Lauren Bacall, Star of Hollywood’s Golden Age, Dead at 89

Lauren Bacall, whose seven-decade career made her one of the greatest stars in Hollywood history, died this evening in her New York home a month shy of her 90th birthday.

Born Betty Joan Perske on September 16 (a birthday we both shared) 1924, she set out to become a dancer before turning her sights to acting and attending the American Academy of the Dramatic Arts after her graduation from high school. While appearing in the occasional off-Broadway production she began modeling and, at age 19, caught the eye of film director Howard Hawks’ wife, who saw her on the cover of a magazine and suggested she be given a screen test. So impressive was her test that she was cast opposite Humphrey Bogart in the film “To Have and Have Not.” It was in this film that she introduced one of the most quoted lines in film history when she said “You know how to whistle, don’t you? You just put your lips together and…blow.” Despite their 25 year age difference, the two fell in love and were married a year later. The marriage would last until Bogart’s death in 1957.

She continued to co-star with Bogart in such classic films as “The Big Sleep,” “Dark Passage” and “Key Largo.” In 1953 she tried her hand at comedy, co-starring with Marilyn Monroe and Betty Grable in “How to Marry a Millionaire.” She spent the next decade or so alternating between film and television before heading to Broadway, appearing in the musical “Applause,” for which she won the Tony Award as Best Actress.

In 1973 she reprised her role in the television production of “Applause” and then returned to the big screen as part of the all-star cast of “Murder on the Orient Express.” She also starred opposite John Wayne in his last film, 1976’s “The Shootist.” In 1980 she appeared in the Robert Altman film “HealtH.” This movie was filmed in St. Petersburg Beach, Florida and I can remember some friends and I trying to sneak our way into the Don Cesar Hotel, where the film was shot, in the hopes of meeting Ms. Bacall, who my friend Scott Gilbert had a major school boy crush on. We were not successful.

She continued to work at her leisure, appearing in such films as “The Fan,” “Misery,” “Pret-a-Porter” and “The Mirror Has Two Faces,” for which she received her first and only Academy Award nomination, as Best Supporting Actress. Though she did receive the Golden Globe for her performance, the Oscar went instead to Juliette Binoche. . As the 21st Century loomed she began contributing her voice to various animated projects, including “Madeline: Lost in Paris,” “Howl’s Moving Castle” and was actually heard earlier this year in an episode of “Family Guy.”

In 2010 she received an honorary Academy Award in recognition of her central place in the Golden Age of motion pictures.

Book Review “The Art of the Disney Golden Books”

Author: Charles Solomon
Series: Disney Editions Deluxe
Hardcover: 160 pages
Publisher: Disney Editions
Release Date: April 8, 2014

Our Score: 5 out of 5 stars

What kid didn’t grow up reading Disney Golden Books? These little books have such memories for me, I can always remember great times picking them up at the supermarket and reading them on the way home…and then over and over. “The Art of the Disney Golden Books” does not only deliver pristine and gorgeous art from these books they also provide a lot of history on these books. In fact, they started all the way back in 1933. Ranging from past classics “101 Dalmatians” to “Peter Pan” to “Once Upon A Wintertime” to “Alice in Wonderland” (which I still have my original) to today’s classics like “Toy Story”, “Finding Nemo”, “Tangled” and even as recent as “Frozen”. This is a must own for anyone big or small to enjoy either for themselves or with their family.

Official Premise: The Art of the Disney Golden Books celebrates a legacy that has now thrived for more than eighty years and continues to influence new generations of artists and filmmakers. Through interviews with contemporary animators who recall tracing the characters in their childhood Disney Golden Books, paintings by artists who influenced and inspired the Disney Golden Book illustrations, and a generous complement of Golden Book artwork-much of which was thought to have been lost until very recently-the rich tradition of the series is explored in this vibrant volume.

Disney Press really delivered an amazing book here. I literally couldn’t put it down as I had to see what was coming next and wanted to read every fact given by author Charles Solomon. Some of his other books include “Tale As Old As Time: The Art and Making of Beauty and the Beast”, “Disney Lost and Found” and
“The Disney That Never Was”. So he has quite the history with the company. Some of the images in the book are such high quality and I love the fact that they are actual preview images, meaning they do not have any text included on them. It is really cool to see them presented in that way. Actually since I have read some of these numerous times, I found myself even able to fill in some blanks from memory.

The breakdown of the book is also very interesting. We start with the history of Golden Books, which is unbelievable interesting. Then we switch gears to beautiful art work and, most importantly, to the talented artists that have worked on these books. There is also great sections on the memories and influences for these titles. I think this one really hit home for me since I have such a connection with these books. There is focus on the new creations and past discoveries of characters found in the Golden Books as well from Rapunzel to “Peter and the Wolf”. The book closes out discussing the legacy of Golden Books and the future as well. Can’t wait to read this again and share these books with my own daughter.

Britt Ekland talks about “The Wicker Man” and playing Bond Girl in “The Man with the Golden Gun”

Britt Ekland is known best for her roles in 1973’s “The Wicker Man” and playing Bond girl in “The Man with the Golden Gun”.  Media Mikes had a chance to chat with Britt about her film work and her experiences working with Christopher Lee and Roger Moore.

Mike Gencarelli: How was the experience working on the film “The Wicker Man”?
Britt Ekland: It was very difficult as I discovered during shooting that I was pregnant. I couldn’t understand why my dress suddenly felt so tight. So, took the night train to London on my day off and went to the doctor for a test. He confirmed that I was pregnant. We had a lot of exterior shooting and, of course, it always had to look sunny and warm, but we worked in October and November so it was quite cold and windy in Scotland. There were a lot of exterior shooting and a lot of walking!

MG: Can you reflect on the cult status the film has developed over the years?
BE: I don’t think any of us, at the time, thought about it, for me it was just another movie and one I hadn’t been very happy doing. But I guess it was the first time, on screen, someonewasn’t saved in the end and I think that had a big impact on the audience.

MG: What did you like most about playing a Bond girl in “The Man with the Golden Gun”?


BE: I so wanted to be a Bond Girl after seeing Ursula Andress in Dr. No and those beautiful locations, that I read the book “The Man with The Golden Gun” and called Cubby Broccoli’s office to see him. I was already an established actressthen. I had dressed as a secretary (this was early 70’s) in a plain skirt, a white blouse and my hair in twist. Cubby said that the script wasn’t finished yet and they based the story more on the title. As I was leaving, Roger More came in and said hello. Very handsome. I had to go to the States to do a movie for 6 weeks and on the plane back to Britain, I read that another Swedish girl had been cast in the new Bond film. I was devastated! As soon as I got home my agent called and said Cubby Broccoli wanted to see me, I naively thought he was going to apologize for me not getting the part. As I waited in his office he suddenly walked in and said you are “Mary Goodnight!” I asked about that other Swedish girl and he said that is Christopher Lee’s girlfriend. I couldn’t have beenhappier meeting and working with Maud Adams, we have been the closest of friends ever since.

MG: How was it working with Roger Moore and Christopher Lee (again)?
BE: When I did the “Wicker Man”, I always found Christopher Lee very quiet and distant, but when we did the Bond Film, I met his Danish wife and we all got on very well together. But he is a very serious man. Roger on the other hand was very friendly and open and great fun to be with, always looking for ways to make us laugh. Roger had his wife and children with him on location. I also had my 2 children, Victoria and Nicholai, with me.

MG: How did you feel being dubbed in the role?
BE: Yes I was dubbed in the “Wicker Man”n even though I did my own dubbing in a Scottish accent, obviously they didn’t like it. As an actress I think that is probably the worst thing that can happen to you and I was very unhappy about it.

MG: Can you reflect on your experience in the show “I’m a Celebrity…Get Me Out of Here!”?
BE: I was asked 2 years earlier to do the show but I wasn’t mentally ready to do it. It takes a lot of strength to “just be yourself” and not act. I also have a one-woman show and I wanted the exposure that a show like Get Me Out… gives. Even young boys on their bikes knew who I was, when I came out, amazing! To actually be in the show was quite boring as there is nothing to do all day, unless you have a task, and the rainforest set is quite small and you weren’t allowed to go outside it!

MG: You’ve done quite a bit of theatre, how can you feel it differs? Do you prefer?
BE: I went to drama school as a young woman and my first engagement was touring Sweden with a Variety show for many month, but then i was discovered by 20th Century Fox and my stage career ended. I went back to stage work in the early 90’s and had to learn all over again what it’s like being on stage. I had horrid stage fright in the beginning but slowly over the years, it doesn’t seem so frightening anymore. I very much enjoy being on stage and I love the interaction with the audience. I think you come to a certain age where your choices are limited and I now feel comfortable on stage.

 

Related Content

“Tales from the Golden Age’ is Now Available on SundanceNow.com

We are exciting to announce that TALES FROM THE GOLDEN AGE is now available to watch on SundanceNow.com.  The final 15 years of the Ceausescu regime were the worst in Romania’s history. Nonetheless, the propaganda machine of that time referred without fail to that period as “the golden age”…
Check out the film that was an Official Selection at the Cannes Film Festival on SundanceNOW.com: http://www.sundancenow.com/film/tales-from-the-golden-age/745
Comic, bizarre, surprising myths abounded, myths that drew on the often surreal events of everyday life under the communist regime.  In these three clips from the film, sneak a peak at some of the characters that exemplify what life was like during an era when food was more important than money, freedom more important than love and survival more important than principles:

SundanceNOW.com is a place for anyone interested in independent films both American and worldwide – from the die-hard fans, who we hope will become active members of our community, to those interested in browsing our extensive list of different genres and sampling something new.

Michelle Danner Teaches at The Actor’s Golden Box

July 25, 2011

The Actor’s Golden Box at the Acting Studio at Edgemar Center for the Arts Taught by Renowned Acting Coach Michelle Danner

Each month, The Acting Studio at Edgemar Center for the Arts in Santa Monica  presents The Actor’s Golden Box, a two-day intensive program of training taught by renowned acting coach Michelle Danner.

Actors learn how to create vivid, fleshed-out and interesting characters through an intense and emotional workshop with technique exercises and lectures. Not just for actors, the course is also of benefit to writers and others in allied professions.

The class is supported by film clips and there are discussions and analyses of performances by Meryl Streep, Judi Dench, Anthony Hopkins, Al Pacino, Marlon Brando, James Dean and others.

Exercises include learning how to build provocative and complex back stories by opening up your instrument emotionally and finding triggers and psychological gestures in your work.

Danner, Artistic Director of the Edgemar Center for the Arts, has coached some of Hollywood’s most elite actors including James Franco, Salma Hayek, Gerard Butler, Chris Rock, Penelope Cruz, Isla Fisher and more. She has directed and acted in over 30 plays and musicals in Los Angeles and New York, and has directed two films, “How to Go Out on a Date in Queens” (starring Jason Alexander and Rob Estes) and the recently-completed “Hello Herman” (starring Norman Reedus and Martha Hagerida).

The Actor’s Golden Box is conducted once each month on a Saturday and Sunday at Edgemar Center for the Arts. Please call (310) 392-0815 for exact dates, times and registration information.

The Acting Studio at Edgemar Center for the Arts is located in a two-theatre and art gallery complex in Santa Monica. The address is 2437 Main Street, Santa Monica, California 90405.

#  #  #

Background

Michelle Danner and Larry Moss founded Edgemar Center for the Arts, a two-theatre and art gallery complex in 2000. The Larry Moss Studio has been housed at Edgemar since the cutting of the ribbon in 2002 and has flourished and grown into what is now The Acting Studio at Edgemar.

Classes offered in The Acting Studio at Edgemar Center for the Arts:

* The Actor’s Golden Box: with renowned acting coach Michelle

Danner
* Audition for Film & Television: On-Camera
* Scene Study Beginning/Intermediate/Advanced
* Improv Workout
* Casting Director Workshop
* Voice Intensives Level 1 & Level 2

*Brad Garrett, the Emmy Award winning star of “Everybody Loves Raymond”
will teach a six week sitcom/comedy intensive starting July 26th.

Free info sessions are held every Thursday 10:30 am – 12:30 pm

 

Related Content