Film Review: “Avengers: Infinity War”

Starring: Josh Brolin, Chris Hemsworth and Robert Downey Jr.
Directed By: Anthony and Joe Russo
Rated: PG-13
Running Time: 149 minutes
Walt Disney Studios Motion Pictures

I can’t fathom the immense pressure the creators, directors, writers, producers and studio had going into “Infinity War.” Marvel has spent the past decade crafting content that not only stands on its own two feet, but was meticulously building towards this moment. Since Thanos first reared his ugly purple head in a post-credits scene in the first “Avengers,” fans knew that this monumental occasion was eventually going to happen. With lofty expectations, I’m happy to report that “Infinity War” delivers on nearly every level.

I usually type out a short summary or try to set-up the plot at some point early on in my reviews, but I feel like it’s a moot talking point because if you’ve kept up with the Marvel movies or have a good idea of what’s going on in them, you don’t need me to paint a picture about the Infinity Stones, the Infinity Gauntlet or the fight to save the universe. But I also know you don’t need me spoiling anything, so I’ll stay quiet on the specifics. However, I will say that it only takes the first five minutes of the film for “Infinity War” to knock viewers right in the jaw and set the tone.

Getting every character in one film, give or take a few, is an impressive feat on its own. But what’s cleverly done by Marvel’s creative crew is dividing our favorite heroes into different groups to tackle different tasks. The film pairs similar personalities that bounce or conflict well with each other. It also keeps the movie from being inordinate and having too many egos talking about the same thing or over each other, something that “Age of Ultron” ultimately suffered from. So there’s the possibility that fans of certain characters might be disappointed by the lack of screen time for their favorite hero or character.

That being said, Marvel’s gotten a lot better recently at villain building and Thanos (Brolin) may be the pinnacle. Not only is he fierce and overwhelmingly magnetic in his scenes, he’s a sadistic joy to watch stomping around the scene as he articulates his thoughts on death and the balance it creates. There’s also this shocking amount of softness to the character that we’ve rarely seen before with any other Marvel bad guy, except for maybe the one in “Black Panther.” While most of Marvel’s villains have been evil for the sake of being evil or because of their own vanity, Thanos seems genuine in his wickedness, because he’s not only a conqueror, but views himself as the universe’s scales of justice.

There’s a surprising amount of emotion and laughs mixed into the film’s bleakness and knockdown fights. “Infinity War” is never crushed under the utter weight of its own ambitions, serving up a worthy spectacle for audiences along with a captivating storyline that feels rich in content, but never bloated. This ambitious project, 10 years in the making, is not to be missed, but also raises the stakes even higher for when the Avengers assemble again in 2019.

Film Review: “12 Strong”

Starring: Chris Hemsworth, Michael Shannon and William Fichtner
Directed By: Nicolai Fuglsig
Rated: R
Running Time: 130 minutes
Warner Bros. Pictures

Analyzing and critiquing films centered on America’s soldiers can be a difficult task. Too much criticism can draw ire from those who bleed red, white and blue. You can even take heat and be called unpatriotic for not heaping tons of praise on it. “12 Strong” is so-so. It’s beautifully shot, narratively confusing, decently-acted, but predictable. Sure it’s a story that isn’t well-known, but casting Chris Hemsworth as the lead ensures there won’t be anyone who will need to bring tissues into the theater with them.

The film begins quite literally on the morning of 9/11, sure to conjure up emotion from any viewer who lived through that day. Captain Mitch Nelson (Hemsworth) springs into action, demanding to see combat so that he can bravely lead his men into battle. It’s noble, but unnecessary when anyone who’s seen “Thor” or knows of Hemsworth’s star power, knows the actor wasn’t cast to file paperwork and sit behind a desk throughout the movie.

Nelson gets his wish and is shipped off to the Middle East. There he leads a group of Green Berets in mid-October into Afghanistan to assist the Northern Alliance, a collection of Afghan warlords and soldiers who are mainly playing defense against the oppressive Taliban. The Berets’ goal is to loosen the Taliban’s grip and to destabilize the terrorist organization. Assisting, as well as being assisted by, the Green Berets is General Abdul Rashid Dostum (Navid Negahban), one of the leaders making up the broken and embattled Northern Alliance.

The politics of the Northern Alliance as well as the covert operations are a lot more fascinating than what is actually on-screen. After watching the film I went home to do some research and became engrossed in the history of the battle before U.S. televisions began broadcasting bombs being dropped. It was also fascinating to read about Afghanistan’s shattered (and still is) political structure that barely holds the country together. None of that really comes across in “12 Strong” that tried to simplify the history books.

Exposition usually comes across in wooden dialogue, as well as speeches that feel unnatural. The movie also loses track a few times of where our Green Berets are supposed to be or what town they’re currently entrenched in or liberating. The final battle sequence comes off as a rush with a visually silly sequence of men on horseback shooting wildly at Taliban in tanks like some kind of over-the-top boss battle in a video game.

For all its flaws, “12 Strong” does commendable jobs in some of its smaller moments. General Dostum, who’s drastically underplayed throughout the film, provides necessary insight into how the Afghans view the U.S. intervention, saying at one point that the Americans will be called cowards if they leave, but invaders if they stay. He says it in all seriousness, realizing that the U.S. is in a no win situation with the hearts and minds of Afghanistan, but with his eyes expressing sympathy for that unfortunate scenario.

We also get a sense of camaraderie amongst the troops of the Northern Alliance and the Green Berets more than amongst the Green Berets themselves. It says a lot about the heart of America’s troops when the first person a Green Beret searches for in the aftermath of a bomb explosion is his young Afghani counterpart. “12 Strong” shows the horrors of battle without glorifying them or giving excuse for their brutal necessity.

It’s hard not to think about the political ramifications of what we’re watching on-screen, especially since we’re still in the war-torn country. The movie never takes a stance, as it shouldn’t. 17 years later, it’s still hard to find that political middle ground that would appease both sides of a frustrating war. “12 Strong” does a passable job telling a story about unsung heroes in the early days of that war, but there’s the lingering feeling that the soldiers portrayed in the film deserved a much better retelling of their struggles.

Film Review: “Thor: Ragnarok”

Starring: Chris Hemsworth, Tom Hiddleston and Cate Blanchett
Directed By: Taika Waititi
Rated: PG-13
Running Time: 130 minutes
Walt Disney Studios Motion Pictures

While “Avengers: Age of Ultron” was only about two and a half years ago, it feels like an eternity since we last saw Thor (Hemsworth). It can easily be said that Thor’s cameos in other Marvel films are a lot more enjoyable than his own feature length vehicles. That’s mainly because his two previous movies are devoid of mentally stimulating storytelling, hollow villains and an inescapable sense of forced plotting. Luckily, third time’s the charm for the God of Thunder.

In an attempt to get to the meat of the story, “Ragnarok” spends the first handful of minutes rushing through plot points about Thor, Loki, Odin and Jane Foster, and what they’ve been up to since we last saw them. It’s taxing, especially since no one really cares about Odin and I think Loki is a reminder of Marvel’s previous attempts to make him more of an imposing bad guy than he actually is. But it’s during these clichéd moments that “Ragnarok” still manages to find fun and establish tone.

For instance, the cold open finds Thor having the most fun we’ve ever seen him have on screen. With a flick of his wrist and a twirl of his hammer, he obliterates dozens of faceless foes, and it’s all set to Led Zepplin. We also get a much needed detour from the story line catch-up with Doctor Strange (Benedict Cumberbatch). His cameo is unexplained and seemingly unnecessary, but it’s certainly one of the most delightful highlights of the film. Once the film catches up on two years, we meet the Goddess of Death, Hela (Blanchett)

Hela may be the blueprints needed for a Marvel universe in sore need of a compelling, yet dangerous villain. Hela is a genuine threat, demonstrating her overt God-like powers throughout. Her first scene shows her destroying Thor’s hammer with a singular flex of her arm and disregarding Thor’s threat much like a pesky fly. There’s a charming menace behind her smile as she slaughters countless soldiers on her way to Asgard’s throne. Blanchett’s performance is simply magnetic.

Most Marvel films know how to have fun, but “Ragnarok” is an entirely new beast. It draws upon child-like humor, usually seen in more mature Saturday morning cartoons. The film expertly utilizes humor to introduce new characters flawlessly and in minimal time. Jokes convey their attitudes and mentality easier than any drawn out exposition could. It also helps when you have the Incredible Hulk (Mark Ruffalo) aggressively stomping around like an upset Kindergartener. Director Taika Waititi deserves a lot of credit for taking the title character and its world in such a retro direction so that’s equally lighthearted and visually joyful.

“Ragnarok” isn’t breaking the established Marvel mold, as much as it wants to. Film executives might have pulled their hair out if the film didn’t still lean on protagonist redemption subplots, cheeky squabbles amongst allies and fanboy pandering. That shouldn’t take away from Waititi’s vision. He’s brought his own brand of goofiness, managing to make the film and its characters crass, yet warm, and brutish, yet charming. “Ragnarok” is a dazzling space opera that finally gives Thor meaningful purpose in the vast Marvel cinematic universe.

Top Five Things I’d Like to See in A Ghostbusters Sequel

There seems to be a whole lot of doubt swirling around a possible sequel to Paul Feig’s Ghostbusters. Sony came out of the gate proclaiming its green light but when the feature didn’t set the box office absolutely ablaze, detractors flocked to the numbers as validation for their months’ long rally against the very notion of the reboot, sight-unseen. Sony is still keeping mum on their plans, although they maintain the brand is strong with cross-platform opportunities. I’m not here to argue numbers, especially in a summer where other properties have had the privilege of quietly underperforming on a near-weekly basis from Independence Day: Resurgence to Star Trek Beyond.

All I’m saying is I have a feeling that once the paranormal dust settles and we head towards its home video release and secondary markets, the word will get out that Feig’s Ghostbusters is actually a damn good time. We’ll see this word spread by the enthusiastic little girls–oblivious to the internet furor– who saw new kinds of heroes in the unconventional quartet and take to ghostbusting on the playground. We’ll see it in the array of cosplayers inspired by the new looks of the franchise (McKinnon alone has a week’s worth of iconic outfits!) And we’ll see it when a sequel debuts to larger numbers than its predecessor because those girls will come back. And they’ll bring their friends.

Our own Mike Smith gave the film 4 stars, but my take on it briefly: The new characters, lead by Kate McKinnon’s standout weirdo Holtzmann, Leslie Jones’s NYC-history-savvy Patty and Chris Hemsworth’s much lauded comedic turn as dim receptionist Kevin, were a joy insofar as they weren’t even trying to step into the shoes of their forebears but bringing their own. Or in Kristin Wiig’s case, a pair of quirky turquoise wellies. Additionally the effects were cool, evoking the glowing spookiness of Disney’s Haunted Mansion rides–which is to say, just the right level for a Ghostbusters installment. And of course, seeing four women take up arms against a ghost army with brand new kick ass weaponry that Bill Murray and co’s point and shoot models could only dream of, was something I haven’t seen before and I need to again.

It’s with this blind hope in mind that I’m going to forge ahead with the following top five wishes for their sequel. Because I live in a world where there’s six Police Academies, four Sharknadoes and my Ecto-Cooler juice box is half full.

(Minor spoilers ahead)

1 – An equally stacked cast
The four female leads were front and center of the marketing, rightfully so, but Feig’s supporting cast was nothing to sneeze at either and one of its best surprises. “Silicon Valley” star Zach Woods’s haunted tour guide started it all off on the right foot, quickly joined by the likes of Ed Begley Jr, Cecily Strong, Andy Garcia and Michael K Williams. Heck even the taxi driver from Deadpool (Karan Soni) got big laughs. Whoever cast this thing, stick around.

2 – Some better usage of NYC
The Ghostbusters are based in New York and their strong ties are upheld at their firehouse headquarters, Hook & Ladder 8, which displays the team’s logo on the sidewalk. However for budgetary reasons, the movie was mainly filmed in Boston. Nothing wrong with saving some money, but screening the movie in Manhattan, the fake 6-line subway station raised some eyebrows. And the greatest offense? The ladies dining on Papa John’s pizza. I can suspend my disbelief to hellmouths in the middle of Times Square, but native New Yorkers opting for Papa John’s is a bridge too far. Get those product placement dollars elsewhere. And rope in some more actual locations, if only so this obsessive fan can visit them.

3 – A more sinister villain
I really did enjoy Neil Casey in his minimal screen time as Rowan from a comedic stand point. Still, he wasn’t as menacing as the original’s demonic invasion of Dana’s (Sigourney Weaver) fridge or even the first specter featured here, Gertrude Aldridge (Bess Rous, below). Later when Rowan’s spirit wound up in a couple of our heroes’ bodies and finally a CGI giant, he became still less memorable. More to the point, the Ghostbusters franchise as a whole is now 100% saturated with finales featuring behemoth figures tromping through skyscrapers. Let’s be done with that. The most effective supernatural stuff whether it was the aforementioned Aldridge Mansion, green ghouls lurking behind glass waiting to be released onto our plane, or just a regular mannequin temporarily brought to life, were smaller in scale and creepier for it. A more intimate antagonist would be novel to the team and hey, bonus, also could cut down that budget again. Are you listening, Sony?

4 – A few more original cast cameos for the completists
Rick Moranis, please. Okay, I know this is pie in the sky stuff, especially seeing as he officially turned down a cameo in this first one (wishing them well in a 2015 Hollywood Reporter interview), but juice box half full right? I have a hope that Mr. Moranis checks Feig’s work out and supports the new team in the way that his fellow cast mates did this time around.(I may or may not have yelped when Annie Potts arrived.) Plus I’m a kid of the late 80s…I just super want to see him back in front of a camera and I feel like this is the best shot we’ve got. Failing that, Peter MacNichol would not be unwelcome. If I have a soft spot for Ghostbusters 2, it’s because of him.

5 – Let Kevin join the team!
Chris Hemsworth’s dumb puppy dog of a receptionist was so adorably eager to be a Ghostbuster that in a latter portion of the film, he’d made his own jumpsuit and outfitted a motorcycle with duct taped laser canons. Unfortunately apocalypses being the inconvenience that they are, he didn’t get to realize this dream. Seeing as Hemsworth’s scenes were serious highlights, I’d be happy to see what he would do when faced with the supernatural. It’s probably a safety hazard to the general public, so Holtzmann could start him off with a pimped out laser pointer and train him up from there. At the very least, I hear he’s good with a hammer.

Seriously how can you say no to that face?

I implore you Sony, Paul Feig, Katie Dippold, cast and all the ghostly powers that be to let this team take up proton packs again in the future!

Ghostbusters is still in theaters and is expected to arrive on Blu-ray/DVD in October, hopefully in time for Halloween.