Five Finger Death Punch’s Jeremy Spencer talks about his new biography and 2015 plans

Jeremy Spencer is the drummer behind the bombastic sound of the heavy metal band Five Finger Death Punch. In the past couple years the band has released two successful studio albums and performed to thousands of fans. To add even more to an already crazy schedule Spencer found time to pen his first book a biography titled “Death Punch’d: Surviving Five Finger Death Punch’s Metal Mayhem”. The book is a candid, no punches pulled account of Spencer’s life both in and out of the band. Media Mikes had the chance to speak with Jeremy recently about the books creation as well as what the band has planned for 2015.

Adam Lawton: Can you give us a little over view of the book and tell us why you chose now to the time to release a book like this?
Jeremy Spencer: It all sort of started around the time that I had just gotten out of rehab. I had started writing basically about my whole life as a way to process and get something outs. It was very therapeutic. Anytime I had some down time I would start writing. Once I had a large amount of stuff I started looking back over it and found a lot of it very interesting. I sent it out to my dad to get his take on it and he thought that some of the stuff I had written could be a benefit to people. He did think it needed to be edited down so I would be ostracized as it was very raw and real. (Laughs) He helped me with that and I ended up sending it off to our management and they loved it. From there they started shopping it around to the publishing companies. It wasn’t anything I was planning on but things took shape and we moved forward. Even though our band is still popular and on the upswing which is not when books from band members normally come out, but that ended up being all the more reason to put it out when we did. I think the story can help a lot of people and the positive feedback has been great thus far. This book has helped me with a lot of different things in so it just been a great experience so far.

AL: Being so fresh out of rehab was it hard to look back at some of these stories you put in the book?
JS: Some of it was horrifying! I wasn’t proud of a lot of it, especially when it was where I hurt someone. Those things made me sad. I have tried to work through things the best I can and I certainly wasn’t proud of who I was during those times. At the same time if I didn’t go through that stuff I wouldn’t be where I am now. I think by being a drug addict it forced me to look at things that I may not have if I was sober. Once you start dealing with the addiction side of things you realize that there is more deeply rooted stuff to also address as well. That for me has been a blessing.

AL: The books layout jumps back and forth between the past and present. Was that something that was a conscious decision or was that idea taken directly from your initial writings?
JS: That was something that happened during editing and was suggested by the book company. I am really glad they suggested that because it’s a bit different. I haven’t really read any books that do that. I wrote sort of chronologically and that has been done so much that we decided to change it up. I am really happy with how it turned out.

AL: Throughout the book you speak very candidly about the other members of Five Finger Death Punch. Was it difficult being that truthful knowing your still going to be working with them on a day to day basis?
JS: For sure. I definitely toned things down a bit as my intentions were not to throw anyone under the bus. I made sure to talk with the guys about anything I may have thought was questionable beforehand. I gave them a chance to read the parts they were in ahead of time if they wanted to just in case there was any worry or things like that. This project meant a lot to me and I didn’t want it to hurt anyone. I had to obviously pull back the curtains some so the reader could get a better feel for the story so if needed I changed people’s names or things like that. I was very cautious about all those things. Again there were a few things that got removed. Some of the things I found hilarious at first we decided to leave out after talking a little bit more about them because ultimately they didn’t fit well with the story. I think everyone was pleased with how the book turned out as no one was exposed too much.

AL: With the book having been out now for a few months is there anything that made it into the book that you sort of regret having in there?
JS: I am comfortable with. I don’t really want to change anything or wished I had done something differently. If that first draft I submitted would have come out it would have been terrible! (Laughs) The book went through a lot of editing. The whole thing was a process as there are just so many different steps you have to go through when writing a book. I have lived my several times over now.

AL: The band recently wrapped up a really great co-headlining run with Volbeat but, have there been any discussions about what the band will be doing in the coming year?
JS: The band has huge plans for next year. Once we get through the holidays we will be heading over to Japan for a run of shows there. After that we have a little time off and then we will be heading in to the studio to make the new record with hopes of a summer release. We also have some plans to do a few spring shows and a European run with Judas Priest. First thing first we have to get the new record done and out.

 

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Book Review “Death Punch’d: Surviving Five Finger Death Punch’s Metal Mayhem”

“Death Punch’d: Surviving Five Finger Death Punch’s Metal Mayhem”
Author: Jeremy Spencer
Hardcover: 320 pages
Publisher: Dey Street Books

Our Score: 3 out of 5 stars

From the cofounder and drummer of Five Finger Death Punch Jeremy Spencer, “Death Punch’d: Surviving Five Finger Death Punch’s Metal Mayhem” is an inside account of one of today’s most successful heavy metal bands. The book is a revealing, personal journey told first hand by Spencer about the highs and lows of the rock and roll lifestyle. From the group’s early and from all point in between its all here told candidly by the man who lived it.

Very rarely do you get a tell book from a band member who’s still in the band they gained notoriety with let alone who is still selling out arenas around the world at the time of the books release. However Jeremy Spencer’s “Death Punch’d: Surviving Five Finger Death Punch’s Metal Mayhem” is the exception to that rule. From his earliest exposure to music to his first encounters with drugs and alcohol everything is here in this book. Even stories about the bands infighting and uncertainties about one another are included in this book. Again very rarely do you get this kind of access from a group who is still together and at the top of their game. Spencer tell it like it is approach really gives the book character while adding to each story compiled for the book.

At times I did find the books layout to be a bit confusing as past and present events are mixed among chapters. However this gave the book more of a real feel as it was felt like you were in the room listening to these tales from the road with the man himself. Throw in a slew of never before seen color photos and you have the making of a stand out biography worth checking out whether you’re a fan of the band or not.

 

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Five Finger Death Punch’s Jason Hook talks about new album and his signature M-4 Sherman guitar

Jason Hook is the guitarist for the heavy metal group Five Finger Death Punch who in the coming months will be releasing their 4th as yet untitled studio album.  More recently at this year’s NAMM convention held in Anaheim, California Gibson Guitars unveiled the Jason Hook signature M-4 Sherman guitar which is the first guitar to bear Jason’s name. Media Mikes was able to talk with Jason recently about the creation of the guitar and several of its aspects.

Adam Lawton: What was your first exposure to Gibson guitars?
Jason Hook: I remember reading the back of the Kiss “Destroyer” album where it said that Kiss uses Pearl drums and Gibson guitars because they want the best. I think that was in 1976. At the time I think the whole band was using Gibsons. I didn’t get my own Gibson until I was in my late 20’s. I bought it in Canada sight unseen. I think I paid about $900 for a used custom. I didn’t know anything about the guitar before I got it. I probably should have held on to that one.

AL: How did the opportunity come about to do your own signature model Gibson?
JH: I know several people who work at the company so I would periodically check in with them. I play explorers which not a lot of people play. I thought that this would be a good lead in to help push this through. It took me a little while to get that point to the right person. Everyone wants something from Gibson so they are very selective about what they give away and who they help out. I had to be patient.

AL: What was it that drew you to the Explorer model?
JH: I own several Les Paul models and they are great guitars however I developed a nerve issue with my right arm. On the Les Paul model there is a hard binding that comes across and falls under that right arm. This was causing my arm to burn while I was playing and really bummed me out. Idecided to try the Explorer and it was perfect.

AL: How much of the design process were you allowed to be a part of?
JH: Surprisingly they wanted to do exactly what I wanted to do. I started off asking them if I could do certain and things and they told me it was my guitar I could do what I wanted. They didn’t resist any of my crazy ideas.

AL: Can you give us the specs on the guitar?
JH: Everything is based off the stock Explorer. I changed the rosewood fret board to a granadillo fret board as it is a very hard and dense wood with not a lot of grain. I wanted a lower profile fret that was also wide. I looked all through the factory but couldn’t find what I wanted. After asking if they had anything else they showed me the wire that’s used on the Zakk Wylde Les Paul’s which was perfect. I literally stole the fret wire out Zakk’s material stash. (Laughs) We are using locking mini Grover tuners which is something different. We also did a bevel on the upper wing of the body as well as

scooping out a portion of the lower wing which allows the player access the higher frets. For pickups we are using a Seymour Duncan JB in the bridge and a Duncan 59 in the neck. Other than the special paint scheme the last thing we did was this special wiring harness. This idea came out of when I was still painting guitars in my garage. I would take the pick guards off to paint the bodies and there is  this channel that the wires sat in. I looked pretty gnarly the way it was so I started looking around and found some plastic conduit that I got at Home Depot to wrap around the wires.

AL: When you showed them the wiring what did they think?
JH: They told me that I didn’t have to have that in there as they could route the guitar differently so there would be no channel. I wanted to make it interesting. I think the more bizarre something looks cause people to take notice. I am a big fan of Eddie Van Halen and the stuff he did in the eighties. He was using these pieces of shit guitars that he was making in his garage but, he still played better than everyone else. (Laughs) That I thought was really unique and I said that if I ever got to operate on a professional level I was going to do something similar. My explorer was supposed to be the most unique, ugliest, beat up thing I could create.

AL: Can you give us an update where you are at with the new album?
JH: We are about 65% done. We are shooting for a deadline that is at the end of April, early May. We are working hard every day on this thing. I am at the phase now where I am laying down solos here at my home studio. Generally the first portion of the recording process I am writing and working on rhythm stuff. It’s not till the last quarter that I switch over to doing the other stuff.