Film Review: “Mercy”

 

  • MERCY
  • Starring:  Chris Pratt and Rebecca Ferguson
  • Directed by:  Timur Bekmambetov
  • Rated:  PG 13
  • Running time:  1 hr 39 mins
  • MGM/Amazon Studios 

Our Score:  4 out of 5

 

A.I.  Artificial Intelligence.  It’s everywhere these days.  You can’t throw a rock and not hit something that has been affected by the increasingly popular technology.  Take the city of Los Angeles.  Crime has gotten so bad that the criminals are now made to occupy designated “red zones.”  The court system is so overwhelmed that the most heinous crimes are now judged by the Mercy Court in a trial that not only presumes the defendant is guilty but gives them just 90 minutes to plea their case. If found guilty, execution is instantaneous.  Detective Chris Raven is a supporter of the process.  In fact, he was the cop that made the arrest resulting in the very first trial (and execution).  But when he finds himself on trial for his wife’s murder, Detective Raven begins to wonder if maybe he should rethink his opinion.

 

Full of twists, turns and some amazing set pieces, “Mercy” is a film that makes the viewer constantly second guess themselves.  Is Raven guilty?  If he isn’t, who is?  And, more importantly, in a world where EVERYTHING is captured on film, how did they do it?

 

My Chris Pratt viewing history consists of mostly television’s “Parks and Recreation,” “Moneyball” and the MCU.  He’s always been solid but he’s never really carried a film.  Here he proves himself a very capable dramatic actor, his work going up and down the spectrum from dry humor to true despair.  As the “Judge” – an A.I. image who professes that her verdict will strictly be rendered on facts presented – Ms. Fergusson also excels.  She is emotionless and to the point, dismissing any suggestion from Chris that is not based on facts.

 

Visually, the film manages to show two sides of L.A.; one sleek and modernistic, the other cloaked in dismay and chaos.  The action scenes are well paced with a scene featuring a semi-truck rampaging through the steets a highlight.

 

To sum it up, “Mercy” is a wild ride at the movies!

 

On a scale of zero to five, “Mercy” receives ★★   

“Sinners Sets Record with (16) Nominations for the 98th Annual Academy Awards

 

Sinners, Ryan Coogler’s supernatural period drama about twin bootlegging brothers, set a new record when the nominations for the 98th Annual Academy Awards were announced this morning, earning an impressive (16) nominations, including Best Picture, Director, Original Screenplay and Actor.  This breaks the previous nomination record of (14) set by All About Eve, Titanic and La La Land.  One of the nominations came in the newly created category recognizing the film’s casting.  Other films with multiple nominations, including Best Picture, were One Battle after Another (13) with Frankenstein and Marty Supreme both getting (9) nominations.  Other Best Picture nominees:  Bugonia, F1, Hamnet, The Secret Agent, Sentimental Value and Train Dreams.   Oddly enough, one year after the film Wicked earned (10) nominations, Wicked for Good received no recognition, not even in the technical categories (Visual Effects, Sound, etc) where it placed the year before.

 

First time acting nominees include Michaeel B. Jordan and Delroy Lindo from Sinners, Rose Byrne (If I Had Legs I’d Kick You) and Elle Fanning (Sentimental Value).  They were nominated alongside previous Oscar winners including a trifecta – Leonardo Di Caprio, Benecio del Toro and Sean Penn, all nominated for their work in One Battle after Another and two-time Best Actress winner Emma Stone (Bugonia).

 

The 98th Annual Academy Awards will be presented on Sunday, March 15th, on ABC television.

 

Here is a complete list of nominees:

 

Actor in a Leading Role

Timothée Chalamet

Marty Supreme

Leonardo DiCaprio

One Battle after Another

Ethan Hawke

Blue Moon

Michael B. Jordan

Sinners

Wagner Moura

The Secret Agent

Actor in a Supporting Role

Benicio Del Toro

One Battle after Another

Jacob Elordi

Frankenstein

Delroy Lindo

Sinners

Sean Penn

One Battle after Another

Stellan Skarsgård

Sentimental Value

Actress in a Leading Role

Jessie Buckley

Hamnet

Rose Byrne

If I Had Legs I’d Kick You

Kate Hudson

Song Sung Blue

Renate Reinsve

Sentimental Value

Emma Stone

Bugonia

Actress in a Supporting Role

Elle Fanning

Sentimental Value

Inga Ibsdotter Lilleaas

Sentimental Value

Amy Madigan

Weapons

Wunmi Mosaku

Sinners

Teyana Taylor

One Battle after Another

Animated Feature Film

Arco

Elio

KPop Demon Hunters

Little Amélie or the Character of Rain

Zootopia 2

Animated Short Film

Butterfly

Forevergreen

The Girl Who Cried Pearls

Retirement Plan

The Three Sisters

Casting

Hamnet

Marty Supreme

One Battle after Another

The Secret Agent

Sinners

Cinematography

Frankenstein

Marty Supreme

One Battle after Another

Sinners

Train Dreams

Costume Design

Avatar: Fire and Ash

Frankenstein

Hamnet

Marty Supreme

Sinners

Directing

Hamnet

Chloé Zhao

Marty Supreme

Josh Safdie

One Battle after Another

Paul Thomas Anderson

Sentimental Value

Joachim Trier

Sinners

Ryan Coogler

Documentary Feature Film

The Alabama Solution

Come See Me in the Good Light

Cutting through Rocks

Mr. Nobody against Putin

The Perfect Neighbor

Documentary Short Film

All the Empty Rooms

Armed Only with a Camera: The Life and Death of Brent Renaud

Children No More: “Were and Are Gone”

The Devil Is Busy

Perfectly a Strangeness

Film Editing

F1

Marty Supreme

One Battle after Another

Sentimental Value

Sinners

International Feature Film

Brazil

The Secret Agent

France

It Was Just an Accident

Norway

Sentimental Value

Spain

Sirāt

Tunisia

The Voice of Hind Rajab

Live Action Short Film

Butcher’s Stain

A Friend of Dorothy

Jane Austen’s Period Drama

The Singers

Two People Exchanging Saliva

Makeup and Hairstyling

 

Frankenstein

Kokuho

Sinners

The Smashing Machine

The Ugly Stepsister

Music (Original Score)

Bugonia

Frankenstein

Hamnet

One Battle after Another

Sinners

Music (Original Song)

“Dear Me”

from Diane Warren: Relentless; Music and Lyric by Diane Warren

“Golden”

from KPop Demon Hunters; Music and Lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park

“I Lied To You”

from Sinners; Music and Lyric by Raphael Saadiq and Ludwig Goransson

“Sweet Dreams Of Joy”

from Viva Verdi!; Music and Lyric by Nicholas Pike

“Train Dreams”

from Train Dreams; Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave

Best Picture

Bugonia

F1

Frankenstein

Hamnet

Marty Supreme

One Battle after Another

The Secret Agent

Sentimental Value

Sinners

Train Dreams

Production Design

Frankenstein

Hamnet

Marty Supreme

One Battle after Another

Sinners

Sound

F1

Frankenstein

One Battle after Another

Sinners

Sirāt

Visual Effects

Avatar: Fire and Ash

F1

Jurassic World Rebirth

The Lost Bus

Sinners

Writing (Adapted Screenplay)

Bugonia

Frankenstein

Hamnet

One Battle after Another

Train Dreams

Writing (Original Screenplay)

Blue Moon

It Was Just an Accident

Marty Supreme

Sentimental Value

Sinners

 

 

Book Review: “Jaws: Memories from Martha’s Vineyard” (Expanded and Revised Edition – 2025)

 

  • Jaws: Memories from Martha’s Vineyard (Expanded and Revised Edition – 2025)
  • Author: Matt Taylor
  • 312 Pages
  • Titan Books

Our score:  5 out of 5

 

Sometimes you have amazingly great fortune.  As a long time fan of the film Jaws, I had the opportunity to follow the book, “Jaws: Memories from Martha’s Vineyard,” practically from inception.  I was honored, when the book was released in 2011, to be the first person to review it.  The book was also partly responsible for my own book, “Jaws 2: The Making of the Hollywood Sequel,” written with Louis Pisano, which was released in 2015.  One of the proudest reviews our book received read, “belongs on the same shelf with “Jaws: Memories from Martha’s Vineyard.”  As Peter O’Toole said in My Favorite Year, “Praise indeed.”

 

To celebrate the recent 50th Anniversary of Jaws, author Matt Taylor has searched out new stories and new photos and done the impossible.  He’s made a great book even better!  If you’ve read the book, you know that it tells the story of the making of Jaws through the words and photos of the people who were on Martha’s Vineyard during the summer of 1974.  Some of the new photos in this book are jaw dropping.  Familiar scenes seem brand new thanks to being able to view them from a different angle.  The fact that so many people were allowed, unfettered, to wander around on various locations with their Instamatics is one that, in today’s age of secrecy and security, seems mind-boggling.  Thank God for those curious people, because they have captured images that make an old friend seem new.

 

As with the 2011 edition, the new Updated and Revised edition of Jaws: Memories from Martha’s Vineyard is available in both a beautiful oversized hardback version as well as a special limited edition that comes with a piece of the “break-away dock” – the “Holiday Roast” scene – from the film.  Whether you’re a fan of Jaws, or just love the movies, this book is truly a “must have” for your library.  If you’ve read the 2011 edition, you need to check out the Updated and Revised edition.  You will not be disappointed!

 

Check out an interview with author Matt Taylor and graphic designer Paul Prizer on the “Let’s Talk Jaws Live!” podcast, including an unboxing of the special Updated and Revised edition by clicking HERE.

 

“Jaws: Memories from Martha’s Vineyard” can be ordered by clicking HERE.

Concert Review: Paul McCartney – The Got Back Tour

 

 

 

  • PAUL McCARTNEY – Got Back!
  • Casey’s Center
  • Des Moines, Iowa

 

Though I don’t remember it, my father told me that I watched the Beatles first appearance on “The Ed Sullivan Show” in February 1964 with rapt attention.  My father wrote poetry and he often wrote about day to day things that he found interesting.  There was a children’s program in Cleveland hosted by a gentleman who called himself Barnaby and one poem described my youthful frustration as the show was apparently pre-empted by a message from the President of the United States – “it seems that Mr. Kennedy was on instead of Barnaby.”  I make this point because I truly can’t remember a time in my life where the Beatles were not present.  The first record I ever purchased with my own money (.69¢ if I remember correctly, money made by collecting glass soda bottles and returning them to the store – was “Hello, Goodbye.”  So when I learned that Paul McCartney was coming to the Midwest, I made sure to buy tickets the day they went on sale!

 

Kicking off the show with a rousing rendition of “Help!,” McCartney immediately made the legions of Beatles fans happy, kicking off a nearly three-hour show that featured no less than (21) Beatles songs, from their very first song, made when they called themselves the Quarrymen, “In Spite of All the Danger,” to their last, the Grammy award winning “Now and Then.”  Throw in a plethora of his music with the band Wings and his solo material, and you found yourself treated to a performer who, at age 83, rocks like a man a third his age.

McCartney was assisted by a great back up band, many of whom, like drummer Abe Laboriel, Jr and guitarist Rusty Anderson, have played with him for decades.  Add to this a first rate light and video show and you instantly know why the man sells out everywhere he goes.

I have to say I was moved to tears during “Now and Then.”  For those who don’t follow the news, this was a song written and recorded on a homemade tape by John Lennon.  It was one of three songs that the surviving Beatles (Paul, George Harrison and Ringo Starr) worked on in 1995 for their “Beatles Anthology” specials.  Due to technological difficulties, they were unable to produce a decent version of the song.  However, in 2023, technology caught up and the song was recorded.  To me, “Now and Then” was a on John wrote TO Paul, telling his old mate through song what he meant to him and his life.  When finished, Paul thanked John “for writing such a beautiful song.”  Another emotional highlight was his tribute to George Harrison, which included Paul playing “Something” on the ukelele.

This was the 7th time I’ve seen McCartney live – dating back to my first time on July 4, 1990 at RFK Stadium in Washington D.C.  The highlight that night was Macca singing “Birthday” to America!  Each time the show has been amazing, with McCartney mixing Beatles, Wings and solo songs each time, making each show fresh and new.

 

The Paul McCartney – Got Back tour recently concluded the U.S. leg of the tour.  But if I know Paul – I mean, I don’t but you get what I’m saying – I’d look for him back on the road sooner then later.  If you’ve never seen him live, I urge you to find the nearest venue and buy a ticket.  If you’ve already seen him…see him again!

SET LIST

Help!, Coming Up, Got to Get You Into My Life, Drive My Car, Letting Go. Come On to Me, Let Me Roll It, Getting Better, Let ‘Em In, My Valentine, Nineteen Hundred and Eighty-Five, Maybe I’m Amazed, I’ve Just Seen a Face, In Spite of All the Danger, Love Me Do, Dance Tonight, Blackbird, Here Today, Now and Then, Lady Madonna, Jet, Being for the Benefit of Mr. Kite!, Something, Ob-La-Di, Ob-La-Da, Band on the Run, Get Back, Let It Be, Live and Let Die, Hey JudeENCOREI’ve Got a Feeling, Sgt. Pepper’s Lonely Hearts Club Band, Helter Skelter, Golden Slumbers, Carry That Weight, The End.

Film Review: “Song Sung Blue”

 

  • SONG SUNG BLUE
  • Starring:  Hugh Jackman and Kate Hudson
  • Directed by:  Craig Brewer
  • Rated:  PG 13
  • Running time:  2 hrs 13 mins
  • Focus Features   

Our score:  4 out of 5

 

I can’t remember a time when Neil Diamond wasn’t in my life.  This is thanks to my mother, Rose.  She loves Neil.  No, let me put it another way…she LOVES Neil.  She used to say that “Cracklin’ Rosie” was a song about her.  She would pay outrageous amounts to make sure she was sitting front row at his concerts.  She would make him shirts and have them sent backstage.  In a1994 she called me and the first words out of her mouth were, “have you heard?  Neil and Marcia are getting divorced!”  When I asked who she was talking about, she replied, “Neil Diamond!”  I paused a minute and asked, “Mom, did he ask you to marry him?”  I should also point out that, while I lived in Baltimore for 13-years, she only came out to visit me twice.  Coincidentally, Neil Diamond was in town that same week!  If you’ve seen the film “Saving Silverman,” I’ve always maintained that the Jack Black character is based on my mom!

 

Another big fan was Mike Sardina (Jackman).  Billing himself as “Lightning,” Mike played the clubs of Milwaukee as part of a musical tribute act.  Elvis is his specialty.  When he is bumped from his slot by another singer, Mike decides to go in another direction.  After meeting fellow tribute artist Claire (Hudson) – her specialty is Patsy Cline – it is suggested that Mike try sining Neil Diamond songs.  Mike is reluctant, at first, because he holds Diamond, and his songs, in such high regard.    Eventually he agrees and, after convincing Claire to be part of the act, they bill themselves as “Thunder and Lightning” while presenting the Neil Diamond Experience.  Both Mike and Claire have had their share of adversity but nothing has prepared them for what comes next.

 

Based on a true story (I highly recommend seeing the documentary of the same name), “Song Sung Blue” succeeds mostly on the performances of Jackman and Hudson.  We all know Hugh Jackman can sing, but I was blown away by Ms. Hudson’s vocals, though I shouldn’t be too surprised considering her mother is Goldie Hawn, one of the best triple threat performers in film history.

 

While the music is the highlight, it is the story that pulls the film down some.  Without giving too much away, I’ll just say that if there was something that could go wrong for Mike and Claire, it most definitely did.   Jackman and Hudson are also buoyed by a great supporting cast, including Michael Imperioli, Fisher Stevens, Ella Anderson and King Princess.  And a special shoutout to Jim Belushi, who steals every scene he’s in.

 

I asked my mom if, having lived about an hour away from Milwaukee for the past 50 years, if she had ever seen “Lightning and Thunder.”  Surprisingly, she hadn’t.  But I’m sure if she had, she would have been their biggest fan!

 

On a scale of zero to five I give “Song Sung Blue” ★★

 

 

Film Review: “Anaconda” (2025)

 

 

  • ANACONDA  (2025)
  • Starring:  Paul Rudd, Jack Black and Steve Zaun
  • Directed by:  Tom Gormican
  • Rated:  PG 13
  • Running time:  1 hr 39 mins
  • SONY Pictures

Our Score:  3.5 out of 5

 

In 1997, SONY released the film “Anaconda.”  Starring Jon Voight, Ice Cube, Jennifer Lopez and others, it was a modest hit.  My son was 13 when it came out, and he and his friends loved it.  Apparently they weren’t the only ones.  Other fans include Paul Rudd and Jack Black, who have set out to remake the film in their own way.  They should be proud of what they’ve done.

 

We first meet Ronald Griffin – Griff for short – (Rudd) at work.  Griff is an actor and the jobs are coming further and further apart.  Back home, his childhood friend Doug (Black) has given up on his dreams of being a filmmaker and now spends his days working for his father’s wedding video company.  When Griff surprises Doug by coming home for his birthday, he mentions that he has been given the rights to remake the film “Anaconda,” and wants to do it with his friends.  All they need is a big snake.

 

Both seriously funny and thrilling at the same time, “Anaconda” works thanks to the chemistry of its cast.  Doug and Griff are joined by pals Kenny (Zaun), their longtime cameraman, and Claire (Thandie Newton), Griff’s one time girlfriend who comes along to play the female lead.  The four have a genuine friendship which translates well to the big screen.  But the film is not just played for laughs.  There are some pretty intense moments, quite understandable when you’re trying to deal with a 20-foot-long snake!

 

The visual effects are pretty solid and they keep the screams (and the laughs) coming.

 

If you see one Snake movie this year, make it “Anaconda!”

 

On a scale of zero to five stars, I give “Anaconda” ★½

 

 

Film Review: “The Housemaid”

 

  • THE HOUSEMAID
  • Starring:  Sidney Sweeney and Amanda Seyfried
  • Directed by:  Paul Feig
  • Rated:  R
  • Running time:  2 hrs 10 mins
  • Lionsgate
  • Our Score:  4 out of 5

 

If the name Paul Feig sounds familiar, it’s probably because of his work in some well known comedies.  Besides directing several episodes of television’s “The Office,” he has worked extensively with Melissa McCarthy, directing such films as “Bridesmaids,” “The Heat,” “Spy” and the underappreciated 2016 “Ghostbusters.”  So to find him in charge of a psychological thriller may come as a surprise.  I’m happy to say it’s a good one.

 

Millie (Sweeney) is a woman on her own.  Flitting from job to job, she currently finds herself living in her car and applying for anything she can find.  One such job is as a housekeeper for a very posh socialite (Seyfried).  She interviews well and gets the job.  It should be the end of her troubles.  But it’s just the beginning.

 

Riding on the shoulders of it’s two leading actresses, “The Housemaid” is like a roller coaster ride, taking you in one direction until, unexpectedly, taking a turn so jarring you need to catch your breath.  Sweeney plays Millie as a tough, but seemingly goodhearted, woman with a past she’s trying to escape.  Seyfried, as Nina, seems genuinely kind, but she soon reveals she is also dealing with demons she can’t escape.  All of this plays out in a beautiful home, brightly lit and friendly, that slowly becomes darker and darker as secret after secret is revealed.  As Andrew, Nina’s husband, Brandon Sklenar does his best to keep the peace, but we soon learn he has secrets too.

 

The film is well paced, and director Feig wisely let’s the story play out without telegraphing the next twist.  All in all, this is a film I really recommend.

 

On a scale of zero to five, I give “The Housemaid”  ★★ 

Win Passes to the Kansas Cityl Premiere of “Anaconda”

Media Mikes has teamed up with their friends at SONY to give (50) readers and (3) guests the opportunity to be among the first to see the new film, “Anaconda.”

All you need to do is click HERE.  Those who do will recieve a pass for (4) people to attend the showing on Wednesday, December 17th.  The screening will be at the Pharoah Theatre in Independence, Missouri and will start at 7:00 pm.

This is a first come/first serve promotion.  Once the allotted (50) passes have been claimed the giveaway has ended.  GOOD LUCK!

 

“Anaconda,” starring Paul Rudd and Jack Black, is rated PG 13 and opens nationwide Christmas day..

Film Review: “Wicked: For Good” (Review 2)

 

  • WICKED:  FOR GOOD
  • Starring:  Cynthia Erivo, Ariana Grande and Jeff Goldblum
  • Directed by:  John M. Chu 
  • Rated:  PG
  • Running time:  2 hrs 17 mins
  • Universal

 

Our score:  4.5 out of 5

 

Let the joyous news be spread…”Wicked” is back!

 

When we last walked out of the theatre, Elphaba (the supremely talented Erivo) had flown off on her broom while Glinda (the equally good Grande) stayed behind in Oz.  We had many questions.  What’s up with the animals?  What’s up with the goofy Wizard?  And where in the hell is Dorothy?  With “Wicked:  For Good”  questions, and more, are soon answered.

 

“Wicked” was an amazing piece of filmmaking, transforming the spectacular story successfully from the Broadway stage.  It was full of fun and music, with with a story that didn’t take itself too seriously.  In the new film, those tables are turned.  Here the cast gets to display their many ranges of emotions, from happiness to despair, and they do it brilliantly.  There is more “meat” in this story, and the cast is most certainly up to the task.  Both Ms. Erivo and Ms. Grande carry the emotional weight of the film while Mr. Goldblum uses every quirky trick he’s ever had up his sleeve.

Musically, the score is fine, though, just as I thought with the Broadway show, the songs in Act II are not as strong as in Act I.  There is no “Popular” or “Defying Gravity” here, though in a way this works for the story as it gives the audience the opportunity to concentrate on the performances rather than simply sing along.  From the main cast to supporting actors like Bowen Yang and Ethan Slater, the cast is solid across the board.

 

Director Chu keeps the story moving at a fast pace, though nothing is rushed.  Production design is top notch, with the artistic crew bringing Oz to life!

 

It may be hard to believe but, like the beloved “West Side Story,” “Wicked” did not win the Best Musical Tony Award (it lost to “Avenue Q.”).  But I can safely say that “Wicked:  For Good” is the Best Musical of the Year!

 

On a scale of zero to five, I give “Wicked: For Good” ★★ ½ .   

Interview with Actor Robert Carradine

 

 

Actor Robert Carradine comes from an amazing family of actors.  His father, John, was a star during Hollywood’s Golden Age, appearing in such films as The Grapes of Wrath, The Ten Commandments and Around the World in 80 Days.  He also appeared in several westerns alongside John Wayne: Stagecoach, The Man Who Shot Liberty Valance and what would be Wayne’s last film, The Shootist.   His brother, David, is probably best remembered for his starring role in the television series “Kung Fu,” while another brother, Keith, won on Oscar for Best Original Song for his song “I’m Easy” from the film Nashville and went on to star on Broadway in “The Will Rogers Follies.”

 

Mr. Carradine earned praise for his powerful portrayal of doomed soldier Bill Munson in the Oscar winning film Coming Home.  He is probably best known for his role as Lewis Skolnick in the 1984 comedy Revenge of the Nerds and it’s sequels, as well as Sam McGuire, the father of the title character on the television series “Lizzy McGuire.”

His other films include Mean Streets, Joyride, The Big Red One, The Long Riders, and Django Unchained.  He also hosts his own Podcast, called “Party Nerds Popcast.”

 

On Friday, October 24th, Mr. Carradine will be appearing in Omaha, Nebraska at the Omaha Community Playhouse for a special screening of his first feature film, The Cowboys.  He kindly took some time out this week to talk to MediaMikes about his career.

 

With Jon Voight in “Coming Home”

 

Mike Smith:  Acting certainly runs in your family.  Did your father encourage you and your brothers to pursue the craft?

 

Robert Carradine:  Not directly.  I do remember that he did say if we had an interest in pursuing acting that we needed to get a literary education.

 

MS:  Your father was such a great speaker.  A true orator.  Such an amazing gravitas.  Was that acting or did he always speak like that?

 

RC:  That’s how he spoke all the time.  He took a great deal of pride in his diction and his vocabulary.  He did have gravitas when he spoke.

 

MS:  The first film I saw you in was Joyride, which starred a second generation of Hollywood talent (NOTE:  besides Mr. Carradine, the film starred Desi Arnaz, Jr, Melanie Griffith (daughter of Tippi Hedren) and Anne Lockhart (daughter of June Lockhart).  Was the casting intentional?

 

RC:  That was totally planned.  They wanted that so they could use it in their advertising.

 

MS:  You’re appearing this week in Omaha for a special screening of The Cowboys.  Any good John Wayne stories?

As Slim Honeycutt in “The Cowboys”

 

RC:  The one story that gets people is when I was on location.  It was about the fourth day of a ten week shoot.  I’m seventeen-years old and we’re shooting a scene where each one of the cowboys has to ride a bucking bronco.  After the fourth kid tries, A. Martinez, the actor that played Cimaron, rides into the ring, jumps on the bucking horse, rides all the rough off of her and makes her back up.  He basically breaks the horse.  He rides the horse up to the fence where we’re all sitting, hands the reigns to the next kid and says, “here boy…maybe you can ride her now.”  The kid jumps off the fence to fight Cimaron, and I jump off the fence to protect the kid, because he’s a little kid.  John Wayne breaks it up and he pulls me away from the fight.  He says, “you.  Get back on that fence where you belong.”  He’s then supposed to curse Cimaron.  But before he can say his line, I say, “excuse me, Mr. Wayne.  I don’t think you should tell me to get back on the fence where I belong.  I think you should just tell me to get back on the fence.  Because I’m the head kid.”

 

That did not go over well!

 

MS:  Wayne and your dad both starred in The Man Who Shot Liberty Valance.  Did he know who you were?

 

RC:  Oh yeah.  He definitely knew the name.

 

MS:  You later went on to star in “The Cowboys” television series and, later, “Lizzy McGuire.”  Do you enjoy doing television?

 

RC:  I love doing it.  The thing that’s great about television is that you tend to not get behind.  Things run on time.  When you get a call sheet with the day’s work on it you can pretty much count on the fact that you’re going to get to everything.  There’s a certain comfort in knowing that the work’s going to get done.

With brothers Keith and David in “The Long Riders”

MS:  Here’s a Long Riders question that I asked James Keach. What was it like working with your brothers?  And were you competitive with the other groups of brothers?  (NOTE:  Walter Hill’s 1980 Western The Long Riders co-starred Mr. Carradine and his brothers, David and Keith, as well as Stacy and James Keach, Dennis and Randy Quaid and Christopher and Nicholas Guest)

 

RC:  There was a joking competitiveness.  One of the things that became quite competitive was seeing who could get out in front of the hotel first in the morning when we had to get picked up.  It got to the point where people began showing up fifteen-minutes early. (laughs)

As Lewis Skolnick in “Reenge of the Nerds”

MS:  Time for the obligatory Revenge of the Nerds question.  Did you have a sense while filming that the film would have the success that it did?

 

RC:  No.  But I do remember that we had an incredible time making the film.  It was a lot of fun.  And I think that the camera records how you actually feel and, the fact that we were on fire, for lack of a better phrase, the camera recorded that.  That was one of the things that made that film work on a massive level.

 

MS:  You’ve worked with some amazing filmmakers, among them Hal Ashby, Martin Scorsese and Quentin Tarantino.  You’ve also directed for television.  Any thoughts of tackling a feature film from behind the camera?

 

RC:  I have two feature films currently on the back burner at the moment because, as I’m sure you can imagine, it’s terribly difficult to raise the funds to make a feature film.  But we have people that do that who are currently working on raising funds and we’ll see if that comes to fruition.

 

MS:  You’ve sung in a few films.  Any thoughts of taking a shot at musical theatre like Keith did?

 

RC:  It’s funny you should ask.  I had the opportunity to do some musical theater where I would have had to dance.  I would have had to sing.  I’m not really a singer, and there was a lot of dialogue.  I took a long look at it.  Initially I said “yes” but as I started to get into it I realized I was in over my head, so I had to back out.

MS:  What do you have coming up?

 

RC:  I just finished a movie in Canada called Sorority Shark Attack.  And that title tells you everything you need to know!

 

If you’re interested in attending the screening of The Cowboys, you can order tickets by calling (402) 350-8000.

 

You can listen to the Party Nerd Popcast HERE.

 

FIlm Review: “Caught Stealing” REVIEW # 2

 

  • CAUGHT STEALING
  • Starring:  Austin Butler, Regina King and Zoe Kravitz
  • Directed by:  Darren Aronofsky
  • Rated:  R
  • Running time:  1 hr 47 mins
  • SONY/Columbia Pictures

 Our Score:  3 out of 5

The following is from my review of Darren Aronofsky’s last film, “The Whale” –

 

“As a filmmaker, director Darren Aronofsky can be very hit or miss.  On one side of the spectrum, he created a masterpiece with “Requiem for a Dream.”  On the other hand, I give you “The Fountain.”  “The Whale” is another fine achievement and one that should be seen and appreciated.” 

 

The above line holds true still with the director’s latest film, “Caught Stealing.”

 

Hank Thompson (Butler) is a one time baseball phenom whose bad decision making has led him to his present stage of life – working as a bartender.  When he comes home one night he is met by his friend Russ (Matt Smith) who tells him he must leave town to take care of his ill father and asks Hank to care for his pet cat.  When Hank comes home the next night to find a couple of tough guys looking for Russ – and giving Hank a terrible beating – Hank begins to realize there is more to the story then Russ is letting on.

 

Mr. Aronofsky directed Brendan Fraser to an Academy Award winning performance in “The Whale.”  The star of “Caught Stealing” was Mr. Fraser’s biggest competition for the award, Austin Butler, whose portrayal of Elvis Presley is one of the best biographical performances ever put on film.  Mr. Butler is well cast here, playing Hank as an easygoing person whose past continues to haunt him while he now deals with both the police and the criminals who are convinced Russ gave him something besides a cat.

 

The story is one of deceit and double cross and you’re not really sure who is who as the film progresses.  Peppered throughout the film are references to Hank’s baseball glory days, though except for giving the film a clever title, they really offer nothing to the story.  Hank could have been an up and coming scientist and found himself in the same situation due to his bad decisions.

The cast is strong, with Butler and Ms. King giving storng performances.  Special mention to Mr. Smith, whose mohawk adorned Russ gives the film a kick in the pants every time he is on screen.

 

The story is a little formulaic but the biggest problem I had with it was Hank’s almost superhero like ability to run, dive and hang off buildings despite recently having a kidney removed is pretty, well, you know what I’m saying.

 

On a scale of zero to five, I give “Caught Stealing”   

Film Review: “Nobody 2” REVIEW # 2

 

  • NOBODY 2
  • Starring:  Bob Odenkirk, Connie Nielsen and Christopher Lloyd
  • Directed by:  Timo Tjahjanto
  • Rated:  R
  • Running time:  1 hr 29 mins
  • Universal

Our score:  3 out of 5 

Bob Odenkirk…action star?  That’s the first thing I thought when I saw 2021’s film, “Nobody.”  Could Saul Goodman actually kick some ass?  Yes he could, and he was very good at it.  Four years later he’s still good at it, but looking for a break.  He takes his family on vacation to his favorite childhood water park, where no one will bother him.  Right?

 

Action packed, “Nobody 2” follows Hutch (Odenkirk) and his family, including his bad ass father David (Lloyd) enjoying the sites and sounds of small town America when Hutch’s son gets into a scrap with the son of the town sheriff.  Hutch is given a dressing down and thinks the situation is over, but some people just never learn.  The more involved Hutch gets the more he discovers that his childhood memories may not have been all good.

 

The action here is well staged and Odenkirk does indeed prove to be a fine action star.  However, unlike Arnold or Sly, Odenkirk plays Hutch as a real man, one who isn’t bullet proof and gets winded easily.  A fine presentation.  It’s always great to see Christopher Lloyd on screen and he has more to do here then he did in the first film.  The big surprise here is Sharon Stone, who plays the criminal mastermind of the town with a coolness she hasn’t shown since “Casino.”

 

The film is quite short, but it doesn’t feel rushed.  Some times less is more.  That certainly applies here.

 

On a scale of zero to five, I give “Nobody 2”   

 

Film Review: “The Naked Gun” (2025) REVIEW #2

 

  • THE NAKED GUN (2025)
  • Starring:  Liam Neeson, Pamela Anderson and Danny Huston
  • Directed by:  Akiva Schaffer
  • Rated:  PG 13
  • Running time:  1 hr 25 mins
  • Paramount

Our score:  3.5 out of 5 

I think I’m one of the very few people that watched the original “Police Squad” television show.  Created by the comedy genius’ behind the film “Airplane” the short lived series starred Leslie Nielsen as Frank Drebbin, a bumbling cop who still managed to get the job done.  Like “Airplane,” and their next film, “Top Secret,” the team of Brothers David and Jerry Zucker and Jim Abrahams, immortalized as ZAZ, the show kept bombarding the audience with jokes.  Some stuck, some didn’t, but the results were always funny.  I would be remiss if I didn’t mention writer Pat Proft, who also contributed to the humor.

 

“Police Squad” spawned three feature films, beginning with “The Naked Gun.”  Following the same formula as their previous projects, ZAZ (and Proft) gave audiences comedy gold.  Can Frank Drebbin, Jr. follow in his father’s hilarious footsteps?

The story line, as it were, finds Frank Drebbin, Jr. (a hilariously deadpan Neeson) foiling a bank robbery thanks to the power of disguise.  The opening moments set the tone for the rest of the film.  Yes, this is your father’s “Naked Gun.”  Frank’s partner, Ed Hocken, Jr (Paul Walter Hauser), like Frank, is the son of a former Police Squad detective, played in the original films by George Kennedy.  A great scene show the sons paying tribute to their fathers while the son of former officer Nordberg just dismisses his pop.  If you know, you know.

 

Neeson, who has shown his comedic chops in films like “Ted 2” and “A Million Ways to Die in the West” (both done my Seth McFarlane, who also produced this film) is perfect here.  His rugged face, and action film cred, make his character especially likeable.  Kudos also to Danny Huston, who is making an excellent living out of playing bad guys.  In a role where she is almost unrecognizable, Ms. Anderson proves herself to be a fine film comedienne.

 

If I have one issue, it’s that the film is quite short.  The 85-minute running time noted above includes the end credits. Hopefully the next one (fingers crossed) will be longer.

 

On a scale of zero to five, I give “The Naked Gun” ★1/2   

 

 

Film Review: “Superman”

 

  • SUPERMAN
  • Starring:  David Cornsweat, Rachel Brosnahan and Nicholas Hoult
  • Directed by:  James Gunn
  • Rated:  PG 13
  • Running time:  2 hrs 9 mins
  • Warner Bros

 Our Score: 3.5 out of 5

47-years ago, several of my high school friends and I gathered at the Hillsboro Theatre in Tampa to catch the first show of “Superman: The Movie.”  We loved it.  As fate would have it, not only are we all still great friends, but I was back home in Tampa when the latest adventures of the Man of Steel hit the big screen.  We went.  We liked it.

 

As told by director/co-writer James Gunn, some things are different in the DC comic universe that I grew up reading about and watching.  We now find Clark Kent (Cornsweat) and Lois Lane (Brosnahan) in a committed relationship.  Of course, this means Lois knows his secret identity, which was always a bad thing in the past.  However, the chemistry between the two is such as you don’t mind that this fact is one of the many that are now apparently cannon for the character.  We are introduced to Krypto, the Superdog.  And a pretty amazing Fortress of Solitude.  Everything for comic book lovers to fawn over and discuss.  One blink and you’ll miss it line, which I won’t divulge, took me by surprise though I was assured after the movie by two of my true comic books reading chums that the fact in question was pointed out in a late 1970s edition of the comic.  OK, back to the film.

 

As usual, Superman is put upon by the evil machinations of one Lex Luthor (Hoult), who is quite good here.  For some reason, from Gene Hackman to Jesse Eisenberg, Lex Luthor has been played to laughs with his schemes.  In my opinion, only Kevin Spacey in “Superman Returns” really nailed the Lex Luthor I remembered from my youth.  Hoult is right up there with Spacey, giving Luthor the menace he truly exudes.

The rest of the main cast is strong.  Cornsweat has big boots to fill.  To me, the late Christopher Reeve will always be Superman, but I’ve had no issue with how the character was portrayed in later films by Brandon Routh and Henry Cavill.  Cornsweat is very reminiscent of the character the way he was portrayed in film serials by Kirk Allyn.  If I have one issue with the casting it’s that apparently James Gunn has never been to Kansas.  In the past, Superman’s adoptive father, Jonathan, has been a strong, simple man who offered advice when needed, be he played by Glenn Ford or Kevin Costner.  Here, as portrayed by Pruitt Taylor Vince, Pa Kent is a yokel in coveralls.

 

Still, the special effects are outstanding and there are enough Easter eggs – one character is named Otis Berg – to make longtime fans happy.

 

On a scale of zero to five, I give “Superman” ★1/2