Universal Classic Monsters: Complete 30-Film Collection First Time Ever on Blu-ray!

FOR THE FIRST TIME EVER, A LANDMARK COLLECTION SHOWCASING THE LEGENDARY MONSTERS IN MOTION PICTURE HISTORY

UNIVERSAL CLASSIC MONSTERS: COMPLETE 30-FILM COLLECTION AVAILABLE ON BLU-RAY ON AUGUST 28, 2018 FROM UNIVERSAL PICTURES HOME ENTERTAINMENT

Universal City, California, August 22, 2018 – Thirty of the most iconic cinematic masterpieces starring the most famous monsters of horror movie history come together on Blu-ray™ for the first time ever in the Universal Classic Monsters: Complete 30-Film Collection on August 28, 2018, from Universal Pictures Home Entertainment. Featuring unforgettable make-up, ground-breaking special effects and outstanding performances, the Universal Classic Monsters: Complete 30-Film Collection includes all Universal Pictures’ legendary monsters from the studio that pioneered the horror genre with imaginative and technically groundbreaking tales of terror in unforgettable films from the 1930s to late-1950s.

From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. The Universal Classic Monsters: Complete 30-Film Collection showcases all the original films featuring the most iconic monsters in motion picture history including Dracula, Frankenstein, The Mummy, The Invisible Man, The Bride of Frankenstein, The Wolf Man, Phantom of the Opera and Creature from the Black Lagoon. Starring some of the most legendary actors including Bela Lugosi, Boris Karloff, Lon Chaney Jr., Claude Rains and Elsa Lanchester in the roles that they made famous, these films set the standard for a new horror genre and showcase why these landmark movies that defined the horror genre are regarded as some of the most unforgettable ever to be filmed.

Universal Classic Monsters: Complete 30-Film Collection includes a 48-page collectible book filled with behind-the-scenes stories and rare production photographs and is accompanied by an array of bonus features including behind-the-scenes documentaries, the 1931 Spanish version of Dracula, Featurettes on Bela Lugosi, Boris Karloff, Lon Chaney Jr., and Jack Pierce, 13 expert feature commentaries, archival footage, production photographs, theatrical trailers and more. The perfect gift for any scary movie fan, the collection offers an opportunity to experience some of the most memorable horror films of our time.

The Universal Classic Monsters: Complete 30-Film Collection includes Dracula(1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Bride of Frankenstein (1935), Werewolf of London (1935), Dracula’s Daughter (1936), Son of Frankenstein (1939), The Invisible Man Returns (1940), The Invisible Woman (1940), The Mummy’s Hand (1940), The Wolf Man (1941), The Ghost of Frankenstein (1942), The Mummy’s Ghost (1942), The Mummy’s Tomb (1942),Invisible Agent (1942), Phantom of the Opera (1943), Frankenstein Meets the Wolf Man (1943), Son of Dracula (1943), House of Frankenstein (1944), The Mummy’s Curse (1944), The Invisible Man’s Revenge (1944), House of Dracula (1945), She-Wolf of London (1946), Abbott and Costello Meet Frankenstein (1948)Abbott and Costello Meet the Invisible Man (1951), Creature from the Black Lagoon (1954, and includes a 3D version), Abbott and Costello Meet the Mummy (1955), Revenge of the Creature (1955 and includes a 3D version) and The Creature Walks Among Us (1956).

 

BONUS FEATURES:

  • Behind-the-Scenes Documentaries
  • 3D Versions of Creature from the Black Lagoon and Revenge of the Creature
  • 1931 Spanish Version of Dracula
  • Featurettes on Bela Lugosi, Boris Karloff, Lon Chaney Jr., and Jack Pierce
  • 13 Expert Feature Commentaries
  • Archival Footage
  • Production Photographs
  • Theatrical Trailers

 

Disney On Ice presents Mickey’s Search Party Brings the Magic Closer to Fans than Ever Before Through Unexpected, Never-Before-Seen Performances 

Tickets for All-New Show Coming to Orlando September 7-9 On Sale Today
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Orlando, Fla. – June 26, 2018 – Disney On Ice presents Mickey’s Search Party brings the magic closer to fans than ever before through dynamic and immersive moments that take place on the ice, in the air and in the seats when the show comes to Amway Center in Orlando September 7-9, 2018 for six performances. Produced by Feld Entertainment Inc., the worldwide leader in live touring family entertainment, Disney On Ice is once again elevating the ice show experience with brand-new engaging elements that will fascinate both newcomers and seasoned guests, alike. Tickets are on sale now at DisneyOnIce.com.
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Joined by Mickey Mouse and Minnie Mouse, live hosts will enliven the performance space by welcoming everyone into the magical world of Disney On Ice, setting the stage for a participatory adventure. Guests will embark on a search for clues to find Tinker Bell after Captain Hook tries to capture her magic. As each scene unfolds, compelling storytelling will be delivered through multi-level production numbers by skaters, performers and acrobats, alike.
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As Miguel from Disney●Pixar’s Coco crosses the Marigold Bridge, he finds himself in the magnificent spirit realm painted with vibrant color, with skeletons atop sway poles oscillating back and forth over the audience in this culturally rich, heritage celebration. Through video projection, Arendelle builds from the ground up, and ice harvesters from Disney’s Frozen use extreme skating to launch themselves from the mountainous, wintry slopes delivering an athletically-driven performance as they chop their way through blocks of ice. The iconic chandelier seen in “Be Our Guest” comes to life as Belle and the enchanted objects from Beauty and the Beast become a rotating carousel using aerial silks and lift upward into the air, mesmerizing onlookers seated above and below.
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“Our goal with any show, no matter where you are in the world, is to deliver transformative performances that captivate audiences time and time again. With this production of Disney On Ice, we have brought the magic closer to guests than ever before by having the audience become an integral part of advancing the narrative as each story unfolds,” said Nicole Feld, Executive Vice President and Producer. “We have pushed the action past the ice, expanding the stage beyond our traditional surface. The excitement will not only happen in front of fans, but all around them with characters emerging from the stands in unexpected places for one-on-one delightful moments.”
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In a high-energy opening number, Club Mickey Mouse-inspired performers will hype up the crowd through cutting-edge figure skating choreography and hoverboard tricks on the ice. Air tracks will also allow the hilarious pirates aboard the Jolly Roger to flip, tumble and twist to greater heights as they attempt to showcase their talents for Captain Hook. Aerial straps combined with adagio pair skating will elevate Ariel’s transformation from mermaid to human creating a spell-bounding sequence high above the ice with Prince Eric to the classic song, “Kiss The Girl.”  Creative costume design and fabrication will enhance the scenes as the ensemble imitate life “Under the Sea” from Disney’s The Little Mermaid, and will also give the illusion the ice is enveloped in flames as Moana encounters Te Ka on her daring voyage to restore the heart of Te Fiti.
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Mickey’s Search Party will feature a collection of Disney characters fans know and love portrayed by decorated performer-athletes who push the boundaries of what is possible. Their theatrical talent, combined with this innovative Disney On Ice production, elevates the live entertainment experience and will leave families with memories that will last a lifetime.
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Ticket Prices: Starting from $18. For ticket information, visit DisneyOnIce.com.
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Orlando Show Times: Friday, September 7, 7:30 p.m.; Saturday, September 8, 11 a.m., 3 p.m. and 7 p.m.; Sunday, September 9, 1 p.m. and 5 p.m.
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Venue: Amway Center, 400 W. Church Street #200, Orlando, FL 32801
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Stay current on the latest developments through social media, including instructions on how to access presale codes for future Disney On Ice productions:
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Twitter: @DisneyOnIce #DisneyOnIce #MickeysSearchParty @NicoleFeld (Show Producer)
Instagram: @DisneyOnIce @feld_nicole (Show Producer)
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About Feld Entertainment:
Feld Entertainment® is the worldwide leader in producing and presenting live touring family entertainment experiences that bring people together and uplift the human spirit. Properties include Monster Jam®, Monster Energy Supercross, Disney On IceDisney Live!, Marvel Universe LIVE!, Sesame Street Live!DreamWorks Trolls The Experience (coming Fall 2018) and Jurassic World Live (coming Fall 2019). Across the brand portfolio, Feld Entertainment has entertained millions of families in more than 75 countries and on six continents. Visit feldentertainment.com for more information.

Disney’s THE LION KING Performances Begin on Wednesday, February 14 and Play for Four Weeks Through Sunday, March 11 at Dr. Phillips Center

Buyi Zama as “Rafiki” in THE LION KINGNorth American Tour. ©Disney. Photo by Joan Marcus.

Orlando, FL, January 29, 2018 – Casting has been announced for the Orlando return engagement of Disney’s The Lion King. The show’s first appearance in the Walt Disney Theater at Dr. Phillips Center for the Performing Arts, and it’s third time to Orlando, the four-week engagement runs from February 14 through March 11.

The production features Mark Campbell as “Scar,” Gerald Ramsey as “Mufasa,” Buyi Zama as “Rafiki,” Nick Cordileone as “Timon,” Greg Jackson as “Zazu,” Ben Lipitz as “Pumbaa,” Gerald Caesar as “Simba,” Nia Holloway as “Nala,” Keith Bennett as “Banzai,” Martina Sykes as “Shenzi” and Robbie Swift as “Ed.”

The role of “Young Simba” is alternated between Joziyah Jean-Felix and Ramon Reed and the role of “Young Nala” is alternated between Danielle W. Jalade and Gloria Manning.

Rounding out the cast are Derek Adams, Kayla Rose Aimable, Andrew Arrington, William John Austin, Eric Bean, Jr., Kolin Jerron, Thabani Buthelezi, Sasha Caicedo, Kyle Robert Carter, Thembelihle Cele, Erynn Marie Dickerson, Tony Freeman, Mukelisiwe Goba, Deidrea Halley, Jalen Harris, William James Jr., Jane King, Gregory Manning II, Christopher L. Mc Kenzie, Jr., Nhlanhla Ndlovu, Aaron Nelson, Selloane Nkhela, Phylicia Pearl, Christopher Sams, Jordan Samuels, Mpume Sikakane, Sadé Simmons, Kimber Sprawl, Kevin Tate, Jennifer Theriot, Courtney Thomas, Shacura Wade, Zola Williams and Krystal Worrell.

Coming to Orlando as part of the 2017 – 2018 FAIRWINDS Broadway in Orlando season tickets start at $35.25 and may be purchased online at drphillipscenter.org, by calling 844.513.2014 or by visiting the Dr. Phillips Center Box Office at 445 S. Magnolia Avenue, Orlando, FL 32801 between 10 a.m. and 4 p.m. Monday through Friday, or 12 p.m. and 4 p.m. Saturday. Online and phone ticket purchases are subject to handling fees. For groups of 10 or more please contact Group Sales at Groups@drphillipscenter.org or calling 407.455.5550.

Ticket buyers are reminded that Dr. Phillips Center is the only official retail ticket outlets for all performances. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that Dr. Phillips Center is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance.

The North American touring productions of The Lion King have been seen by more than 19 million theatergoers. Having already played more than 70 cities across North America, The Lion King now proudly returns to Orlando to make its debut in the Dr. Phillips Center for the Performing Arts.

Shows, dates, times, prices, and artists are subject to change.

Dashaun Young as “Simba” in THE LION KINGNorth American Tour. ©Disney. Photo by Joan Marcus.

ABOUT THE LION KING

In its 20th year, THE LION KING continues ascendant as one of the most popular stage musicals in the world.  Since its Broadway premiere on November 13, 1997, 24 global productions have been seen by more than 90 million people.  Produced by Disney Theatrical Productions (under the direction of Thomas Schumacher), THE LION KING is the only show in history to generate six productions worldwide running 15 or more years.  Performed in eight different languages (Japanese, German, Korean, French, Dutch, Spanish, Mandarin and Portuguese), productions of THE LION KING can currently be seen on Broadway, London’s West End, Hamburg, Tokyo and Sapporo, Madrid, Scheveningen, Holland, and on tour across North America, for a total of eight productions running concurrently across the globe.  Having played over 100 cities in 19 countries on every continent except Antarctica, THE LION KING’s worldwide gross exceeds that of any film, Broadway show or other entertainment title in box office history.          

THE LION KING won six 1998 Tony Awards®:  Best Musical, Best Scenic Design (Richard Hudson), Best Costume Design (Julie Taymor), Best Lighting Design (Donald Holder), Best Choreography (Garth Fagan) and Best Direction of a Musical.  THE LION KING has also earned more than 70 major arts awards including the 1998 NY Drama Critics Circle Award for Best Musical, the 1999 Grammy® for Best Musical Show Album, the 1999 Evening Standard Award for Theatrical Event of the Year and the 1999 Laurence Olivier Awards for Best Choreography and Best Costume Design. 

The show’s director, costume designer and mask co-designer Julie Taymor continues to play an integral part in the show’s ongoing success.  The first woman to win a Tony Award for Direction of a Musical, Taymor has in recent years supervised new productions of the show around the world.

The Broadway score features Elton John and Tim Rice’s music from The Lion King animated film along with three new songs by John and Rice; additional musical material by South African Lebo M, Mark Mancina, Jay Rifkin, Julie Taymor and Hans Zimmer; and music from “Rhythm of the Pride Lands,” an album inspired by the original music in the film, written by Lebo M, Mark Mancina and Hans Zimmer.  The resulting sound of THE LION KING is a fusion of Western popular music and the distinctive sounds and rhythms of Africa, ranging from the Academy Award®-winning song “Can You Feel the Love Tonight” to the haunting ballad “Shadowland.” 

The book has been adapted by Roger Allers, who co-directed The Lion King animated feature, and Irene Mecchi, who co-wrote the film’s screenplay.  Other members of the creative team include:  Michael Curry, who designed the masks and puppets with Taymor, Steve Canyon Kennedy (sound design), Michael Ward (hair and makeup design), John Stefaniuk (associate director), Marey Griffith (associate choreographer), Clement Ishmael (music supervisor) and Doc Zorthian (production supervisor). Anne Quart serves as co-producer.

For more information worldwide, visit LionKing.com.

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About the Dr. Phillips Center for the Performing Arts

Dr. Phillips Center for the Performing Arts is a nonprofit 501(c)3 organization operating the state-of-the-art performing arts center in downtown Orlando, Florida. With its opening in November 2014, the performing arts center launched its vision of Arts for Every Life by being a gathering place for creativity and discovery; a vibrant urban destination where artists, audiences and students come to experience, explore and learn. The two-block community destination features the 2,700-seat Walt Disney Theater, 300-seat Alexis & Jim Pugh Theater, Seneff Arts Plaza, Dr. Phillips Center Florida Hospital School of the Arts, the DeVos Family Room, and other event rental spaces. Future expansion includes Steinmetz Hall, a 1,700-seat acoustical theater, along with rehearsal, classroom, office space and commercial development spaces. Dr. Phillips Center is a private non-profit collaborating with the City of Orlando, Orange County, the City of Winter Park, the State of Florida and generous donors.

FAIRWINDS Broadway in Orlando is presented in partnership with Broadway Across America and Florida Theatrical Association. FTA is a non-profit civic organization with a volunteer board of trustees established to ensure the continued presentation of quality touring Broadway productions and the promotion of arts education throughout the state of Florida. For more information, visit FloridaTheatrical.org .

Broadway Across America (BAA) is part of The John Gore Organization family of companies, which includes LionKing.com and The Broadway Channel.  Led by 11-time Tony-winning producer John Gore (Owner & CEO), BAA is the foremost presenter of first-class touring productions in North America, operating in 44 markets with over 400,000 subscribers. Current and past productions include Beautiful, Cats, Chicago, Dear Evan Hansen, Groundhog Day, Hairspray, Hello, Dolly!, Million Dollar Quartet, On Your Feet!, The Producers, School of Rock and Waitress. LionKing.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit LionKing.com and Broadway.com.

 

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Twisted Sister’s Jay Jay French talks about the bands new live DVD/CD and upcoming farewell shows.

Jay Jay French is the guitarist/founding member of the heavy metal group Twisted Sister. The band which is gearing up for a run of farewell shows in the summer/fall of this year is set to release a new live CD/DVD release titled “Twisted Sister: Metal Meltdown Live at the Hard Rock Casino Las Vegas- A Concert to Honor A.J. Pero” on July 22nd. Media Mikes spoke with Jay Jay recently about the upcoming release, the group’s final shows and what he will miss most about being on the road.

Adam Lawton: Can you give us an overview of the new CD/DVD Twisted Sister has coming out on July 22nd?

Jay Jay French: The whole focus of “Twisted Sister: Metal Meltdown Live” was to celebrate our drummer A.J. Pero who had recently passed away. This show was the bands first show after A.J.’s death and so much of his life and death was around that show that it made things very important to us. Subsequently this was also our first performance with Mike Portnoy on drums. The sound was produced by our bass player Mark Mendoza and the video was done by Barry Summers. Barry’s first exposure to the band was when he was a kid and saw play in a bar. I think because of that experience Barry brought sort of a fan boy type desire and approach to this project. I think Barry definitely tried to transfer his love of rock and roll over to people through this film.

AL: What was it like for the band going into this show knowing it was being filmed along with the fact that is was also going to be the bands first live performance with Mike on drums?

JJF: What band in their right fucking mind would have a new drummer come on and then have their first performance record for television? (Laughs) Mike is such a pro and a really great guy. I don’t know if we could have done this with any other person. This was a very hard and emotional thing. In the film there is a drum solo that is just A.J. That wasn’t a production trick or anything like that. That was actually up on the screen during the show. We did every show like that last year. Mike is so respectful of A.J. that he was up for whatever we wanted/needed.

AL: How does this film differ from that of the recently released “We Are Twisted F****** Sister” documentary?

JJF: We have a very unusual story. Every other story ends after being told about the ups and downs the band went through to make it. This story ends before we end up getting a record deal. “We Are Twisted F****** Sister” shows the struggle we went through to make it. We were basically just the focal point of that film. We didn’t know where the production was going or what portion of our career it was going to actually cover. It was interesting to see the director’s final interpretation of it. “Metal Meltdown Featuring: Twisted Sister” we were more involved in and I see it acting almost like a book end. The first film shows the beginning of the band and the new film shows the ending. The contrast between the two films is amazing. I think the coda being the Vegas show proves that not every band in their 60’s has to suck. We have a lot of pride in what we do and I think this DVD shows that not only are we still good but we are actually better.

AL: Was the Las Vegas show one you guys picked to film or was it sort of predetermined by the production company?

JFF: We had booked that to be filmed prior to A.J.’s passing. The big question was what we were going to do. The producers of the film as well as all of the promoters we worked with that summer were really great. They all told us that if we wanted to pull out of the events we could and that they would totally understand. We asked for a couple weeks away in order to be able to digest what all had happened. We had planned to end the band that year and I had actually talked with A.J. the day before his passing about the discussion I had with Dee related to this being it. During that conversation A.J. mentioned that he was going to need to drop off his current tour with Adrenalin Mob because he was in need of some rehab on his shoulders. He didn’t want me to be alarmed so he was letting me know ahead of time. That ended up being the heart attack. I guess he had actually had a heart attack three days prior also. I didn’t think anything of it as drummers tend to have aches and pains. I wished him well and that was it. That next morning I got the phone call that had passed. Shortly after I got a call asking if I would come out to the Adrenalin Mob show at the Starland Ballroom in New Jersey to do a song dedicated to A.J. I gladly accepted and that’s when Mike Portnoy came up to me and told me had always been a fan of the band and if we needed any help he would be glad to jump on board. I initially thought that after the funeral we would all sit down and that would be the end of things however after talking we decided to honor all of our commitments for 2015 and then wrap things up in 2016.

AL: What can you tell us about the bands remaining shows and, what are your plans once the band is done?

JJF: Our last show will be on Oct. 1st in New Jersey. We will be doing a bunch of well known festivals leading up to that. Due to all of our personal schedules the band can only play 10 or 15 shows a year as we just don’t all have the time. Outside of the band I write for Ink magazine and also write a business column for their online site. I am doing motivational speaking engagements and I am writing a book as well. I also like to do business advice for people. Those things are really my focus these days.

AL: Is there any part of you that will miss being on the road and in the band?

JJF: I don’t think I am going to miss any part of being on the road. I have done over 9,000 shows which is like being in the heavy metal version of “Cats” accept because were Jewish it’s spelled Katz. (Laughs) Those shows were all fun and everything and I loved being up there but I’m ready for it to be over.