Homecoming Week – JAWS Turns 50

PHOTOS BY VALENTINO CAPONE

 

 

It has been one heck of a summer.  With the return of Jaws to the big screen this weekend, I felt the need to take a look back at the 50th Anniversary Celebration, which took place on Martha’s Vineyard from June 19-22.  I was not only there as a fan.  I had the amazing honor of taking part in many of the festivities.

Richard Dreyfuss answers questions at LET’S TALK JAWS LIVE@

 

The official Amity Homecoming Weekend kicked off on Thursday, June 19th, when the Martha’s Vineyard Museum allowed myself and my co-hosts, Nate Jones and Jane Jones Clark, to record our long running YouTube show, “Let’s Talk JAWS Live!” in front of a sold-out audience, most importantly because it was a fundraising event for the Museum.  We were joined by such JAWS celebrities as Production Designer Joe Alves, actors Jeffrey Kramer, Tom Dunlop and Gary Springer, author Dennis Prince and special effects creator Kasey Erokhin.  Also joining the show via the Internet was actress Gigi Vorgan.  For 90 minutes, the audience had the opportunity to ask questions in an up-close and intimate setting.  What those in attendance didn’t know was that a very special guest had decided to join the show.  The crowd rose as one and burst into applause when Matt Hooper himself, Oscar winner Richard Dreyfuss, entered the room.  Taking his place in front of the room, Dreyfuss answered questions and shared stories with Alves and Kramer.  As I write this, the video of Dreyfuss’ surprise entrance has received over two million views on Tik Tok.

 

Friday, June 20th, the film’s official 50th Birthday, saw myself and Joe Alves, along with Dennis Prince, at Edgartown Books, which sponsored a book signing for Joe’s new biography as well as my own “FINATICS – 50 Years of JAWS.”  The crowd was steady for the two hours we were there, often stretching down the street in front of the bookstore.  Other authors, including Ryan Dacko (“The Book of Quint”) and Ira Marcks (“Shark Summer”) also graced the porch of the bookstore that week. 

The ORCA returns

 

Friday also saw two major panels at the Museum.  The first, “JAWS: A Deep Dive” was presented by Historian and JAWS expert Bow Van Riper.  Later in the day, director Guy Masterson took fans behind the scenes of the Broadway show “The Shark is Broken,” which was scheduled to make its Vineyard debut in July. 

 

Friday also saw the return of two classic modes of transportation to the Island.  Michael Sterling, who had created his own replica of the famed ORCA, docked it along the water in Oak Bluffs, allowing fans the opportunity to take photos of the classic ship.  On the land, fans were treated to Gabe DiSaverio’s replica of Chief Brody’s Amity PD 1974 Chevy Blazer. 

 

Finally, Friday also saw the beginning of the largest non-official event of the weekend:  a cast and crew meet and greet held at the Wharf Restaurant.  The event, which took place on Friday, Saturday and Sunday evening, was hosted by the Wharf’s longtime manager, Jeffrey Voorhees, who is better known as shark victim Alex Kintner.  As I did not attend the event I reached out to fans that had for their thoughts.  While some enjoyed the experience of having the opportunity to see so many famous Jaws celebrities in the same room, others complained about ticketing issues, the confined space – one attendee wrote “packed like sardines in a hot tin can does come to mind” – while others lamented the fact that guests promoted as appearing via the internet, most notably actor and co-screenwriter Carl Gottlieb, were “inexplicably absent.”  Still, many enjoyed the opportunity to meet a who’s who of Jaws alumni.

 

Saturday featured two more packed panels.  “Growing Up with Uncle Quint,” featured author Christopher Shaw Myers, the nephew of Jaws co-star Robert Shaw.  Mr. Myer’s mother, Joanna – Robert Shaw’s sister – had appeared at the 2012 JawsFest.  Also speaking that day, Wendy Benchley, the wife of Jaws author Peter Benchley.  Ms. Benchley not only shared stories from the set of the film but also highlighted her work highlighting global ocean conservation efforts.

 

Later that evening, fans gathered at the Winnetu Oceanside Resort for an outdoor screening of the film, accompanied by the Cape Symphony.  The show began with an appearance by Richard Dreyfuss, who addressed the crowd prior to the screening.

 

Sunday was the last day and the promoters of the event saved the best for last.  Panels with Joe Alves, with Dennis Prince, Hollywood makeup master Greg Nicotero, and Deputy Hendricks himself, Jeffrey Kramer, were presented to sold out audiences.  The lawn of the Martha’s Vineyard Museum took on a carnival vibe as “Reunion Day,” a joint effort between the Museum and the Vineyard Gazette Media Group, welcomed fans from literally all over the world to mingle with special guests, participate in Jaws trivia games, and get autographs from the special guests in attendance.  One such guest was Molly Scheider, the daughter of Chief Brody himself, the late Roy Scheider.  As a young man, with Roy’s permission, I had started and ran his official fan club.  It was truly an honor to meet Molly.  As we said hello I surprised her with a gift – a scrapbook of photos and articles featuring her father that I had begun collecting 50 years earlier.  Just the expression on her face told me I had given her something special, something I hope she passes on to her children.

 

As the sun set at the end of a perfect weekend I said goodbye to old friends, some I’d known for years and some I’d just met.  It was that kind of weekend!     

Concert Review: Happy Together Tour – 2025

 

  • Happy Together Tour – 2025
  •    Kauffman Center – Kansas City, Missouri
  • August 22, 2025

 

 

I was born in 1960.  So I’ve had the amazing opportunity of listening to music for almost seven decades.  And while I will always maintain that the 1970s was the best decade for film, you can’t compare any other decade to the 1960s when it comes to music.  Rock and roll.  Pop.  Soul.  We had it all together on the same radio station.  So when a band or performer from that decade comes to town I do my best to attend.  But when FIVE groups come to town, you cant keep me away.  This past Friday the latest version of the popular Happy Together Tour hit Kansas City and I was not disappointed.

The Cowsills (l-r) Susie, Paul, Bob.

Staring the show were the Cowsills, a band so popular in it’s day that they served as the inspiration for the popular television series, and recording act, the Partridge Family.  Brothers Paul and Bob, along with little sister Susie, had a great set, ending with a raucous audience sing-along of their huge hit “Hair.”  I also learned something new when they sang the theme from the television show “Love, American Style.”  I was today years old when I learned that they sang the song.

 

They were followed by the Vogues, whose harmonies on such hits as “Five O’clock World” and “Come a Little Bit Closer” were as pure as the day they were recorded.    Next up was the great Gary Puckett who, at age 82 still has a powerful voice.  Again, the audience joined in happily as he led them during “Woman, Woman.”

 

Jay and the Americans were next.  I had forgotten that they sang “Only in America,” a song I always loved listening to as a boy.  Jay Reincke hit all the notes on Cara Mia,” a great tribute to the band’s original lead singer, Jay Black, who passed away in 2021.  All of the groups had a distinctive sound during their heyday and it was their voices that shined on this evening, none more so then the next act, Rock and Roll Hall of Famer Little Anthony.  At age 84 his voice was as soft and sweet as when he released his first hit, “Tears on My Pillow” in 1956!

 

Closing the show were the Turtles, whose hit song gave the tour it’s name.  Fronted by Ron Dante, the band brought the crowd to their feet repeatedly with hits like “Elenore” and “You Baby.”  Fun fact:  the most popular record of 1969 was “Sugar, Sugar,” by the Archies, a popular comic book series that became an animated show I watched faithfully as a kid.  I was taken back to Saturday morning when Dante did the song.  I wish I had been closer to the stage because I would have yelled, “Now do Bang Shang-a-lang!”

“Sugar, Sugar”

The show ended with all of the groups returning to the stage for a mini-medley that had the crowd on their feet clapping and singing along.  To paraphrase another 60s band, the Beatles, “a splendid time was indeed guaranteed for all!”

 

SET LIST:  COWSILLS – Indian Lake, The Rain, the Park & Other Things, Love, American Style, Hair.  THE VOGUES – Five O’clock World, My Special Angel, Turn Around, Look at Me, You’re the One.  GARY PUCKETT – Lady Willpower, Over You, Woman, Woman, Young Girl.  JAY AND THE AMERICANS – Only in America, Let’s Lock the Door (and Throw Away the Key, “Cara Mia, Come a Little Bit Closer, This Magic Moment.  LITTLE ANTHONY:  Tears on My Pillow, Shimmy Shimmy Ko Ko Bop, Hut So Bad, Goin’ Out of My Head.  THE TURTLES – She’d Rather Be with Me, You Baby, It Ain’t Me Babe, Sugar, Sugar, Elenore, Happy Together.  

Concert Review: “Herb Alpert and the Tijuana Brass”

 

  • HERB ALPERT AND THE TIJUANA BRASS
  • Kaufman Center, Kansas City, Missouri
  • August 5, 2025

 

The decade of the 1960s gave us some great music.  The Beatles.  The Supremes.  The Doors.  Their sound changed the industry forever.  You wouldn’t know it by listening to today’s music, but when I was a kid instrumental music – loud horns and sweet strings with no or minimal vocals – ruled the airwaves.  Al Hirt.  Sergio Mendes and Brasil ‘66.  But the king, at least in my house, was Herb Alpert and the Tijuana Brass.  At age 90, Alpert and the Brass took over the Kaufman Center and had the crowd on their feet for two solid hours.

 

Accompanied by vintage film clips, the show began with the great Louis Armstrong, no slouch on the trumpet himself, introducing the band.  As the opening notes of “The Lonely Bull” began, the crowd roared.  Something about a trumpet that gets your blood flowing.  At age 90, Mr. Alpert could have been excused for taking the occasional break.  But he played every note as strong and as sweet as if he was still in his 30s.  In between songs he addressed the audience and even invited questions.  He told some great stories, from how the “Whipped Cream and Other Delights” came to be to how he met his beautiful wife of 52 years, vocalist Lani Hall, who joined him on stage later in the show for a medley of some of the songs she did as the lead vocalist for Sergio Mendes and Brasil ’66, including “The Look of Lovke” and “Fool on the Hill.”

 

Before introducing Ms. Hall, Mr. Alpert choked up when talking about his dear friend Sergio Mendes and gave a loving tribute to songwriter Burt Bacharach, who penned his #1 hit “This Guy’s in Love with You.”   I’m not sure if Mr. Apert knew it or not, but Bacharach not only grew up in Kansas City but lived about 20 blocks from where the Kaufman Center now stands.

 

As the band played hit after hit (“Tijuana Taxi,” “A Taste of Honey,” “Rise”) the crowd clapped along, giving many of the numbers well deserved standing ovations.  The music brought back so many great memories for my wife and myself.  As we left I noticed several young children among the capacity crowd and each one I asked, “did you like it?” gave a resounding “yes!”

 

The tour runs through January 2026.  If you have the opportunity to see Mr. Alpert and the Brass, I urge you to take it.  For information on upcoming shows, please click HERE.

 

SET LIST

 

The Lonely Bull, Work Song, Whipped Cream, Spanish Flea, Lady Fingers, Lollipops and Roses, Bittersweet Samba, Mexican Shuffle, Tangerine, I’m Getting Sentimental Over You, Love Potion No. 9, This Guy’s in Love with You, a medley of songs with Ms. Hall, Rise, A Taste of Honey, Smile, What Now My Love, A banda, Tijuana Taxi. 

Film Review: “How to Train Your Dragon” (2025)

 

 

  • HOW TO TRAIN YOUR DRAGON (2025)
  • Starring:  Mason Thames, Nico Parker and Gerard Butler
  • Directed by:  Dean DeBlois
  • Rated:  PG
  • Running time:  2 hrs 5 mins
  • Universal

 

Our score:  4 out of 5

 

In case you haven’t noticed, there has been, for the past few years, a trend in Hollywood.  Take a beloved animated film and do a live action remake.  It makes sense.  The studios already own the property so need to pay the screenwriter any more money.  And, if the animated film was a success, you already have a built-in audience.  When they work, like Disney’s latest “Lion King” films, they work beautifully.  When the don’t, well they don’t (and I’m looking at you “Snow White.”  I hope you’ve blinked since I last saw you.)  Another risk is that they spoil the affection fans of the original have.  I’m happy to say that that affection still runs deep in me after seeing “How to Train Your Dragon.”

 

Like the 2010 animated feature, the film tells the story of young Hiccup (Thames), a well-meaning lad who tries his best to impress his father, the head of the Viking village he lives in.  However, no matter what he tries, and how well intentioned his plans are, disaster usually follows.  Then one day he meets a very special dragon.  And his adventures begin.

 

Beautifully shot, with amazing visual effects, the film manages to capture the feel of its predecessor thanks to a strong cast.  As Hiccup, Thames is just quiet enough to hide his new-found skills and Ms. Parker is a strong asset to the group of youngsters hoping to become first-rate dragonslayers.  Butler, who also voiced tribe leader Stoick in the original animated film, is his usually blustery best.  Whether he’s fighting dragons or haunting Paris opera houses, Butler has never met a role he couldn’t yell through!

 

The visual effects are top notch though I will warn that some of the more intense scenes scared several of the little ones that attending the screening I was in.  However, children over the age of eight should enjoy the action.

 

On a scale of zero to five I give the live action version of ‘How to Train Your Dragon” ★★★

Film Review: “Jurassic World: Rebirth”

 

  • JURASSIC WORLD:  REBIRTH
  • Starring:  Scarlett Johannson, Mahershala Ali and Jonathan Bailey
  • Directed by:  Gareth Edwards
  • Rated:  PG 13
  • Running time:  2 hrs 13 mins
  • Universal

 

Our score:  3 out of 5

 

I love dinosaurs.  My favorite is the triceratops, a love I developed as a child from reading the book “The Enormous Egg.”  Apparently, a lot of people love dinosaurs as the EIGTH film in the Jurassic Park series comes to theatres.

 

Set five years after 2022’s Jurassic World: Dominion, the film tells the tale of a group of people, led by Zora (Johansson) and Duncan (Ali) to escort a scientist (Bailey) back to Isla Nublar, the island that contained the original Jurassic Park on a mission to retrieve DNA from three very large, and very nasty, species of dinosaurs who were left behind on the island because they were too terrifying.  Apparently the nicer members of the species are now free to wander the world aimlessly, including the brontosaurus who blocks traffic in Brooklyn!  I can hear those car horns now.

While entertaining, the film lacks what made 1993’s original “Jurassic Park” such a great film.  Emotion.  Not just yelling and screaming, but a true emotional connection with the characters.  The most recent films in the series have pretty much just thrown characters you’re not emotionally invested in amongst a series of bigger and more terrifying monsters.  Like a great roller coaster ride you’re caught up in the excitement of the moment but on the ride home from the amusement park you’re talking more about the giant corn dog you ate instead of the ride.  That being said, the monsters are scary and you do get those brief moments of excitement.  You just may not remember them on the ride home.

 

On a scale of zero to five I give “Jurassic World: Rebirth”

Film Review: Jaws@50: The Definitive Inside Story

 

  • JAWS@50: THE DEFINITIVE INSIDE STORY
  • Documentary
  • Featuring:  Steven Spielberg, Cameron Crowe and Jordan Peele
  • Directed by:  Laurent Bouzereau
  • Not Rated
  • Running time:  1 hr 28 mins
  • National Geographic

 

Our score:  5 out of 5

 

I bought my first laser disc in 1995.  It was a special edition collection to celebrate the 20th Anniversary of the greatest film ever made, Jaws.  I bought it for one reason.  The amazing documentary put together by filmmaker Laurent Bouzereau.  I should note here that at the time I did not own a laser disc player.

 

As someone that prides himself on his knowledge of the film Jaws (my most recent book, “FINATICS: 50 Years of Jaws” was just released) I usually the various documentaries on the film with a grain of salt because I usually don’t learn anything new.  That being said, I knew when I watched Jaws@50 that that would not be the case.  And I was not disappointed!

 

A skilled documentarian, Mr. Bouzereau has also done outstanding “making of” films about such classic movies as Close Encounters of the Third Kind, E.T. and Jurassic Park, as well as last year’s amazing Music by John Williams.  He has a style that allows him to share the story of a familiar film in a way you never expected, making the familiar seem new.  And Jaws@50 is no exception.

 

Through an amazing treasure trove of archival footage, and current interviews with Steven Spielberg, as well as conversations with some of the greatest filmmakers working today, the film manages to weave a tale I’ve never known.  Each film clip, or comment by Mr. Spielberg, opens  new windows into the film and the behind-the-scenes troubles that nearly kept it from being made.  To someone that has seen the film literally hundreds of times, Jaws@50 made it seem like I was watching Jaws for the first time, learning more and more about something I have loved for five decades.

 

The film premiers on the National Geographic channel next Thursday, July 10th, and can also be found on the new 50th Anniversary 4K Steelbook.  Even if you don’t own  4k player, buy it.  I don’t and I did!

 

On a scale of zero to five I give Jaws@50:  The Definitive Inside Story ★★★★★

Film Review: “Karate Kid: Legends”

 

  • KARATE KID: LEGENDS
  • Starring:  Jackie Chan, Ben Wang and Ralph Macchio
  • Directed by:  Jonathan Entwistle
  • Rated:  PG 13
  • Running time:  1 hr 34 mins
  • SONY/Columbia Pictures

 

Our score:  3 out of 5

 

A young boy becomes a fish out of water when he and his mother move to a new city.  There he is bullied and only being trained in martial arts can help him.  Sound familiar?  That’s the plot of the original “Karate Kid,” released in 1884.  It’s also the plot of the new “Karate Kid: Legends,” which plays like a cross between the familiar “Karate Kid” themed films mixed with a little “Best of the Best.”  The film is entertaining, but it’s very formulaic.

 

The film opens with a scene from “Karate Kid Part II,” with the wise Mr. Miyagi (Pat Morita) explain the secrets of his family’s karate to his student, Daniel Larusso (Macchio).  The scene is expanded to inform the audience that Miyagi-go karate is also based in kung-fu.

 

China.  Enter Mr. Han (Chan), the featured teacher in the 2010 version of “The Karate Kid” starring Jaden Smith.  These days Mr. Han runs a kung-fu academy and his prize student is Li (Wang).  Li’s mother, (Ming-Na Wen) is not happy that Li is doing, having lost a son in a fight years ago.  When Li and his mother move to New York City, mom believes LI’s fighting days are over.  As Sam Kinison used to ask, “Is she RIGHT?”

 

Familiar, with lots of foreshadowing, “Karate Kid: Legends” obviously hopes to ride the tails of the recently ended Netflix series “Cobra Kai.”  And while the story is easy to figure out, I can’t deny that the film is entertaining.  Li meets Mia (Sadie Stanley), a local girl who works in her father’s pizzeria.  He immediately pisses off Mia’s ex-boyfriend, who just happens to be the karate champion of the city.  And so on and so on.

What makes the film enjoyable is the cast.  Wang is both a skilled fighter and endearing young man.  When he’s referred to as the “Chinese Peter Parker,” you can imagine him in the part, bringing the same youthful feel to the role that Tom Holland has.  The supporting cast is strong as well.  Ms. Stanley plays Mia as tough but tender and Joshua Jackson, who plays Mia’s father, has certainly come a long way from “The Mighty Ducks.”  As the television commercials inform you, Ralph Macchio returns as Daniel Larusso though his role is just a little larger then a cameo.

 

The martial arts scenes are spectacularly done, with some amazing choreography.  Chan is 71 – Macchio is 63 – but they both move like they are in their prime.

 

Overall, the nostalgia of the previous films is a big drawing point for the film and it’s with those fond memories in the back of your head that “Karate Kid: Legends” excels.  Another plus, you don’t have to be familiar with the “Cobra Kai series to enjoy this film but if you are you’ll be rewarded for having done so.

 

While my 8-year-old grandson, Hudson, told me to write it’s “the greatest movie ever made,” on a scale of zero to five I’m giving “Karate Kid: Legends”  

New Books will celebrate the 50th Anniversary of “Jaws”

2025 brings the 50th Anniversary of the film Jaws, which was released on June 20, 1975.  The celebration will be felt from Hollywood to Martha’s Vineyard, where the film was shot.  In honor of the film’s milestone event, two new books will be released next month.

 

“FINATICS:  50 Years of Jaws,” will celebrate the iconic film’s influence on Pop Culture with in-depth looks at the films, television programs, books and magazines the film has inspired, as well as the recent attempts to bring the story of the film to the Broadway stage.

 Written by Media Mikes co-creator Michael A. Smith, and featuring a foreword by Academy Award winner Richard Dreyfuss, the book also highlights (50) fans (the “Finatics”) of the film from all over the world, including the United States, Great Britain, Serbia and Ukraine.

 

Packed with nearly 300 full color photographs, the book is a salute to the film as well as to the fans that have made Jaws the beloved classic it is. 

Also being released in June is the 50th Anniversary Edition of Edith Blake’s 1975 book “On Location – On Martha’s Vineyard:  The Making of the Movie Jaws.”  The new edition will not only includes the original book but expanded and updated material written by Smith.  Also included are dozens of new photographs taken on the set of Jaws by Ms. Blake, a photographer for the local newspaper, in 1974 that have never previously been published.  Both books are being published by BearManor Media and will be available on Amazon.com and other book outlets.   

Win Passes to the Kansas City Premiere of “Karate Kid: Legends”

 

Media Mikes has teamed up with their friends at SONY Pictures to give their Kansas City – area readers the cnance to be among the first to see the new film, “Karate Kid: Legends.”

 

The film will be screened on Tuesday, May 27, at the AMC Studio 28 Theatre in Olathe, Kansas and will start at 7:00 pm.

 

All you have to do is click HERE.  You will receive a pass for two (2) to attend the screening.  This is a first come/first serve giveaway.  When the allotted number of passes have been claimed the giveaway is ended.

 

Good luck!

 

KARATE KID: LEGENDS opens nationally on May 30th.

 

Karate Kid: Legends unites the iconic martial arts masters of one of the most beloved film franchises of all time to tell a completely new story full of action and heart. When kung fu prodigy Li Fong (Ben Wang) relocates to New York City with his mother to attend a prestigious new school, he finds solace in a new friendship with a classmate and her father. But his newfound peace is short-lived after he attracts unwanted attention from a formidable local karate champion. Driven by a desire to defend himself, Li embarks on a journey to enter the ultimate karate competition. Guided by the wisdom of his kung fu teacher, Mr. Han (Jackie Chan), and the legendary Karate Kid, Daniel LaRusso (Ralph Macchio), Li merges their unique styles to prepare for an epic martial arts showdown.

FilmReview: “Mission:Impossible – The Final Reckoning”

 

  • MISSION:IMPOSSIBLE – THE FINAL RECKONING
  • Starring:  Tom Cruise, Hayley Atwell and Simon Pegg
  • Directed by:  Christopher McQuarrie
  • Rated:  PG 13
  • Running time:  2 hrs 49 mins
  • Paramount

 Our score:  4.5 out of 5

 

I wonder how many of you remember the great stuntman Dar Robinson?  Robinson, along with Yakima Canut, Jean Coulter and the great Buster Keaton, who basically invented the concept, would make up the Mount Rushmore of stunt-workers, would do things no one else would even dare try.  If you’re seen the film “Sharky’s Machine,” you may remember the scene where a character doubled by Robinson went BACKWARDS out of a window of the Atlanta Hyatt Regency Hotel and, without a harness, fell 220 feet to the ground.  The year before, Robinson had jumped off the top of the CNN tower in Toronto.  I mention Mr. Robinson not only because of how he lived but sadly how he died.  While riding his motorcycle he accidentally hit the bike’s accelerator instead of the break and went off of a cliff.

 

Some well-known actors started their careers as stuntpeople, including Burt Reynolds, Jackie Chan and recent Oscar winner Michelle Yeoh.  Reversing that trend is Tom Cruise who, over the past four decades, has undertaken some of the most dangerous and jaw-dropping stunts ever captured on film, many of them while filming the “Mission: Impossible” film series.  And he tops them all in the latest chapter, “Final Reckoning.”

 

It’s been two years since we last met Ethan Hunt (Cruise) in “M:I – Dead Reckoning Part One.”  But in “film-time,” it’s only been a month.  Hunt is still on the trail of the mysterious Gabriel (Esai Morales), who has stolen a key needed to stop an A.I. type entity called, well, the Entity, from destroying the world as we know it by taking control of the nuclear arsenals of the world’s biggest superpowers.  Don’t believe me?  You could make a drinking game out of how many times “the fate of the world” is mentioned in this film.

 

Hunt attempts to assemble his usual team – Grace (Atwell), Benji (Pegg) and Luther (Ving Rhames) who, despite their best intentions, continue to run into lies, deceit and double-crosses.  Will Ethan and his team succeed?  After all, “the fate of the world” hangs in the balance.

 

Jam-packed with action, “M:I – The Final Reckoning” actually opens with a montage of Ethan Hunts greatest hits, showcasing some of the amazing adventures from the previous films in the series.  Cruise, who in my opinion may be the last great movie star, once again commands the screen and his dedication to his work, both on-screen and behind it, shows.  In this age of loud movies full of action and explosions just for the sake of being loud and having explosions, Cruise and his co-stars stand out.  There is actually an emotional element in this film that many action films lack.

The various set-pieces are skillfully directed by Christopher McQuarrie, who has not only co-written and directed the last four films in this series but has worked with Cruise on many other projects, including “Jaeck Reacher” and “Top Gun: Maverick”  He also wrote the brilliant Oscar winning script for “The Usual Suspects.”  He fills the screen with action and makes sure that the audience senses every punch, every gunshot, ever drop of adrenaline.

 

If the film has one drawback it may be the length.  Like “Dead Reckoning – Part One,” this film is nearly three hours long.  Many of the action scenes are extended and I don’t think the film would have suffered with a little more trimming.

 

That being said, this film is ana amazing way to kick the summer off with a bang!  I definitely recommend that you accept this mission.

 

On a scale of zero to five, “Mission: Impossible – The Final Reckoning” receives ★★ ½  

Film Review: “Snow White” (2025)

 

  • SNOW WHITE  (2025)
  • Starring:  Rachel Ziegler and Gal Gadot
  • Directed by:  Marc Webb
  • Rated:  PG
  • Running time:  1 hr 49 mins
  • Walt Disney

Our score: 2.5 out of 5

 

It’s finally here.  We’ve been beat over the head for the past year about the updated version of “Snow White” which was going to change everything you thought you knew about the story.  Of course there will be dwarves.  Oops, no, sorry, we’re going to have “magical creatures” of all sizes and genders.  Oops, sorry again.  The dwarves are back.

And it didn’t help that the actress playing Snow White told the press:

 

I just mean that it’s no longer 1937, and we absolutely wrote a “Snow White” that’s not gonna be saved by the prince, and she’s not gonna be dreaming about true love. She’s dreaming about becoming the leader she knows she can be and the leader that her late father told her she could be if she was fearless, fair, brave, and true. And so, it’s just a really incredible story for young people everywhere to see themselves in.”

 

These comments, and the whole yes/no dwarves controversy, put this film in the same category of “Twilight Zone: the Movie, where the death of actor Vic Morrow and two children overshadowed the actual film when it was released.  Sometimes controversy pays off.  Sometimes, it doesn’t.

 

In a land far, far away, the king and his wife are traveling in a blizzard when the queen gives birth.  Since the child was born during a snow storm, she is given the name Snow White.  (sigh)  That’s like saying Batman took his name from the fact that he liked to play baseball.  The new family spend their days wandering the kingdom, meeting and helping out their subjects.  Sadly, the queen passes away and the king, lonely for female companionship, the king takes a new bride (Gadot in all of her epic wickedness), a woman whose vanity forces her to constantly question her magic mirror as to her status as the most beautiful, or fairest, of them all.  She gives young Snow White (Emilia Faucher) a really bad haircut and keeps her locked in the castle, forced to do menial chores.  While scrubbing the floor one day, a now adult Snow White (Ziegler) is surprised by Jonathan (Andrew Burnap), a sort of Robin Hood-like figure who came to rob the castle.  He is captured but Snow White, with her heart of gold, helps him escape.  This makes the queen angry.  Very angry!  She orders her huntsman to take Snow White into the forest and cut out her heart (this film is particularly dark for a PG rating).  He lets her go, she finds the dwarves, the end.  Not exactly, but that’s what it felt like.

Where to start?  This is pretty much “Snow White” the way we remember it, meaning someone at Disney must have realized that the recent trend of failing films needed to stop and persuaded the filmmakers to be as familiar as possible.  Ziegler was so good in Steven Spielberg’s updated “West Side Story,” but for whatever reason she doesn’t bring the slight vulnerability needed for the role she showed in “WSS” here.  Sadly she doesn’t make Snow White likable, so you don’t really care what happens to her.  Also, apparently Ziegler was directed to never blink and her constant, wide eyed stare is pretty unnerving at times.

It is good to see the familiar seven dwarves, even CGI ones, and the film picks up every time they are on screen.  The film turns the “magical beings” into Jonathan’s band of men, who spend a lot of time singing and dancing.  “You and Finch are such good dancers,” Snow White tells one of them.  He replies that they’re “just good friends.”  “If you say so.”  Ha-ha.

 

The songs are ok and the CGI clever, but unfortunately you go into this film looking for the worst and, even though it’s not a bad as it could have been, it may take you a couple of viewings before you find the story you were hoping for.  I’ll never know.  One time was plenty for me.

 

On a scale of zero to five I give “Snow White” ½.

Film Review: “Novocaine”

 

  • NOVOCAINE
  • Starring:  Jack Quaid, Amber Midthunder and Ray Nicholson
  • Directed by:  Dan Berk and Robert Olsen
  • Rated:  R
  • Running time:  1 hr 50 mins
  • Paramount

 

Our score:  3.5 out of 5

 

One of the greatest bad ass characters in movie history was Mr. Joshua, played by Gary Busey in “Lethal Weapon.”  Willingly holding his arm over a direct flame and not flinching…it still makes me grimace.  Meet Nate Caine (Quaid).  He makes Mr. Joshua look like a wimp.

 

Packed with humor and over the top violence, “Novocaine” is an ultra violent, ultra funny film ostensibly about a man following his heart.  Nate is a quiet guy who earns his money as the assistant manager of a local bank.  While running a morning meeting he can’t help but notice a new teller named Sherry (Midhunder) as she comes in late.  Afterwards she apologizes and offers to take Nate to lunch.  He finally agrees but is surprised when Nate only orders a milkshake.  She offers him a bite of her pie but he refuses, explaining that he was born with a condition that prevents him from feeling any kind of physical pain.  He can’t eat solid foods because he could inadvertently bite his tongue and bleed to death.  Things are looking up for Nate.  Until they aren’t.

It’s hard to put a label on this film.  Yes, it’s violent.  Yes, it’s action packed.  Yes it’s funny.  But it’s neither a horror, action or comedy film.  It’s the rare combination of all three.  The story moves along quickly, carried on the shoulders of the film’s three leads, two of them (Quaid and Ray Nicholson) the sons of Hollywood’s most acclaimed actors Dennis Quaid and Jack Nicholson (their mothers aren’t too shabby either – Meg Ryan and Rebecca Broussard, respectively).  Both have a fine screen presence.  Quaid is quite likable.  Nate would be the perfect “every man” if not for his little issue.  As chief bad guy Simon, Nicholson sends chills down your spine with only a glance and a comment.  As Sherry, Ms. Midthunder is both sweet and sour, hiding a secret that gives the film its genuine tension.

 

The action scenes are top notch, if not a little over the top.  I mean, sure you can’t feel someone smash your head into a wall but you should at least stumble a little, right?

 

If you need to jump start your spirits this week then I recommend seeing “Novocaine.”  It’s Pure Adrenaline!

 

On a scale of zero to five, “Novocaine” receives ★ ½        

5 Questions with Judy Collins

 

If you have any knowledge of the music of the last half of the 20th century you certainly know who Judy Collins is.  She is best known for her rendition of Stephen Sondheim’s “Send in the Clowns,” and the fact that, when Bill Clinton heard her version of Joni Mitchell’s “Chelsea Morning,” he remarked to Hillary that, “if we ever have a daughter her name should be Chelsea.’

 

With multiple Grammy award nominations, and an Academy Award nomination for her 1975 documentary feature “Antonia: A Portrait of the Woman” among her many achievements, she also hosts the popular podcast “Since You’ve Asked.”  Ms. Collins is currently on tour, with a scheduled appearance this weekend (March 14th) in Kansas City.

 

Ms. Collins took some time out from her busy schedule to speak with Media Mikes: 

 

MIKE SMITH:  You’ve been performing for six decades.  How has the music business changed, good or bad, in that time?

 

Judy Collins:  I don’t pay a lot of attention to the music business.  I pay attention to what I have to do, and how many concerts I have to do each year.  About a hundred.  And all of the things that I have to do to prepare.  I have to keep my eye on learning and performing the things that I love.  They say we get paid for the travel, which is what we do and so with a hundred shows a year I spend a lot of time on the planes, a lot of times with the press doing interviews and a lot of time sleeping.  (laughs)  To me, THAT’S the music business.  Personally, I do what I want.  I sing what I want.  I engage in my own creativity.  That’s a big job.  The album I last produced, called “Spellbound,” has all of my own songs on it, which is a big deal for me.  And I’m also coming out with a book of poetry on the 25th of this month (March).  It’s all poetry that I’ve written and it’s called “Sometimes It’s Heaven.” 

MS:  You’ve amassed an amazing number of fans of all ages.  What is the feeling when you look out into the audience and you see the younger generation?  I’m 64.  My granddaughter is 10 and loves your music…

 

JC:  Oh good.  Give her a hug for me.

It’s an amazing revelation to have people of all ages come see me perform.  I was at a big festival in Australia recently and a young girl walked up to me – she could have been 11 or 12 or 13 – and she said, “oh hi, you’re Judy Collins.”  I said “how do you know that,” and she said, “I saw you on The Muppets.”  So there’s always television in your favor.  And that’s part of the music business too.  PBS has kept me on my feet and on the stage for decades because they’ve done a wonderful job by me. 

 

MS:  Do you have a favorite song of yours that you like to perform?  I mean, everyone certainly wants to hear “Send in the Clowns,” but do you have a personal favorite?

JC:  Right now there are two.  One is a song that I wrote called “Girl from Colorado.”  I’d encourage you to play it for your granddaughter.  The other is a song called “John Riley.”  “John Riley” is a very old song.  And the more I sing it, the more it means something to me and my audiences.  I’m always surprised because it gets a wonderful response. 

 

MS:  Has Stephen Stills ever said “thank you” for inspiring “Suite: Judy Blue Eyes?”

 

JC:  (laughs)  He always says it.  I saw him the other day when he came to New York, where he appeared on a big show of mine at Town Hall and he and I sang “Helplessly Hoping” together and then we sang the chorus of “Suite: Judy Blue Eyes,” with the rest of the gathered ensemble, which was fabulous.  We’ve been friends for all these years which means there was something going on.

 

MS:  Bob Dylan finally got a movie last year.  When there is a Judy Collins film who would you like to play you?

 

JC:  I’ll play me! (laughs) It would be a documentary first, which means I’ll have the last word.   (laughs)

 

MS:  Thank you sol much for your time.

 

JC:  Thank you.  And don’t forget to give your granddaughter a hug from me, o.k.?

 

For everything Judy Collins, including information on upoming shows, click HERE.

“Let’s Talk JAWS Live!” to kick off Amity Homecoming Week on Martha’s Vineyard

 

 

LET’S TALK JAWS LIVE!, co-hosted by our own Mike Smith, will be traveling to Amity as the first official event of the Martha’s Vineyard Museum’s Amity Homecoming Weekend, held in partnership with the Vineyard Gazette, June 19-22, 2025 on Martha’s Vineyard to celebrate the 50th Anniversary of the motion picture JAWS.

LET’S TALK JAWS LIVE!...LIVE! will record their popular Youtube show in front of a live audience on Thursday, June 19th beginning at 2:00 p.m.  Besides hosts Jane Jones Clark, Nate Jones and Michael Smith, scheduled special guests will include Jeffrey Kramer, Joe Alves and Dennis Prince.  The performance is a benefit for the Martha’s Vineyard Museum.  Tickets are $65.00, which includes live audience seating, a ticket to the Museum’s “Jaws at 50: A Deeper Dive” exhibit and a special MV Museum commemorative item.

For tickets and more information, please click HERE.

 

 #LetsTalkJawsLive

 #Jaws50MV

#AmityHomecoming

#MarthasVineyard #MVM

“Anora” is the Big Winner at the 97th Annual Academy Awards

 

 

 

Anora, a low budget independent film from one of my favorite film companies, NEON, took home the Best Picture Oscar at the 97th Academy Awards, held this past Sunday night.

 

 

 

 

Nominated for six awards, the film won five.  Besides Best Picture, Anora won for Best Actress (Mikey Madison) and Best Direction, Screenplay and Film Editing. What’s even more remarkable is that the last four awards were won by one person, Sean Baker.  In doing so, Mr. Baker ties Walt Disney for most Oscar wins by one person in one ceremony.

 

 

 

Adrien Brody was named Best Actor for the second time in his career for his work in The Brutalist while the Latvian film Flow took home the prize for Best Animated Feature.   Emilia Perez, which led all films with (13) nominations, only won two awards – Best Supporting Actress for Zoe Saldana and Best Song for “El Mal.”   Kieran Culkin was named Best Supporting Actor for his work in the film A Real Pain.

 

 

1st time host Conan O’Brien was funny and comfortable throughout the evening, though I found the fact that he felt the need to highlight the 20th Anniversary of Kill Bill and ignore the 50th Anniversary of JAWS unconscionable.  Maybe the Academy will remember ROCKY next year!

 

 

 

 

Here is a complete list of winners:

 

Best picture

  • “Anora”

Best actress

  • Mikey Madison, “Anora”

Best actor

  • Adrian Brody, “The Brutalist”

Best supporting actor

  • Kieran Culkin, “A Real Pain”

Best supporting actress

  • Zoe Saldaña, “Emilia Pérez”

Best director

  • Sean Baker, “Anora”

Best cinematography

  • “The Brutalist,” Lol Crawley

Best animated feature

  • “Flow”

 Best animated short

  • “In the Shadow of the Cypress”

Best costume design

  • “Wicked,” Paul Tazewell

Best original screenplay

  • “Anora,” Sean Baker

Best adapted screenplay

  • “Conclave,” Peter Straughan

Best makeup and hairstyling

  • “The Substance”

Best film editing

  • “Anora,” Sean Baker

Best production design

  • “Wicked,” Nathan Crowley, Lee Sandales

Best original song

  • “El Mal,” “Emilia Pérez” (Clement Ducol, Camille & Jacques Audiard)

Best documentary short

  • “The Only Girl in the Orchestra”

Best documentary feature

  • “No Other Land,” Basel Adra, Hamdan Ballal, Yuval Abraham & Rachel Szor

Best sound

  • “Dune: Part Two”

Best visual effects

  • “Dune: Part Two”

Best live-action short

  • “I’m Not a Robot”

Best international feature\

  • “I’m Still Here,” Walter Salles (Brazil)

Best original score

  • “The Brutalist,” Daniel Blumberg