“Power of the Dog” leads the 94th Academy Awards Pack

 

“Power of the Dog” lead the pack when the nominations for the 94th Annual Academy Awards were announced this morning.

 

Among the films nods:  Best Picture, Director and Adapted Screenplay – both for Jane Campion, and acting nominations for Benedict  Cumberbatch (Actor) and supporting performances for Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee.

Other films earning multi-nominations include “Dune” with 10 and “Belfast” and “West Side Story”, which each received 7 nominations, including Best Picture.  Other Best Picture nominees:  “CODA,:” “Don’t Look Up,’ “Drive My Car,” “Licorice Pizza” and “Nightmare Alley.” 

Though it received 10 nominations, “Dune” failed to earn a nomination for director Denis Villeneuve.  First time nominee Ryûsuke Hamaguchi (Drive My Car) joins previous directing nominees Kenneth Branagh (Belfast), Paul Thomas Anderson (Licorice Pizza) Jane Campion (Power of the Dog), and Steven Spielberg (West Side Story) in that category.  Of the nominees, only Spielberg has won the award – twice – for “Schindler’s List” and “saving Private Ryan.”

 

Unlike last year, many of this year’s nominees were from more mainstream, studio pictures, including “West Side Story” that, while it didn’t do the box office predicted, was a return to the glory days of the big Hollywood musical.

 

Here is a complete list of this year’s nominees:

 

Best Picture

 

  • “Belfast,” Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, producers 
  • “CODA,” Philippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, producers
  • “Don’t Look Up,” Adam McKay and Kevin Messick, producers 
  • “Drive My Car,” Teruhisa Yamamoto, producer 
  • “Dune,” Mary Parent, Denis Villeneuve and Cale Boyter, producers
  • “King Richard,” Tim White, Trevor White and Will Smith, producers 
  • “Licorice Pizza,” Sara Murphy, Adam Somner and Paul Thomas Anderson, producers 
  • “Nightmare Alley,” Guillermo del Toro, J. Miles Dale and Bradley Cooper, producers 
  • “The Power of the Dog,” Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, producers
  • “West Side Story,” Steven Spielberg and Kristie Macosko Krieger, producers.

 

 

Best Director

 

  • Kenneth Branagh (“Belfast”)
  • Ryûsuke Hamaguchi (“Drive My Car”) 
  • Paul Thomas Anderson (“Licorice Pizza”) 
  • Jane Campion (“The Power of the Dog”)
  • Steven Spielberg (“West Side Story”)

 

Best Lead Actor

 

  • Javier Bardem (“Being the Ricardos”) 
  • Benedict Cumberbatch (“The Power of the Dog”) 
  • Andrew Garfield (“Tick, Tick … Boom!”) 
  • Will Smith (“King Richard”)
  • Denzel Washington (“The Tragedy of Macbeth”)

 

Best Lead Actress

 

  • Jessica Chastain (“The Eyes of Tammy Faye”) 
  • Olivia Colman (“The Lost Daughter”)
  • Penélope Cruz (“Parallel Mothers”)
  • Nicole Kidman (“Being the Ricardos”) 
  • Kristen Stewart (“Spencer”)

 

Best Supporting Actor

 

  • Ciarán Hinds (“Belfast”) 
  • Troy Kotsur (“CODA”) 
  • Jesse Plemons (“The Power of the Dog”) 
  • J.K. Simmons (“Being the Ricardos”)
  • Kodi Smit-McPhee (“The Power of the Dog”)

 

 

 Best Supporting Actress

 

  • Jessie Buckley (“The Lost Daughter”) 
  • Ariana DeBose (“West Side Story”) 
  • Judi Dench (“Belfast” 
  • Kirsten Dunst (“The Power of the Dog”) 
  • Aunjanue Ellis (“King Richard”)

 

 

Best Adapted Screenplay

 

  • “CODA,” screenplay by Siân Heder 
  • “Drive My Car,” screenplay by Ryusuke Hamaguchi, Takamasa Oe 
  • “Dune,” screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth 
  • “The Lost Daughter,” written by Maggie Gyllenhaal 
  • “The Power of the Dog,” written by Jane Campion

 

Best Original Screenplay

 

  • “Belfast,” written by Kenneth Branagh 
  • “Don’t Look Up,” screenplay by Adam McKay; story by Adam McKay and David Sirota“King Richard,” written by Zach Baylin 
  • “Licorice Pizza,” written by Paul Thomas Anderson 
  • “The Worst Person in the World,” written by Eskil Vogt, Joachim Trier

 

Best Cinematography

 

  • “Dune,” Greig Fraser 
  • “Nightmare Alley,” Dan Laustsen 
  • “The Power of the Dog,” Ari Wegner 
  • “The Tragedy of Macbeth,” Bruno Delbonnel 
  • “West Side Story,” Janusz Kaminski

 

Best Animated Feature Film

 

  • “Encanto,” Jared Bush, Byron Howard, Yvett Merino and Clark Spencer 
  • “Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie 
  • “Luca,” Enrico Casarosa and Andrea Warren
  • “The Mitchells vs. the Machines,” Mike Rianda, Phil Lord, Christopher Miller and Kurt Albrecht 
  • “Raya and the Last Dragon,” Don Hall, Carlos López Estrada, Osnat Shurer and Peter Del Vecho

 

Best Animated Short Film

 

  • “Affairs of the Art,” Joanna Quinn and Les Mills 
  • “Bestia,” Hugo Covarrubias and Tevo Díaz 
  • “Boxballet,” Anton Dyakov 
  • “Robin Robin,” Dan Ojari and Mikey Please 
  • “The Windshield Wiper,” Alberto Mielgo and Leo Sanchez

Best Costume Design

 

  • “Cruella,” Jenny Beavan 
  • “Cyrano,” Massimo Cantini Parrini and Jacqueline Durran 
  • “Dune,” Jacqueline West and Robert Morgan 
  • “Nightmare Alley,” Luis Sequeira 
  • “West Side Story,” Paul Tazewell

 

Best Original Score

 

  • “Don’t Look Up,” Nicholas Britell 
  • “Dune,” Hans Zimmer 
  • “Encanto,” Germaine Franco 
  • “Parallel Mothers,” Alberto Iglesias 
  • “The Power of the Dog,” Jonny Greenwood

 

Best Sound

 

  • “Belfast,” Denise Yarde, Simon Chase, James Mather and Niv Adiri 
  • “Dune,” Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill and Ron Bartlett 
  • “No Time to Die,” Simon Hayes, Oliver Tarney, James Harrison, Paul Massey and Mark Taylor 
  • “The Power of the Dog,” Richard Flynn, Robert Mackenzie and Tara Webb 
  • “West Side Story,” Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson and Shawn Murphy

 

Best Original Song

 

  • “Be Alive” from “King Richard,” music and lyric by Dixson and Beyoncé Knowles-Carter 
  • “Dos Oruguitas” from “Encanto,” music and lyric by Lin-Manuel Miranda 
  • “Down To Joy” from “Belfast,” music and lyric by Van Morrison 
  • “No Time To Die” from “No Time to Die,” music and lyric by Billie Eilish and Finneas O’Connell 
  • “Somehow You Do” from “Four Good Days,” music and lyric by Diane Warren

 

Best Documentary Feature

 

  • “Ascension,” Jessica Kingdon, Kira Simon-Kennedy and Nathan Truesdell 
  • “Attica,” Stanley Nelson and Traci A. Curry 
  • “Flee,” Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie 
  • “Summer of Soul (…Or, When the Revolution Could Not Be Televised),” Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein 
  • “Writing With Fire,” Rintu Thomas and Sushmit Ghosh

 

Best Documentary Short Subject

 

  • “Audible,” Matt Ogens and Geoff McLean 
  • “Lead Me Home,” Pedro Kos and Jon Shenk 
  • “The Queen of Basketball,” Ben Proudfoot 
  • “Three Songs for Benazir,” Elizabeth Mirzaei and Gulistan Mirzaei 
  • “When We Were Bullies,” Jay Rosenblatt

Best Film Editing

 

  • “Don’t Look Up,” Hank Corwin 
  • “Dune,” Joe Walker 
  • “King Richard”, Pamela Martin 
  • “The Power of the Dog,” Peter Sciberras 
  • “Tick, Tick…Boom!” Myron Kerstein and Andrew Weisblum

 

Best International Feature Film

 

  • “Drive My Car” (Japan) 
  • “Flee” (Denmark) 
  • “The Hand of God” (Italy) 
  • “Lunana: A Yak in the Classroom” (Bhutan) 
  • “The Worst Person in the World” (Norway)

 

Best Makeup and Hairstyling

 

  • “Coming 2 America,” Mike Marino, Stacey Morris and Carla Farmer 
  • “Cruella,” Nadia Stacey, Naomi Donne and Julia Vernon 
  • “Dune,” Donald Mowat, Love Larson and Eva von Bahr 
  • “The Eyes of Tammy Faye,” Linda Dowds, Stephanie Ingram and Justin Raleigh 
  • “House of Gucci,” Göran Lundström, Anna Carin Lock and Frederic Aspiras

 

Best Production Design

 

  • “Dune,” production design: Patrice Vermette; set decoration: Zsuzsanna Sipos 
  • “Nightmare Alley,” production design: Tamara Deverell; set decoration: Shane Vieau 
  • “The Power of the Dog,” production design: Grant Major; set decoration: Amber Richards
  • “The Tragedy of Macbeth,” production design: Stefan Dechant; set decoration: Nancy Haigh
  • “West Side Story,” production design: Adam Stockhausen; set decoration: Rena DeAngelo

Best Visual Effects

 

  • “Dune,” Paul Lambert, Tristan Myles, Brian Connor and Gerd Nefzer
  • “Free Guy,” Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick 
  • “No Time to Die,” Charlie Noble, Joel Green, Jonathan Fawkner and Chris Corbould 
  • “Shang-Chi and the Legend of the Ten Rings,” Christopher Townsend, JoeFarrell, Sean Noel Walker and Dan Oliver 
  • “Spider-Man: No Way Home,” Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

 

Best Live Action Short Film

 

  • “Ala Kachuu – Take and Run,” Maria Brendle and Nadine Lüchinger 
  • “The Dress,” Tadeusz Łysiak and Maciej Ślesicki 
  • “The Long Goodbye,” Aneil Karia and Riz Ahmed 
  • “On My Mind,” Martin Strange-Hansen and Kim Magnusson 
  • “Please Hold,” K.D. Dávila and Levin Menekse

 

The 94th Academy Awards will be presented on March 27th.

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The Best Female Leads on Netflix

Sometimes you need the kind of pick-me-up that only a powerful woman can provide. Netflix has a whole host of great shows, but they recently seem to have put some real effort into delivering films and series with strong female characters. We’re all familiar with the motto ‘if you can’t see it, you can’t be it’ but with these incredible actresses delivering such stellar performances, the future looks bright for female film. We’ve rounded up a handful of the best shows with strong female leads on Netflix, so you can enjoy a guilt-free television binge this weekend. Get it on your television, your computer, even your phone, just get it!

Molly’s Game

One of the most-watched movies of its genre of recent years is Molly’s Game. The casino movie craze died down a while ago, but this interesting view of it brought poker films right back into the attention of the public. Based on a true story, the film follows ex-Olympic skier Molly Bloom, as she pursues her second passion, poker. Yes, as if being an Olympian wasn’t enough, Molly also knows more than a little about holding high stakes poker games, very high stakes. The people invited to her poker games range from actors and musicians to politicians and everyone in between, as long as they’ve got plenty of money and a love of poker. Unfortunately for Molly, the FBI doesn’t like the way she’s running her gaming ring and they set out to shut her down. This film is fast-paced without being gimmicky and offers a look inside the brilliant mind of a modern-day antihero.

The Chair

Caption: The dusty libraries of the English department get a shake up when Dr. Kim arrives If you’re looking for something a little more sedate than Molly’s Game, then The Chair might be a good place to start. Sandra Oh plays the brilliant Dr Ji-Yoon Kim, a newly appointed chair of a failing English department. She starts the series with the very best and most admirable of intentions but finds herself flung into a role in which she was destined to fail. Battling against patriarchal rules and regulations, whilst trying to provide the experience that is best and fairest for her students, demands are made of her that she simply cannot allow. She juggles all of this with endless likeability and tenacity, all whilst dealing with the difficulties of her home life.

Her adopted child who takes great joy in scaring off babysitters and the interest of a fellow lecturer combine with Dr Kim’s new role to create a whirlwind which she struggles to overcome. This series portrays the challenges facing almost all women who strive to raise a

family and achieve highly in their careers. Not only this, it highlights the problems that are uniquely those for women of colour to face too. It’s politically engaged without being too in-your-face and heartwarming in just the right measure.

Carrie Pilby

Not all strong women have to be outwardly fierce and the film Carrie Pilby proves this. Carrie was a child genius, she skipped a lot of grades, graduated from Harvard at 18 and now at 19 is taking a little time to make sense of the world. For most of us, her story is hard to relate to, a tiny fraction of a percentage of us will get to go to Harvard, let alone graduate years and years early. It can be difficult to understand how a person with such an advantage could find life such a struggle.

Yet, despite most of us immediately feeling different to the protagonist, we warm to her. The way that she interacts with the world and those around her might not be considered normal, but after a while, you come around to Carrie’s way of thinking. We see the experiences that she has encountered and learn why she takes such a dim view of the world. Whether Carrie finds the happiness that she is, or perhaps isn’t, looking for, we’ll leave for you to find out, as it really is essential that you take a couple of hours and watch this film.

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Hamilton, 2017 Tony®-winning Best Musical, Leads the 18/19 Fairwinds Broadway in Orlando Season at Dr. Phillips Center for the Performing Arts

 

HAMILTON,

2017 TONY®-WINNING BEST MUSICAL AND
2018 GRAMMY® AWARD WINNER DEAR EVAN HANSEN

and

TONY®-WINNING BEST MUSICAL REVIVAL HELLO, DOLLY!

Starring Broadway Legend Betty Buckley

to anchor

18/19 FAIRWINDS BROADWAY IN ORLANDO SEASON

AT DR. PHILLIPS CENTER FOR THE PERFORMING ARTS

 

Current subscribers may renew their seats for the upcoming season beginning at 10 a.m. Friday, March 9

 

ORLANDO, Fla. (March 9, 2018) — Hamilton will headline the 2018–2019 FAIRWINDS Broadway in Orlando series at the Dr. Phillips Center for the Performing Arts. In addition to Hamilton the season includes the six-time 2017 Tony® and 2018 Grammy® Award winning Best Musical Dear Evan Hansen and the 2017 Tony® Award-winning Best Revival Hello, Dolly! starring Broadway legend Betty Buckley.

The arts center joined Florida Theatrical Association and Broadway Across America today to announce the full line-up.

18/19 FAIRWINDS Broadway in Orlando series:

  • Hello, Dolly! — November 27–December 2, 2018
  • Irving Berlin’s White Christmas The Musical — December 18–December 23, 2018
  • Hamilton — January 22, 2019-February 10, 2019
  • Fiddler on the Roof — March 5 –March 10, 2019
  • Dear Evan Hansen — April 16 –April 21, 2019
  • Anastasia — May 14–19, 2019
  • Come From Away — June 11–16, 2019

The season will also feature the return of audience favorite as a Season Option:

  • Jersey Boys — October 30–November 4, 2018

Subscribers will have first access to purchase tickets for Jersey Boys once they have renewed their seats for the 18/19 season.

“This will be a stand-out season on so many levels,” said Dr. Phillips Center President and CEO Kathy Ramsberger. “Hamilton has become a theatrical phenomenon, and three of the seven shows made their debut on Broadway just last year, so the content is fresh and relevant. The other big benefit is that we’ve had great success securing show performers for special appearances and educational workshops in our local schools, including our own School of the Arts. Extending the arts beyond our facility and into the community is one of our top priorities.”

“We are proud to partner with Dr. Phillips Center and Florida Theatrical Association for what is sure to be a record-breaking season in Orlando! This is going to be an unforgettable season of the best that Broadway has to offer,” said Susie Krajsa, EVP of Presenting for Broadway Across America.

“We’re excited to continue bringing special, one-of-a-kind experiences to our members through our continued support of the FAIRWIINDS Broadway in Orlando series at Dr. Phillips Center,” said FAIRWINDS President and CEO Larry Tobin. FAIRWINDS recently signed a multi-year agreement with the arts center, which includes naming rights to the series.

Current subscribers can renew their seats starting at 10 a.m. Friday, March 9, 2018 through April 13, 2018. Subscribers who renew early before March 23, 2018 can guarantee the lowest price for their subscription by taking advantage of our new loyalty pricing. FAIRWINDS Broadway in Orlando will first send renewal information via email and encourages renewing online for ease and convenience. This electronic communication will be followed up with an invoice and brochure sent via posted mail to all subscribers.

While new subscriptions cannot be offered at this time, interested parties may join the subscription information list to be notified if any subscription seats become available. Groups of 10 or more may begin placing for most shows in the new season beginning March 9, 2018. Group minimums and discounts vary by show. Seating locations for group orders may not be confirmed until later this year.  Group tickets may not be available for Hamilton. For more information, email groups@drphillipscenter.org or call 407.455.5550. Tickets for individual shows in the 2018–2019 season will be made available at a later date.

For more information and to renew a subscription for the 2018–2019 season, visit OrlandoBroadway.com.

 

 

ABOUT THE SHOWS

 

Jersey Boys

October 30–November 4, 2018

Walt Disney Theater

Season Add-On

They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn’t get enough of. But while their harmonies were perfect on stage, off stage it was a very different story — a story that has made them an international sensation all over again.

Go behind the music and inside the story of Frankie Valli and The Four Seasons in the Tony®-winning true-life musical phenomenon, JERSEY BOYS. From the streets of New Jersey to the Rock and Roll Hall of Fame, this is the musical that’s just too good to be true.

FEATURING THE LEGENDARY TOP TEN HITS:

“Sherry” • “Big Girls Don’t Cry” • “Walk Like A Man” • “Can’t Take My Eyes Off You” • “December, 1963 (Oh What A Night)”

 

Hello, Dolly!

starring Betty Buckley

November 27– December 2, 2018

Walt Disney Theater

Tony Award®-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!” Winner of four Tony Awards® including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post). Breaking box office records week after week and receiving thunderous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history. Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!”

Irving Berlin’s White Christmas The Musical

December 18–December 23, 2018

Walt Disney Theater

This holiday season, discover the perfect gift for everyone on your list.  Start with a timeless tale of joy and goodwill, fill it with classic Irving Berlin songs, top it off with glorious dancing and lots of snow and come see Irving Berlin’s WHITE CHRISTMAS!  It’s a must-see classic in a lavish new musical that the New York Times says to “put on your wish list.”  Irving Berlin’s WHITE CHRISTMAS tells the story of a song-and-dance team putting on a show in a magical Vermont inn and falling for a stunning sister act in the process. The show is full of dancing, laughter and some of the greatest songs ever written. The gift everyone is dreaming of is this merry and bright holiday musical.

 

Hamilton

January 22, 2019–February 10, 2019

Walt Disney Theater

HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and was the new nation’s first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R&B and Broadway, HAMILTON is the story of America then, as told by America now.

With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.

Fiddler On The Roof

March 5–March 10, 2019

Walt Disney Theater

 

Tony-winning director Bartlett Sher and the team behind South Pacific, The King and I and 2017 Tony-winning Best Play Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick. The original production won 10 Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer

Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.

Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!

Dear Evan Hansen

April 16 – April 21, 2019

Walt Disney Theater

DEAR EVAN HANSEN is the winner of six 2017 Tony Awards including Best Musical and the 2018 GRAMMY award for Best Musical Theater Album.

A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.

“One of the most remarkable shows in musical theater history,” says The Washington Post. The New York Times calls DEAR EVAN HANSEN “a gut-punching, breathtaking knockout of a musical” and NBC News says the musical is “an inspiring anthem resonating on Broadway and beyond.”

DEAR EVAN HANSEN features a book by Tony winner Steven Levenson, a score by Grammy, Tony and Academy Award winners Benj Pasek and Justin Paul (La La Land, The Greatest Showman), and direction by four-time Tony nominee Michael Greif (Rent, Next to Normal).

The Original Broadway Cast Recording of DEAR EVAN HANSEN, produced by Atlantic Records, made an extraordinary debut on the Billboard 200 when released and entered the chart at #8 – the highest charting debut position for an original cast album since 1961—before going on to win the 2018 Grammy for Best Musical Theater Album. A special edition coffee table book authored by Levenson, Pasek, and Paul, Dear Evan Hansen: through the window (Grand Central Publishing / Melcher) is now available, offering an in-depth, all-access look at the musical, including never-before-seen production photos and cast portraits, behind-the-scenes stories, and a fully annotated script by the authors.

 

Anastasia

May 14–19, 2019

Walt Disney Theater

From the Tony Award-winning creators of the Broadway classic Ragtime, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

ANASTASIA features a book by celebrated playwright Terrence McNally, a lush new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics) with direction by Tony winner Darko Tresnjak.

 

Come From Away

June 11–16, 2019

Walt Disney Theater

On 9/11, the world stopped. On 9/12, their stories moved us all.

Broadway’s COME FROM AWAY has won Best Musical all across North America. The New York Times Critics’ Pick takes you into the heart of the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships.

Don’t miss this breathtaking new musical written by Tony nominees Irene Sankoff and David Hein, and helmed by this year’s Tony-winning Best Director, Christopher Ashley. Newsweek cheers, “It takes you to a place you never want to leave!”

 

For more information and to renew a subscription for the 2018–2019 season and Broadway in Orlando, visit OrlandoBroadway.com.

###

 

FAIRWINDS Broadway in Orlando is presented at Dr. Phillips Center for the Performing Arts in partnership with Broadway Across America and Florida Theatrical Association.

Florida Theatrical Association (FTA) is a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality touring Broadway productions and the promotion of arts education throughout the state of Florida. For more information, visit FloridaTheatrical.org.

BROADWAY ACROSS AMERICA (BAA) is part of The John Gore Organization family of companies, which includes Broadway.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include Beautiful, Cats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. Broadway.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com.

About Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a nonprofit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Florida. With its opening in November 2014, the performing arts center launched its vision of Arts for Every Life by being a gathering place for creativity and discovery; a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Dr. Phillips Center Florida Hospital School of the Arts, the DeVos Family Room, and other event rental spaces. Future expansion includes Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. The Dr. Phillips Center is a private non-profit collaborating with the City of Orlando, Orange County, the State of Florida and generous donors.

About FAIRWINDS

FAIRWINDS Credit Union, headed by President/CEO Larry Tobin, is the largest financial institution headquartered in Central Florida, with assets of $2.2 billion, more than 177,300 members and over 510 employees. The financial cooperative established in 1949 is open to anyone living or working in Central Florida. Membership also is available to family of members who live outside Orange, Seminole, Volusia, Osceola, Polk, Brevard or Lake counties.

 

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“The Revenant” Leads the Nominations Released for the 88th Annual Academy Awards

Just one year after taking home the awards for Best Picture and Best Director for his film, “Birdman,” Alejandro G. Inarittu finds himself back in the race as his new film, “The Revenant,” led all films nominated today for the 88th Annual Academy Awards with (12) nods, including Best Picture and Best Director. The film also scored nominations for Leonardo DiCaprio for Best Actor and Tom Hardy for Best Supporting Actor.

George Miller’s “Mad Max; Fury Road” follows with (9) nominations, also including Best Picture and Best Director. Other Best Picture nominees, with their total nominations, include “The Martian” (7), “Spotlight” (6), “”The Big Short” and “Bridge of Spies” with (5) each, “Room” (4) and “Brooklyn” (3). “The Big Short,” “Room” and “Spotlight” also earned Best Director nominations.

Joining DiCaprio in the Best Actor race are Bryan Cranston (“Trumbo”), Matt Damon (“The Martian”), Michael Fassbender (“Steve Jobs”) and last year’s Best Actor winner, Eddie Redmayne (“The Danish Girl.”

The Best Actress race includes two previous winners of the award and includes Cate Blanchett (“Carol”), Brie Larson (“Room”), Jennifer Lawrence (“Joy”), Charlotte Rampling (“45 Years”) and Saoirse Ronan (“Brooklyn”).

Along with Hardy, nominees for Best Supporting Actor are Christian Bale (“The Big Short”), Mark Ruffalo (“Spotlight), Mark Rylance (“Bridge of Spies”) and Sylvester Stallone (“Creed”). With this nomination Stallone joins Cate Blanchett, Bing Crosby, Paul Newman, Peter O’Toole and Al Pacino as the only actors to be nominated twice for playing the same character. He was previously nominated as Best Actor in 1977 for playing boxer Rocky Balboa in “Rocky.” He also received a nomination that year for writing the script for the Oscar-winning Best Picture.

Best Supporting Actress is a mixture of veteran actresses and newcomers and include Jennifer Jason Leigh (“The Hateful Eight”), Rooney Mara (“Carol”), Rachel McAdams (“Spotlight”), Alicia Vikander (“The Danish Girl”) and Kate Winslet (“Steve Jobs”).

Joining Inarritu and Miller in the Best Director race are Adam McKay (“The Big Short”), Lenny Abrahamson (“Room”) and Tom McCarthy (“Spotlight”)

Nominees for Best Animated Feature are “Anomalisa,” “Boy and the World,’ ‘Inside Out,’ ‘Shaun the Sheep” and “When Marnie Was There.”

“Star Wars – Episode VII: The Force Awakens” earned (5) nominations, primarily in the technical categories.

For a complete list of nominees go to www.oscars.com. The 88th Academy Awards will be handed out on Sunday, February 28th.

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