STEEL PANTHER LAUNCH VIRTUAL PHOTO EXHIBITION “SEX, JPEGS AND ROCK & ROLL” TO SUPPORT LIVE CONCERT PHOTOGRAPHERS


Band Will Curate A New Gallery Every Two Weeks With Prints For SaleIn Various Configurations To Support Concert Photographers Who Have Covered The Band Throughout The Years

https://steelpantherrocks.com/pages/sex-jpgs-rock-n-roll

First Photographer Niall Fennessy Will Open His Virtual Gallery With An Interview With Stix Zadinia on February 1st at 12:00PM PST

As the music industry waits for a time when touring can return and fans can gather to celebrate the music of their favorite artists again, Steel Panther has begun another charitable endeavor to help support concert photographers that have been sidelined since the Covid-19 pandemic began. Aside from venues, promoters, support staff, and patrons – concert photographers have had no performances to cover since March 2020. 

Steel Panther has decided to partner with 7 of their longtime collaborators to curate a virtual photo exhibition of each individual’s work for a 2-week period. Each photographer has captured the band with their lens at various points of their career. Fans can purchase exclusive prints that were hand-picked by the band and photographers in various configurations with the profits going to help each photographer during this touring shutdown. All images are available as a Premium Matte Poster, Framed Print or Framed Canvas with prices starting as low as $24.99.

The photo exhibition will be available to see and purchase here: https://steelpantherrocks.com/pages/sex-jpgs-rock-n-roll.  

To coincide with the launch of each gallery, an individual band member will interview the photographer about their work, any memories from covering Steel Panther, and allow fans to interact with them when time permits. The first gallery will be by legendary photographer Niall Fennessy who has been following the band for years. Drummer Stix Zadinia will sit down with Niall at 12:00PM PST on February 1st for a chat.

The conversation will be available online afterwards and fans can go to: https://steelpantherrocks.com/pages/sex-jpgs-rock-n-roll to check out the conversation. A new gallery will be available for fans to peruse and purchase and every 2 weeks.  

The schedule for photographers is:

Feb 1: Niall Fennessy – interviewed by Stix

Feb 15: Joe Lester – interviewed by Satchel

Mar 1: Richard Booth – interviewed by Satchel

Mar 15: Evil Robb – interviewed by Michael

Mar 29: Pamela Sprenger – interviewed by Lexxi

Apr 12: Charlie Steffens – interviewed by Michael

Apr 26: David Jackson – interviewed by Stix 

“You see them all the time. They block your view for the first 3 songs and you may even kick them in the back of the head while crowd surfing, but these unsung heroes never complain or kick you back. These photographers have been friends of Steel Panther for a while and we decided for all they have done for us, this was the least we can do. So grab your fancy berets and prepare to learn a thing or two from Steel Panther photography exhibit Sex, JPEGS and Rock & Roll. Admission is free so don’t be cheap and buy something to support these artists.” 

“Star Trek: 50 Artists. 50 Years” Lands at New York’s Paley Center

September 16- “Star Trek: 50 Artists. 50 Years”,  which made its debut at this year’s San Diego Comic Con opens up to New York fans today at the Paley Center for Media in midtown. The exhibition, which celebrates the 50th anniversary of the original Star Trek television series, features fifty pieces from ten nations as well as tie-in fan screenings and whimsical photo ops sure to please the Trekkies of Manhattan. Noteworthy amongst the art on display is a piece of the famous Vulcan salute by none other than the late Leonard Nimoy himself.

Work by Leonard Nimoy

To my eyes, Spock looks to be favored character by the show’s artists, including a digital illustration from Stanley Chow whom I spoke with at the exhibition preview:

Where are you from?
Stanley Chow: I’m from Manchester England.

What Inspired you to choose Spock?

SC: I think like when I was growing up in the 70s and 80s and then watching reruns of Star Trek, the first person I kind of looked up to was Spock. He seemed like the more intelligent one and slightly different. I guess with me it was–when I was growing up, I was the only Chinese boy in the village, you always kind of–I felt you needed someone different to look up to and aspire to, you know? And Spock was always the one, with his cool, calm, collected demeanor. And his pointy ears.

Artist Stanley Chow with his work

Do you have a favorite Spock moment?
SC: There’s not been a favorite moment, but I’ve always liked the kind of relationship he had with Uhura. You know? It was never kind of like a fully fledged relationship. It was always kind of like an underlying thing…Which was sort of my life with lots of girls when I was growing up.

Do you enjoy Zachary Quinto’s take on the character?
SC: Oh, I think he’s amazing! When he was picked, obviously he was off of “Heroes”…And then once he puts the ears on and he does his thing [in the] movies, he’s the only actor–it’s sounds kind of cliché to say he’s the only actor who could do Spock but he’s done it so well but that’s why it’s become a cliché isn’t it?

Head of CBS consumer products, Liz Kalodner was also on hand to celebrate the opening.

Do you have a Star Trek favorite character?
Liz Kalodner: Well Captain Kirk is the classic, c’mon! Although I have to say, Captain Janeway [From Star Trek: Voyager], also pretty good.

Do you enjoy the new film franchise?
LK: Oh, absolutely. i think JJ Abrams has done a wonderful job. It’s brought in a new, younger audience, and really has given the franchise great energy.
As you’re from consumer products, I noticed you’ve got a fictional cereal here in the exhibit, is that a favorite item?

LK: Yeah! So that’s by an artist named Juan Ortiz who loved Star Trek from when he was a kid and actually had that idea when he was a child. And he always wanted to do it. And I don’t know if you saw the back but there are cutouts, trading cards, because cereal boxes always had you know, the free in-pack or on-pack, so he created that.

Since Star Trek is coming back to TV are you getting ready with your department for that?
LK: We are getting ready! We’re working with showrunner but it’s all in the development stage. But it’s a wonderful time to be in the Star Trek business.

“Star Trek: 50 Artists. 50 Years'” brief stop in NYC concludes on September 25th. Details on the Paley Center’s screenings to coincide with the exhibit can be found here.

The Paley Center for Media is located at 25 West 52nd Street.

New York Film Festival Review “Exhibition”

Starring: Viv Albertine, Liam Gillick, Tom Hiddleston, Mary Roscoe
Directed By: Joanna Hogg
New York FIlm Festival
Running Time: 110 minutes

Our Score: 4 out of 5 stars

Set in London, “Exhibition” focuses on a middle-aged married couple, known only in the film as D (Albertine) and H (Gillick). Both artists living a spectacular modernist house, itself built by an artist, we join them at the critical moment of their decision to sell the place. D is hesitant to make the move from a home that has defined their lives for nearly two decades.

It’s surprising to learn that the two leads of the film were themselves not actors. Albertine, the guitarist for band The Slits and Gillick, who is actually a conceptual artist himself, have an amazing chemistry as a long married couple. Though much of the film finds them in a state of disconnect–they communicate with each other through a very clinical intercom system in the house–we get these small moments of levity that make their relationship feel very lived in despite their tensions. You feel a sort of united front the couple present when they are engaging with painfully chatty outsiders like their neighbor going on and on about her children or the constantly upbeat realtor attempting to reassure D they’ll find good buyers (Hogg’s former film alums Mary Roscoe and Tom Hiddleston, respectively). Albertine has most of the screentime and she goes a long way in selling her attachment to both her home and her husband through her heartfelt pleas for H not to go wandering the city at night and later her running outside to confirm the ambulance down the block has nothing to do with H. Her anxiety about a prior ‘incident’ she doesn’t wish to repeat is never fully explained in the film but the desperation you sense when D alludes to it is enough to explain her unease.

I was fortunate to see this film, Hogg’s third feature, as part of a series showcasing all her work at this week’s New York Film Festival. Her first two features, Unrelated and Archipelago, established Hogg’s tremendous control over and emphasis on setting. Though Unrelated and Archipelago took place on family holidays and Exhibition is confined to the house, the sense of place feels like an additional character in her stories. Aesthetically beautiful as they are, they can also turn alienating at a moment’s notice. “Exhibition” takes this a step further through Jovan Ajder’s amazing sound design that morphs the home from a shelter from the sirens outside, to an oversize cavern with all it’s metallic creaking and huge sliding doors that dwarf D when she is on her own. Though D professes to a friend over Skype to be able to feel the love of the previous owners of the house in the walls, the audience may need some convincing. Hogg’s sound design coupled with her meticulous visuals bring us into the growing anxiety that D feels.

“Exhibition” is screening as part of the 51st New York Film Festival taking place through October 12th in Lincoln Center. For more information on it’s remaining screening, visit FilmLinc.com

 

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