene Lelvy
• Directed by:  Lawrence Kasdan
• Rated:  TV-14
• Running time:  1 hr 39 mins
• Amazon Studios

Our score:  5 out of 5

As a generation we have been blessed to have been introduced to some truly wonderful people.  People that are not only extremely talented but radiate goodness.  One of those people is Martin Short and director Lawrence Kasdan sat down with the important people in Shot’s life to document the man and his life.

My first memory of Martin Short was on the television series “SCTV.”  It used to run on PBS every Sunday night when I was growing up and made up an amazing block of television when it was coupled with “Monty Python’s Flying Circus.”  It was on “SCTV” that now-legendary characters like Ed Grimley took shape.  After leaving the show Short was asked to join “Saturday Night Live,” where he quickly became a star.  Films followed.  Then Broadway.  But despite all of his successes, Short quietly and with dignity had to deal with tragedy.  And that is the heart of this film.

Through interviews with family members, and such long time friends as Steve Martin, Eugene Levy, John Mulaney, Paul Shafer and others, we learn that, to Short, his best accomplishment was his family.  Through archived interviews with his late wife, Nancy, we learn that the only spotlight Short relishes is that of husband and father.  Though not mentioned in the film, Short’s compassion for others shone brightly in 2012 when, not realizing that Nancy had passed away two years earlier, Kathy Lee Gifford asked Short about the strength of his marriage.  Rather then embarrass Gifford, Short replied that they were still madly in love!

Sadly, tragedy has once again recently found Short as both his dear friend, Catherine O’Hara and his daughter, Katherine.  The film is lovingly dedicated to them both.

On a scale of zero to five, “Marty:  Life is Short” receives ★★★★★   

• THE DEVIL WEARS PRADA 2
• Starring:  Meryl Streep, Anne Hathaway and Stanley Tucci
• Directed by:  David Frankel
• Running time:  1 hr 59 mins
• 20^th Century Studios

Our score:  3 out of 5

Ah, sequels.  Hollywood has made a killing by continuing familiar and popular stories on screen.  In my book “Jaws 2: the Making of the Hollywood Sequel,” I quote my friend, Oscar nominated filmmaker and screenwriter Carl Gottlieb, who notes that the only sequel that loses money is the last on.”  Some film franchises (“Fast and the Furious: (10),” “Jurassic Park” (7)) have more films then your some theatres have screens, with the 11^th “Fast and Furious” film due this summer.  In fact, if you look at the list of the Ten Highest Grossing films of all time, (9) of them are either sequels or the origin film that spawned the sequel.  But don’t fret…I’m sure someone will come up with a “Titanic 2” someday.

In “The Devil Wears Prada 2” we find the heroine of the first film, the hard-working Andy (Hathaway) at a highpoint in her career.  She is about to receive an award for her hard-hitting journalism.  However, that highpoint suddenly crashes when she learns that the publication she writes for is folding.  She is convinced to return to “Runway” magazine, where she is once again paired with the hard-to-please editor Miranda (Streep).  Once again, conflicts arise as each has their own ideas on how the future of the magazine will progress.

If you liked the first film you will no doubt like this one.  I say that because the story and the conflicts are so similar you may have trouble discerning between the two films.  I will say that if you are a fan of fashion and glamour, you’ll love this one, as it spends a lot of time on montages of glamourous people wearing glamourous clothes.  The film plays like an extended episode of “Sex in the City” without the sex.

The films saving grace is the cast, with both Streep and Hathaway returning to characters they obviously enjoy playing and giving them new life.  The supporting cast is also strong, though how can you ever go wrong when Stanley Tucci is in your film?  His Nigel is the film’s most fleshed out character and the film picks up whenever he is on screen.  As one might expect, the production values here are beautiful, giving a true shine to an already glamourous world.

On a scale of zero to five, “The Devil Wears Prada 2” receives ★★★   

• TOM CLANCY’S JACK RYAN:  GHOST WAR
• Starring:  John Krasinski, Sienna Miller and Wendell Pierce
• Directed by:  Andrew Bernstein
• Rated:  R
• Running time:  1 hr 45 mins
• Amazon/MGM Studios

Our score:  4 out 5

Fun fact – before he became a best-selling author, Tom Clancy was a insurance salesman who loved the Orioles and hated the Redskins.  More on this later.

The film begins with a mission obviously going bad.  The worse.  Then it ends. Badly.

While out for a jog, Jack Ryan (Krasinski) finds himself being pursued by mysterious SUV’s.  Despite his best efforts he is caught and summoned to meet with his friend, James Greer (Pierce), now Deputy Director of the CIA.  He is entrusted with an assignment that, like many of the ones Ryan is given, holds serious consequences.  And cue the action!

While I don’t watch the current Amazon Prime Jack Ryan series, I am a big fan of the previous films and I will say that you don’t have to be a fan of the series to enjoy this new adventure.  All of the Ryan trademarks are there:  using his wits when he has to but not afraid to use his fists.  As the adventure travels literally around the world, the stakes, and the action, get bigger.

One thing I’ve noted in the nearly 40 years of Jack Ryan’s existence.  He has gone from a book-smart analyst afraid to speak up to a true action hero.  Not sure if this is because the various actors who played the role (Alec Baldwin, Harrison Ford, Ben Affleck and Chris Pine previously) brought some of their on-screen personas with them or just the way the character was intended to evolve.  Krasinski plays Ryan as a combination of Baldwin and Ford – doing his best to be one step ahead mentally but still able to protect himself, and others, when the time comes.  As Greer, Pierce maintains the gravitas, mixed with sly humor, that James Earl Jones portrayed in the films.  The action set-pieces are well staged and the film moves quickly.

Back to my opening sentence.  I had season tickets for the Orioles  when I lived in Baltimore and would often find myself chatting with Tom Clancy, whose seats were near ours.  After the film of “The Hunt for Red October” came out I asked him what he thought and he was very complimentary.  One thing he told me was that, when he was writing the book, he always pictured Tom Selleck playing Ryan.  I could see hat.  Krasinski has a mischievous side to himself, similar to Selleck’s Thomas Magnum.  I can see what Clancy was looking for and Krasinski brings the character back to the way it was envisioned.  I enjoyed the portrayal so much I may have to start watching the series!

On a scale of zero to five, “Tom Clancy’s Jack Ryan:  Ghost War” receives ★★★★   

• PRESSURE
• Starring:  Brendan Fraser, Andrew Scott and Kerry Condon
• Directed by:  Anthony Maras
• Rated:  R
• Running time:  1 hr 40 mins
• Focus Features

Our score:  3.5 out of 5

On the most recent episode of our “Back in the Day” podcast the crew and I took a look at some of the greatest war movies ever made.  In doing my research I learned that there have been more then 5,000 feature films dealing with World War II alone.  5,000!!  Some of them are regarded as some of the best films ever made (The Best Years of Our Lives, Patton, Schindler’s List, Saving Private Ryan) while others I’d never seen.  As Memorial Day rolls along this year we are treated to another one:  Pressure.

The film opens on the aftermath of what can only be called a horrible tragedy.  Overlooking the carnage, General Dwight D. Eisenhower (Fraser) can only curse.

Jump ahead six months where we meet British meteorologist James Stagg (Scott).  Awaiting the birth of his child, he is summoned to meet with Eisenhower and his staff to forecast the weather conditions that will be taking place during an operation they are calling “D-Day.”  Stagg continually butts heads with Colonel Krick (Chris Messina), whose method of predicting future weather from past events is not a practice Stagg embraces.  The two continually clash, much to the chagrin of an increasingly agitated Eisenhower.  Doing her best to keep the peace is Lieutenant Kay Summersby (Condon), Eisenhower’s aide and buffer.  It’s not an easy job.

Well presented with an outstanding attention to detail, Pressure could be looked at as the prequel to Saving Private Ryan, which opens with the invasion of Normandy, while this film looks at the events leading up to that day.  The cast is strong, with Fraser at his best when going head to head with British General Bernard Montgomery (Damian Lewis), whose “gung – ho” attitude robs Ike the wrong way.  It doesn’t help that “Monty” keeps referencing that, unlike others, he has battlefield experience.  He also throws “Exercise Tiger,” easily Eisenhower’s worse military chapter, out when it suits him.  (NOTE:  For those unaware, Exercise Tiger was basically a practice run for D-Day, with young soldiers taking place in a military exercise.  However, due to poor communications, live ammunition was used and nearly 1,000 soldiers and seamen were killed.)

The film has it’s dramatic moments but it’s also anti-climactic because, while they continually stress that the invasion will take place on June 5^th, anyone with any knowledge of history knows D-Day was June 6^th.  So when Ike asks if everything is good for June 5^th, you want to shake your head and tell him “no, sir.”

That doesn’t mean I didn’t enjoy the film.  I did.  When I was born, Eisenhower was president – JFK would be elected two months later.  And it was a genuine treat to be sitting in the theatre with some of Eisenhower’s great grandchildren.  It lent a nice historical aspect to the screening.

On a scale of zero to five, Pressure receives ★★★  ½

• EPiC:  ELVIS PRESLEY IN CONCERT
• Starring:  Elvis Presley
• Directed by:  Baz Lurhman
• Rated:  PG 13
• Running time:  1 hr 36 mins
• NEON

Our score:  5 out of 5

In 1976 a neighbor of ours asked me if I wanted to pick up a little money on Sundays.  He worked at the Ramada Inn near Tampa Stadium and needed help valet parking cars from fans who would park at the hotel and walk to the game.  Having just gotten my drivers license I jumped at the chance.  One Sunday a smartly dressed man pulled up in a brand new Cadillac.  As I gave him his valet ticket he said, “put it where you can watch it, son.”  I immediately moved the VW bug that was directly in front of my station to the rear of the building and parked the Caddy in its place.  A few hours later the man returned.  As he got in the car he handed me a 5-dollar bill (in those days that was a movie ticket PLUS a large drink and popcorn) and got in.  He then asked me, “do you like Elvis, son?”  I replied “yes” and he handed me two tickets.  Two months later, on February 14, 1977, I found myself at Bayfront Center in St. Petersburg about to attend my first concert.  ELVIS

Director Baz Luhrman, whose 2024 film “ELVIS” introduced the King of Rock and Roll to a new generation of fans, only scratched the surface in presenting the energy that fills the room when Elvis Presley was on stage.  In “EPiC” that energy is felt a thousand times over.  Using behind the scenes footage as well as some unseen concert footage, Luhrman takes the audience front row center as Elvis literally gives his all to please his fans.  Using archival footage, the film is “narrated” by Presley and also features conversations with many of the important people in his life, including wife Priscilla, daughter Lisa Marie and bandmates like Red West and James Burton.

Using footage from two MGM concert films released 50-years ago – “Elvis:  That’s the Way it Is” (1970) and “Elvis on Tour” (1972), the film also shows the toll performing took on Presley.  The weight gain is noticeable in the latter footage, as is the clear exhaustion he often drove himself too, but the voice and the swagger is still there.  As the film progressed the audience in the theatre with us began clapping along to songs.  One yelled out, “I love you, Elvis,” something I’m sure the King heard dozens of times while on stage.  One fan, who came with his daughter, clad in a white jumpsuit, got up in the aisle and began to gyrate.  The audience loved it!

Whether you’re a big fan of Presley’s music or not, “EPiC” will take you back to a time when one man with a microphone could hold 20,000 people in the palm of his hand.

On a scale of zero to five, “EPiC” receives ★★★★★