Seth Avett discusses new album “Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”

Singer/Songwriters Seth Avett and Jessica Lea Mayfield have combined their talents for the first time on record with the release of “Seth Avett and Jessica Lea Mayfield Sing Elliot Smith”. The album features 11 stripped down songs handpicked from singer/songwriter Elliot Smith’s diverse catalog. Media Mikes had the chance to speak with Seth recently about the creation of the album, the duo’s tour plans and other projects Seth has in the works for 2015.

Adam Lawton: Can you give us some background info on the album and what was about Elliot Smith’s work that initially appealed to you?
Seth Avett: Elliot Smith is one of those artists that I feel if you are meant to hear his work you will. I think what drew us to him is what draws people to most music. It’s sort of a cascade of beautiful melodies that we have attempted to follow in a very real way. The writing is very honest and it attempts to show you through the lyrics. I have always been drawn to music that does this and I think Elliot is one of the strongest examples of that over the last few decades. How this all sort of came together was that Jessica opened for the Avett Brothers at a show we were doing in Sun Valley, Idaho in 2011. We hung out with Jessica for a few days and on the last day that we were hanging out at the venue it was her and I in a small practice room with just a piano. I started plinking out the chords for the song “Twilight” and Jessica was very into it. I sort of had a moment where I thought everything just sounded amazing. I don’t think I thought of a record at that moment but I could sort of feel things aligning. I had a small hand held recorder with me and made a recording of what we were doing. I ended up listening to that over and over again which got me thinking about what it would be like to do a whole album like that.

AL: How did you go about choosing the tracks from Elliot’s diverse catalog?
SA: I try to always do my best and follow the path of least resistance. We sort of gravitated to songs from later in Elliot’s career with a big focus on songs off of “From a Basement on the Hill”. Jessica and I gravitated towards that album as it was a personal favorite of both of ours however we also wanted to make sure that we represented Elliot’s other works as well. Basically we each brought in 7 or 8 songs and then started to see how they would go together with us singing them. Pretty much what we ended up taking to the recording studio made the album with the exception of the song “L.A.”. That song almost made it. It had really great energy but ultimately we chose not to go the full way with it.

AL: How did you go about balancing your duties as both performer and producer?
SA: Any sort of conflict I might have had I think certainly came more from trying to do the material justice. My production style is more of a non-production type style. I like to let the music take shape and let it go with the flow a little bit. I don’t like thing to feel like I have to make a suggestion or plan for everything. I really enjoyed being able to produce this record and was extremely honored in the fact that Jessica trusted me enough to make those production related calls and to push her performances. Our trust for each other certainly was taken to another level with this project.  From a performer stand point I sort of look at the two roles as one in the same. I love being very hands on and rolling up all of the roles into one and just running with it worked well for me.

AL: Do you find your creative process to be the same working on a project like as compared to your work with The Avett Brothers?

SA: It changes entirely. When I am making music with my brother things tend to trickle down to the band. That process is much more laborious as there are more than just myself giving input or direction. There is a lot of passing back and forth during that creative process. When I am writing for just myself there is less of that back and forth collaboratively. I feel working from both sides’ benefits the overall process as a whole.

AL: Can you tell us about the shows you have planned in support of the release?
SA: The shows are going to have a very stripped down approach. The plan is to only have three performers on the stage. We will have a stand up bassist, acoustic guitar and a pianist/vocalist. The shows will be very intimate and I hope will provide a nice back and forth with the audience. We will be playing a lot of songs of the album as well as some of both mine and Jessica’s solo material. The tour is to support the record but the show its self will not read that like.

AL: Can you tell us about any other plans you have for this year?
SA: It’s going to be a busy year. The band is already chomping at the bit to get out there as the winter is generally our down time. We are fully into making a new record at this point though as couple months back we were in California working on new material. We have already played a few of the new songs which will be on the record live but there should be more new tings starting to surface here shortly. For live shows this is going to be a really great year. We won’t be doing as many shows this year however the shows that we are doing are going to be very special.

CD Review “Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”

“Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”
Seth Avett & Jessica Lea Mayfield
Ramsuer Records
Produced by:  Seth Avett
Tracks: 12

Our Score: 4.5 out of 5 stars

Singer/Songwriters Seth Avett and Jessica Lea Mayfield are together for the first on “Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”. The twelve song album is a stripped down and straight forward collection of songs from the diverse catalog of singer/songwriter Elliot Smith. Though this is the duo’s first release together the combination of Avett and Mayfield is almost flawless as the two complement each other quite well. The recordings have a very natural and warm feel which makes this an album you can put on after a long day and just escape into the music.

Tracks like “Between the Bars” and “Twilight” have a captivating almost lingering effect which draws the listener back to them time and time again while songs like “Somebody that I Used to Know” which features a more upbeat arrangement and the indie rock feel of “Roman Candle” breaks things up nicely giving the album a nice balance before being closed out with a somber duet of Smith’s “Memory Lane”. Whether you are a casual fan or dedicated diehard of the artists featured on this album I highly recommend this to anyone looking for a great musical experience

Track Listing:
Between the Bars
Baby Britain
Fond Farewell
Somebody That I used to Know
Let’s Get Lost
Twilight
Ballad of Big Nothing
Angel in the Snow
Pitseleh
Angeles
Roman Candle
Memory Lane

Theater Review "Billy Elliot: The Musical" – Music Hall, Kansas City, Missouri

Billy Elliot: The Musical
Music Hall, Kansas City, Missouri
January 22, 2013

Our Score: 4 out of 5 stars

“I never had that much energy at that age,” is what I told myself after watching 12 year old Drew Minard steal the show as the title character in “Billy Elliot: The Musical.”

The show, based on the film of the same name, tells the story of a young man who, bored with boxing classes, finds himself drawn to ballet, an endeavor that does not go over well in his tough, English household, where it’s easier to make fun of “the bally,” as it’s called, then appreciate the beauty of the art.

As the show begins the audience is thrust into the beginning of Britain’s 1984 Coal Miner’s strike.  Billy’s father, Joe (Rich Hebert) is one of the leaders of the strike, hoping by holding out that he can better the life of his sons.  His oldest boy, Tony (Cullen Titmas) also works in the mines but doesn’t have his father’s temperament.  Joe and his sons live with Grandma (Patti Perkins), Billy’s mother having died some time ago.  They are working class, as is the majority of their small town, which makes Billy’s new found hobby even more difficult to embrace.  But, urged on by his teacher (Janet Dickinson), Billy follows her advice and, true to the song she sings to motivate him, he shines!

Photo by Amy Boyle

Winner of 10 Tony Awards including Best Musical, “Billy Elliot” is what I would call a “solid” musical.  It has all of the great elements you want in a show:  great cast, intriguing story and a good score.   Which is kind of disappointing since the music was written by Elton John (“The Lion King”) in a collaboration with Lee Hall, author of the book and lyrics as well as the screenplay to the original film.  While a couple of numbers stand out (“Solidarity” and “Merry Christmas Maggie Thatcher”) there really isn’t a song that you leave the theatre humming.  But don’t let that keep you away.  The show is entertaining and well choreographed.  Heck, the curtain call is a production number in itself.  And if you go, make sure you give a standing ovation to Master Minard (or any of the other boys, there are four in total, who are playing Billy on this tour).  He certainly earns it!

“Billy Elliot: The Musical” continues in Kansas City through January 27 and then visits the following cities:

CLEARWATER, FLORIDA                 January 29 -30

RICHMOND, VIRGINIA                   February 1-3

BIRMINGHAM, ALABAMA           February 5 -10

GREENVILLE, SOUTH CAROLINA                February 12 -17

NAPLES, FLORIDA                            February 19 -24

JACKSONVILLE, FLORIDA              February 26 – March 3

WEST PALM BEACH, FLORIDA     March 5 – 10

PEORIA, ILLINOIS                             March 12 – 14

FOR LATER SHOWS VISIT  http://www.billyelliottour.com/us-tour-tickets

 

Miles Elliot talks about working on “The Amazing Spider-Man”

Miles Elliot plays the role of Billy Connors in “The Amazing Spider Man”, the son of Spider-Man´s arch nemesis, Dr. Connors aka The Lizard. Media Mikes had the chance to talk with Miles about the role and what it was like behind the scenes of the film.

Adam Lawton: How did you become interested in acting?
Miles Elliot: I had done some work with a music theater group where we put on “Joseph and the Amazing Technicolor Dream Coat”. I was just part of the ensemble but I started talking to other people in the production who had appeared in various films and television shows. I asked them how I could start doing that and then I asked my parents about it. They told me if it was something that I really wanted to do I could go ahead and do it. I have been acting now for about two and a half years.

AL: What was it that interested you in auditioning for “The Amazing Spider Man”?
ME: At first I didn’t even know what film the role was for. The movie was only listed as a teen action film. I did a scene where my characters dad gets mad at me. After that we found out they were casting for “The Amazing Spider Man”. As things got bigger and bigger I realized that I had gotten into a really big movie. Things just kept getting more exciting as they went on.

AL: What was the audition process like?

ME: I had to do a couple auditions. After the first one the lady who was running it chased me down after I left and asked me if I would talk/meet with another casting person. When I went to meet with this other lady she was on the phone and told me we would have to meet a different time. I said “that went well”. When I went back I ended up reading with director Marc Webb and I got the part.

AL: Can you tell us about your character?
ME: I play Billy Connors who is the son of Dr. Curt Connors/The Lizard which is played by Rhys Ifans. I have about 3 scenes in the film and I am just your normal everyday kid whose dad is a lizard.

AL: What was it like working on the set?
ME: When I got there I thought everything was really big. There were just trailers all over the place. I was amazed that there was even one for me. This was my first time ever experiencing that. Even the catering was big. I remember one night they had lobster, crab and there was even an ice sculpture. I got to meet Andrew Garfield and Emma Stone which was also really great.

AL: What was it like being able to watch such a great group of actors work?
ME: It was cool! On one of the nights I got to watch them shoot a scene where Spider Man jumps off a parking garage. They had all this stuff going on to make the scene happen and it was great to be able to watch that. Another night I was on set they had a bunch of green scenes set up to shoot Andrew swinging back and forth.

AL: Can you tell us about some of your other work?
ME: I recently finished a project in May titled “Camp”. The film is about a camp for troubled kids and my character Eli gets paired up with a reluctant counselor who is there just for the money. It was a fun shoot as we shot in the Sequoya National Forrest for three weeks. I will also be on an episode of Disney’s “Austin & Ally” as well as “The Mentalist”.