Blu-ray Review “Sing”

Actors: Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, Taron Egerton
Directors: Garth Jennings
Rated: PG
Studio: Universal Studios Home Entertainment
Release Date: March 21, 2017
Run Time: 108 minutes

Film: 4 out of 5 stars
Blu-ray: 4 out of 5 stars
Extras: 3.5 out of 5 stars

“Sing” is a film that like a fine wine has grown better with age. When I saw this in theaters from the makers of “Despicable Me”, I was quite disappointed. I wanted more, more, more from them…but my four year old loved it in fact. She kept asking to listen to the soundtrack non-stop and after a few more viewings of the film. I have to admit, I am big fan now. I love the tunes and I have grown to love this film. It is not the best picture to come out of Illumination Entertainment but it is still certainly better than turds like “Hop”, ouch. Get your families together, cook up some popcorn and make this film your Saturday night movie night choice and you will not regret it.

Official Premise: From Illumination Entertainment, the studio that brought you The Secret Life of Pets comes an animated comedy about finding the music that lives inside all of us. Sing stars Academy Award winner Matthew McConaughey as Buster Moon, an eternally optimistic koala who puts on the world’s greatest singing competition to save his crumbling theater; Academy Award winner Reese Witherspoon as Rosita, an overworked and underappreciated mother of 25 piglets desperate to unleash her inner diva; Scarlett Johansson as Ash, a punk rock porcupine with a beautiful voice behind her prickly exterior; and Taron Egerton as Johnny, a young gangster gorilla looking to break free of his family’s felonies. Sing is the musical comedy event of the year!

The 1080p transfer is beautiful with the CG animation and vibrant colors. The Dolby Atmos works perfectly with 85 hit songs that the film has throughout. I loved music in this film. Just so much fun and the track works so well with it. To kick off the special features, there are three new mini-movies, which has become a staple for Illumination Blu-rays. The first focuses around Gunter, the next around Miss Crawly and the last around Eddie. Honestly, these are fun and worth checking out for sure if you like the film. There is also a short featurette called “The Making of the Mini-Movies” included.

Other than the shorts, there are a few short featurettes included. The first is a behind-the-scenes look into the film in “The Making of Sing”. “Finding the Rhythm: Editing Sing” focuses on the editing process. There are Character Profiles for each character. There are a ton of music videos including some lyric videos. Lastly there is a five-part collection of promos called “The Sing Network” and a clip collage called “The Best of Gunter”, which I believe the studio realized is the fan-favorite character in the entire film. Gunther is definitely our household’s favorite.

Film Review: “Sing”

Starring the Voices of: Matthew McConaughey, Reese Witherspoon and Seth MacFarlane
Directed By: Garth Jennings
Rated: PG
Running Time: 108 minutes
Universal Pictures

Our Score: 3 out of 5 Stars

An Illumination Entertainment movie without any Minions or Gru seems like a risky venture, given their track record when they release a movie that strays away from the “Despicable Me” franchise. But if the masterminds at Illumination are willing to roll the dice more on endeavors like “Sing,” they’re bound to find a diamond in the rough. “Sing” isn’t about to blow the roof off, but its decent escapism.

Buster Moon (McConaughey) is a confident Koala that’s stuck operating a failing musical theater. He’s a visionary looking to make a profit and bring live entertainment to the surrounding city. Moon is also looking to make his deceased father proud because his father worked his tail off washing cars to buy Moon the theater for him (I don’t know how with that profession). But in a world where musical theater is apparently no longer popular, Buster gets the idea to hold a singing competition to bring the masses back to his sinking business.

The competition brings creatures from all walks of life including Rosita (Witherspoon), a pig, is a stay-at-home mom who’s overworked and overloaded with over two dozen children. Then there’s the wise-cracking, street singing mouse, Mike (MacFarlane), who’s a clear pun on Frank Sinatra during his times in the Rat Pack. Ashley (Scarlett Johansson) is a punk rock porcupine who’s trying to find her own voice in her boyfriend’s crappy band. There’s also Meena (Tori Kelly), a teenage elephant, Johnny (Taron Edgerton), a gorilla, and some other throwaway animals that you shouldn’t worry yourself about because the movie doesn’t either.

Luckily “Sing” avoids becoming an animated version of “American Idol,” but it also follows a lot of familiar beats and story tempos. Because the movie seems completely content and forthright with being an unoriginal idea from the get-go, it can be forgiven because of its good-natured spirit and endearing characters. “Sing” really treats these characters as individuals with hopes, dreams and ambitions, instead of caricatures that can carry a tune. It helps make their songs more meaningful and power…but…

…most of the time (if not all) they’re singing contemporary pop-culture hits, or recognizable oldies and classics, which is only irksome if you feel that Nicki Minaj or Crazy Town isn’t appropriate for a kid’s movie. If writer and director Garth Jennings really wanted to tell us that musical theater is deserving of a reboot or our attention again, he should have considered hiring a crew to write some original music. Having animals sing Taylor Swift or Leonard Cohen feels lazy in a year where Disney hired Broadway’s latest darling, Lin-Manuel Miranda, to write lyrics for “Moana.”

Despite its lack of storytelling imagination and original songs, “Sing” is still an adorable movie with an IPod stuck on shuffle soundtrack. It’s made better by the voice actors, who I presume actually sing, which is pretty much an all-star cast of karaoke finalists (except for MacFarlane who really is as good as he sounds). But don’t expect McConaughey to hang his voice acting hat on this one. He’s more likely to gloat about his voice work in “Kubo and the Two Strings.”

Media Mikes 2016 Fall/Holiday Movie Preview

Labor Day has come and gone, and unless you’re dressing up as a ghost, you better not be wearing anything white! With the end of summer comes the beginning of fall and the start of Hollywood’s “Prestige Movie Push!”

We’ll take a look at what the studios hope are their best bets to fill the multiplexes and bring home the Oscars. Once again, a big thank you to our friends at Internet Movie Data Base (IMDB) for some synopsis information. Opening dates noted are subject to change at the whim of the studios. Enjoy!

OCTOBER 7

THE 13th

Documentary
Directed by: Ava DuVernay

The director of “Selma” gives us an in-depth look at the prison system in the United States and how it reveals the nation’s history of racial inequality.

OSCAR CHANCES: Will surely make the short list.

THE BIRTH OF A NATION

Starring: Nate Parker, Armie Hammer
Directed by: Nate Parker

Set against the antebellum South, the film follows Nat Turner, a literate slave and preacher, whose financially strained owner, Samuel Turner accepts an offer to use Nat’s preaching to subdue unruly slaves. As he witnesses countless atrocities – against himself and his fellow slaves – Nat orchestrates an uprising in the hopes of leading his people to freedom.

OSCAR CHANCES: After last year’s #OSCARSOWHITE controversy, the early buzz on this film almost guaranteed a bounty of nominations. However, it was recently revealed that writer/director/star Nate Parker and his co-writer, Jean McGianni Celestin, were accused of raping a fellow college student in 1999. Though Parker was not found guilty and Celestin had his conviction overturned, their alleged victim committed suicide. Not sure how this news will affect the Academy voters.

THE GIRL ON THE TRAIN

Starring: Emily Blunt, Haley Bennett and Justin Theroux
Directed by: Tate Taylor

In the film, being compared to “Gone Girl,” a recently divorced woman
takes the train to work every day and imagines the lives of a young couple she
sees every day. Things get weird when the young wife disappears.

OSCAR CHANCES: Blunt is already getting raves for her performance.


OCTOBER 13

MASCOTS

Starring: Christopher Guest, Parker Posey and Jane Lynch
Directed by: Christopher Guest

Simply described as “a look into the world of competitive mascots,” this is the latest opus from the great Christopher Guest. Sadly, unless I missed it, this is the first of Guest’s films that does not include Eugene Levy.

OSCAR CHANCES: Possible screenplay nod.

 

OCTOBER 14

THE ACCOUNTANT

Starring: Ben Affleck, J.K. Simmons and Anna Kendrick
Directed by: Gavin O’Connor

A forensic accountant un-cooks the books for illicit clients. What I like about the trailer is that Affleck seems to be a young genius. Maybe this is his chance to play Will Hunting?

OSCAR CHANCES: Maybe.


KEVIN HART: WHAT NOW?

Starring: Kevin Hart
Directed by: Leslie Small and Tim Story

Kevin Hart performs his comedy in front of 50,000 fans.

OSCAR CHANCES: No.


OCTOBER 21

AMERICAN PASTORAL

Starring: Jennifer Connelly, Dakota Fanning and Ewan McGregor
Directed by: Ewan McGregor

In 1968, a hardworking man, who’s been a staple in his quaint community for years, watches his seemingly perfect middle class life fall apart as his daughter’s new radical political affiliation threatens to destroy their family. Based on the novel by Philip Roth.

OSCAR CHANCES: Adapted screenplay?

IN A VALLEY OF VIOLENCE

Starring: John Travolta, Ethan Hawke and Karen Gillan
Directed by: Ti West

A mysterious stranger and a random act of violence drag a town of misfits and nitwits into the bloody cross-hairs of revenge. Ethan Hawke’s second western this season and John Travolta in a cowboy hat for the first time since “Urban Cowboy.” Yee-hah!

OSCAR CHANCES: Sadly Western’s very rarely get recognized.

JACK REACHER: NEVER GO BACK

Starring: Tom Cruise, Cobie Smulders
Directed by: Edward Zwick

Jack Reacher must uncover the truth behind a major government conspiracy in order to clear his name. On the run as a fugitive from the law, Reacher uncovers a potential secret from his past that could change his life forever.

OSCAR CHANCES: Director Zwick has helmed three of my favorite films (“About Last Night,” “Glory” and “Legends of the Fall” but only has an Oscar for co-producing “Shakespeare in Love.” It’s about time this man was recognized, though I don’t think it’s going to be for a Jack Reacher film.

A MONSTER CALLS

Starring: Liam Neeson, Felicity Jones and Sigourney Weaver
Directed by: J.A. Bayona

A boy seeks the help of a tree monster to cope with his single mom’s terminal illness.

OSCAR CHANCES: Visual effects.

TYLER PERRY’S BOO! A MADEA HALLOWEEN

Starring: Tyler Perry
Directed by: Tyler Perry

Madea winds up in the middle of mayhem when she spends a haunted Halloween fending off killers, paranormal poltergeists, ghosts, ghouls and zombies while keeping a watchful eye on a group of misbehaving teens. I’m scared.

OSCAR CHANCES: I’m going to go out on a limb and say “no”

OCTOBER 28

INFERNO

Starring: Tom Hanks, Felicity Jones
Directed by: Ron Howard

When Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Dr. Sienna Brooks, and together they must race across Europe against the clock to foil a deadly global plot. The second Felicity Jones film in as many weeks.

OSCAR CHANCES: Sorry, Tom, but your nomination this year is coming from “Sully”

 

NOVEMBER 4

BLEED FOR THIS

Starring: Miles Teller and Aaron Eckhart
Directed by: Ben Younger

The inspirational story of World Champion Boxer Vinny Pazienza who, after a near fatal car crash, which left him not knowing if he’d ever walk again, made one of sport’s most incredible comebacks.

OSCAR CHANCES: Both Robert DeNiro and Hillary Swank won Oscars for portraying boxers so never say never. Hell, Stallone got nominated…TWICE!

DOCTOR STRANGE

Starring: Benedict Cumberbatch, Rachel McAdams and Mads Mikkelsen
Directed by: Scott Derrickson

A neurosurgeon with a destroyed career sets out to repair his hands only to find himself protecting the world from inter-dimensional threats.

OSCAR CHANCES: Visual effects.

HACKSAW RIDGE

Starring: Andrew Garfield and Sam Worthington
Directed by: Mel Gibson

WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people and becomes the first Conscientious Objector in American history to be awarded the Medal of Honor. Mel doesn’t appear in this one but his dead-ringer son, Milo, does.

OSCAR CHANCES: Gibson (Mel, not Milo) already has an Oscar for directing so you never know. I’m sure people have forgotten what all of the hub-bub was about concerning him a few years ago.

LOVING

Starring: Ruth Negga and Joel Edgerton
Directed by: Jeff Nichols

Back in the dark ages, Richard and Mildred Loving, an interracial couple, are sentenced to prison in Virginia in 1958 for getting married. Apparently they had nothing better to do in Virginia at the time.

OSCAR CHANCES: Acting, picture.

TROLLS

Starring the voices of: Anna Kendrick and Justin Timberlake
Directed by: Mike Mitchell and Walt Dohrn

Remember those little plastic things with long hair that you used to put on the end of your pencil? When I was a kid we called them Kewpies but apparently they are Trolls and they have their own movie. Good for them!

OSCAR CHANCES: Maybe best hairstyling?

NOVEMBER 11

ARRIVAL

Starring: Amy Adams, Jeremy Renner and Forest Whitaker
Directed by: Denis Villeneuve

A linguist is recruited by the military to assist in translating alien communications.

OSCAR CHANCES: Picture, director, acting.

SHUT IN

Starring: Naomi Watts and Jacob Tremblay
Directed by: Farren Blackburn

A heart-pounding thriller about a widowed child psychologist who lives in an isolated existence in rural New England. Caught in a deadly winter storm, she must find a way to rescue a young boy before he disappears forever.

OSCAR CHANCES: Unsure, but young Mr. Tremblay should have been nominated last year for “Room.”

USS INDIANAPOLIS: MEN OF COURAGE

Starring: Nicolas Cage and Tom Sizemore
Directed by: Mario Van Peebles

The harrowing true story of the crew of the USS Indianapolis, who were stranded in the Philippine Sea for five days after delivering the atomic weapons that would eventually end WWII. If you saw “Jaws,” this is the tale that Quint tells. Other “Jaws” related facts: this was the original idea for “Jaws 2.” Also: Mario Van Peebles starred in “Jaws the Revenge.”

OSCAR CHANCES: To me it looks like a “made for TV” movie. How about Emmy chances?


NOVEMBER 18

THE EDGE OF SEVENTEEN

Starring: Hailiee Steinfeld, Blake Jenner and Woody Harrelson
Directed by: Kelly Fremon Craig

High-school life gets even more unbearable for Nadine when her best friend, Krista, starts dating her older brother. Is that weird? When I was in high-school I wanted to date my best friend’s older sister. Hopefully Stevie Nicks got some money from this.

OSCAR CHANCES: Nada

FANTASTIC BEASTS AND WHERE TO FIND THEM

Starring: Eddie Redmayne, Jon Voight and Ezra Miller
Directed by: David Yates

The adventures of writer Newt Scamander in New York’s secret community of witches and wizards 70 years before Harry Potter reads his book in school. Even though Harry Potter and his pals are less than 20 years old it seems like they’ve been around forever.

OSCAR CHANCES: Visual effects, music (the great James Newton Howard)

MANCHESTER BY THE SEA

Starring: Casey Affleck and Michelle Williams
Directed by: Kenneth Lonergan

An uncle is forced to take care of his teenage nephew after the boy’s father dies.

OSCAR CHANCES: Both Affleck and Williams have been nominated in the past so I’m not ruling anything out.

NOCTURNAL ANIMALS

Starring: Amy Adams and Jake Gyllenhaal
Directed by: Tom Ford

An art gallery owner is haunted by her ex-husband’s novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale. November is Amy Adams month.

OSCAR CHANCES: Across the board


NOVEMBER 23

ALLIED

Starring: Brad Pitt and Marion Cotillard
Directed by: Robert Zemeckis

In 1942, an intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war. Cotillard isn’t married so maybe we can look forward to reading about “Bradarion” soon.

OSCAR CHANCES: Pitt, Cotilliard and Zemeckis have been there before.

BAD SANTA 2

Starring: Billy Bob Thornton, Kathy Bates and Tony Cox
Directed by: Mark Waters

Fueled by cheap whiskey, greed and hatred, Willie teams up once again with his angry little sidekick, Marcus, to knock off a Chicago charity on Christmas Eve.

OSCAR CHANCES: I thought Billy Bob deserved a nod for the first film but I’m going to say no.

MOANA

Starring the voices of: Dwayne Johnson, Alan Tudyk and Nicole Scherzinger
Directed by: Ron Clements, John Musker, Don Hall and Chris Williams

A young woman uses her navigational talents to set sail for a fabled island. Joining her on the adventure is her hero, the legendary demi-god Maui.

OSCAR CHANCES: Animated feature, original song

RULES DON’T APPLY

Starring: Warren Beatty, Lily Collins and Ed Harris
Directed by: Warren Beatty

An unconventional love story of an aspiring actress, her determined driver, and the eccentric billionaire who they work for. Beatty has been wanting to do a Howard Hughes-based film since the 1970s. Not sure if this is what he had in mind back then but, after a 15-year absence, it’s great to see him both in front of and behind the camera.

OSCAR CHANCES: Only two people have been nominated in the same year for acting, directing, writing and producing the best picture: Orson Welles and Warren Beatty. And Beatty did it TWICE!


NOVEMBER 25

LION

Starring: Dev Patel, Rooney Mara and Nicole Kidman
Directed by: Garth Davis

A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

OSCAR CHANCES: Many


DECEMBER 2

LA LA LAND

Starring: Ryan Gosling and Emma Stone
Directed by: Damien Chazelle

From the creator of “Whiplash” comes a film about a jazz pianist who falls for an aspiring actress in Los Angeles. And it’s a musical!

OSCAR CHANCES: Early film festival buzz say’s this may be the film to watch (both on screen and at awards time!)


DECEMBER 9

MISS SLOANE

Starring: Jessica Chastain
Directed by: John Madden

An ambitious lobbyist faces off against the powerful gun lobby in an attempt to pass gun control legislation.

OSCAR CHANCES: Actress. Madden directed the Oscar-winning “Shakespeare in Love.”

OFFICE CHRISTMAS PARTY

Starring: Jason Bateman and Jennifer Anniston
Directed by: Josh Gordon and Will Speck

When his uptight CEO sister threatens to shut down his branch, the branch manager throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand.

OSCAR CHANCES: Zip

DECEMBER 16

COLLATERAL BEAUTY

Starring: Will Smith and Keira Knightley
Directed by: David Frankel

A tragic event sends a New York ad man on a downward spiral.

OSCAR CHANCES: I’ve already had to apologize to Will Smith twice for doubting he’d get nominated for “Ali” and “The Pursuit of Happyness.” There won’t be a third. Good luck Will.

FENCES

Starring: Denzel Washington and Viola Davis
Directed by: Denzel Washington

An African American father struggles with race relations in the United States while trying to raise his family in the 1950s and coming to terms with the events of his life. Based on the August Wilson play.

OSCAR CHANCES: YES!

THE FOUNDER

Starring: Michael Keaton and Patrick Wilson
Directed by: John Lee Hancock

The story of McDonald’s founder, Ray Kroc. You may look at your next hamburger differently. Keaton is said to be so good that they pulled the film from it’s original release date.

OSCAR CHANCES: Keaton

A KIND OF MURDER

Starring: Patrick Wilson and Jessica Biel
Directed by: Andy Goddard

In 1960s New York, Walter Stackhouse is a successful architect married to the beautiful Clara who leads a seemingly perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer and an overambitious detective, while at the same time lusting after another woman. This will be a day of decisions for Patrick Wilson fans.

OSCAR CHANCES: Don’t see any

ROGUE ONE: A STAR WARS STORY

Starring: Felicity Jones, Jimmy Smits and Warwick Davis
Directed by: Gareth Edwards

Or, as I like to call it, “Episode 6.5” The Rebellion makes a risky move to steal the plans to the Death Star, setting up the epic saga to follow. Holy crap! The Death Star, Leia’s family, Darth Vader AND Wicket the Ewok? I’m already in line!

OSCAR CHANCES: Visual effects, make up.

DECEMBER 21

20th CENTURY WOMEN

Starring: Annette Bening, Elle Fanning and Laura Wiggins
Directed by: Mike Mills

The story of three women who explore love and freedom in Southern California during the late 1970s.

OSCAR CHANCES: Can anyone tell me why Annette Bening hasn’t won an Oscar yet? Didn’t think so. Keep your fingers crossed.

ASSASSINS CREED

Starring: Michael Fassbender and Marion Cotillard
Directed by: Justin Kurzel

When Callum Lynch explores the memories of his ancestor Aguilar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassins society. This synopsis seems so crazy considering the cast. I wonder if the two leads made the same mistake Bill Murray did when he thought “Garfield” had been written by one of the Coen brothers!

OSCAR CHANCES: Fassbender elevates everything he’s in so I’m not saying no!

PASSENGERS

Starring: Jennifer Lawrence and Chris Pratt
Directed by: Morten Tyldum

A spacecraft traveling to a distant colony planet and transporting thousands of people has a malfunction in its sleep chambers. As a result, two passengers are awakened 90 years early. It’s so weird to see Lawrence in a movie at the end of the year NOT directed by David O. Russell. Oh well, there’s always next year.

OSCAR CHANCES: Visual effects, technical stuff

PATRIOTS DAY

Starring: Mark Wahlberg and Michelle Monaghan
Directed by: Peter Berg

An account of Boston Police Commissioner Ed Davis’s actions in the events leading up to the 2013 Boston Marathon bombing and the aftermath, which includes the city-wide manhunt to find the terrorists behind it. Sounds better than what I thought it was – knowing Wahlberg is a huge New England Patriot fan I thought it was about a day with Tom Brady. The third film by Wahlberg and director Berg and second this year.

OSCAR CHANCES: Oh yes.

SING

Starring the voices of: Matthew McConaughey and Scarlett Johansson
Directed by: Garth Jennings

A koala named Buster Moon has one final chance to restore his theater to its former glory by producing the world’s greatest singing competition.

OSCAR CHANCES: Animated film….maybe.

DECEMBER 25

GOLD

Starring: Matthew McConaughey and Bryce Dallas Howard
Directed by: Stephen Gaghan

An unlikely pair venture to the Indonesian jungle in search of gold. When he was outrageously thin in “Dallas Buyer’s Club” McConaughey still looked good. In this one he’s bald and….dammit!

OSCAR CHANCES: No sir.

WHY HIM?

Starring: James Franco and Bryan Cranston
Directed by: John Hamburg.

A dad forms a bitter rivalry with his daughter’s young rich boyfriend. Based on a story by Jonah Hill. Somebody needed money.

OSCAR CHANCES: I’m ashamed that I have to include those words with this film.

DECEMBER 28

PATERSON

Starring: Adam Driver
Directed by: Jim Jarmusch

Set in the present in Paterson, New Jersey, this is a tale about a bus driver and poet.

OSCAR CHANCES: Love Jarmusch. Maybe a witting nod.

Seth Avett discusses new album “Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”

Singer/Songwriters Seth Avett and Jessica Lea Mayfield have combined their talents for the first time on record with the release of “Seth Avett and Jessica Lea Mayfield Sing Elliot Smith”. The album features 11 stripped down songs handpicked from singer/songwriter Elliot Smith’s diverse catalog. Media Mikes had the chance to speak with Seth recently about the creation of the album, the duo’s tour plans and other projects Seth has in the works for 2015.

Adam Lawton: Can you give us some background info on the album and what was about Elliot Smith’s work that initially appealed to you?
Seth Avett: Elliot Smith is one of those artists that I feel if you are meant to hear his work you will. I think what drew us to him is what draws people to most music. It’s sort of a cascade of beautiful melodies that we have attempted to follow in a very real way. The writing is very honest and it attempts to show you through the lyrics. I have always been drawn to music that does this and I think Elliot is one of the strongest examples of that over the last few decades. How this all sort of came together was that Jessica opened for the Avett Brothers at a show we were doing in Sun Valley, Idaho in 2011. We hung out with Jessica for a few days and on the last day that we were hanging out at the venue it was her and I in a small practice room with just a piano. I started plinking out the chords for the song “Twilight” and Jessica was very into it. I sort of had a moment where I thought everything just sounded amazing. I don’t think I thought of a record at that moment but I could sort of feel things aligning. I had a small hand held recorder with me and made a recording of what we were doing. I ended up listening to that over and over again which got me thinking about what it would be like to do a whole album like that.

AL: How did you go about choosing the tracks from Elliot’s diverse catalog?
SA: I try to always do my best and follow the path of least resistance. We sort of gravitated to songs from later in Elliot’s career with a big focus on songs off of “From a Basement on the Hill”. Jessica and I gravitated towards that album as it was a personal favorite of both of ours however we also wanted to make sure that we represented Elliot’s other works as well. Basically we each brought in 7 or 8 songs and then started to see how they would go together with us singing them. Pretty much what we ended up taking to the recording studio made the album with the exception of the song “L.A.”. That song almost made it. It had really great energy but ultimately we chose not to go the full way with it.

AL: How did you go about balancing your duties as both performer and producer?
SA: Any sort of conflict I might have had I think certainly came more from trying to do the material justice. My production style is more of a non-production type style. I like to let the music take shape and let it go with the flow a little bit. I don’t like thing to feel like I have to make a suggestion or plan for everything. I really enjoyed being able to produce this record and was extremely honored in the fact that Jessica trusted me enough to make those production related calls and to push her performances. Our trust for each other certainly was taken to another level with this project.  From a performer stand point I sort of look at the two roles as one in the same. I love being very hands on and rolling up all of the roles into one and just running with it worked well for me.

AL: Do you find your creative process to be the same working on a project like as compared to your work with The Avett Brothers?

SA: It changes entirely. When I am making music with my brother things tend to trickle down to the band. That process is much more laborious as there are more than just myself giving input or direction. There is a lot of passing back and forth during that creative process. When I am writing for just myself there is less of that back and forth collaboratively. I feel working from both sides’ benefits the overall process as a whole.

AL: Can you tell us about the shows you have planned in support of the release?
SA: The shows are going to have a very stripped down approach. The plan is to only have three performers on the stage. We will have a stand up bassist, acoustic guitar and a pianist/vocalist. The shows will be very intimate and I hope will provide a nice back and forth with the audience. We will be playing a lot of songs of the album as well as some of both mine and Jessica’s solo material. The tour is to support the record but the show its self will not read that like.

AL: Can you tell us about any other plans you have for this year?
SA: It’s going to be a busy year. The band is already chomping at the bit to get out there as the winter is generally our down time. We are fully into making a new record at this point though as couple months back we were in California working on new material. We have already played a few of the new songs which will be on the record live but there should be more new tings starting to surface here shortly. For live shows this is going to be a really great year. We won’t be doing as many shows this year however the shows that we are doing are going to be very special.

CD Review “Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”

“Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”
Seth Avett & Jessica Lea Mayfield
Ramsuer Records
Produced by:  Seth Avett
Tracks: 12

Our Score: 4.5 out of 5 stars

Singer/Songwriters Seth Avett and Jessica Lea Mayfield are together for the first on “Seth Avett & Jessica Lea Mayfield Sing Elliot Smith”. The twelve song album is a stripped down and straight forward collection of songs from the diverse catalog of singer/songwriter Elliot Smith. Though this is the duo’s first release together the combination of Avett and Mayfield is almost flawless as the two complement each other quite well. The recordings have a very natural and warm feel which makes this an album you can put on after a long day and just escape into the music.

Tracks like “Between the Bars” and “Twilight” have a captivating almost lingering effect which draws the listener back to them time and time again while songs like “Somebody that I Used to Know” which features a more upbeat arrangement and the indie rock feel of “Roman Candle” breaks things up nicely giving the album a nice balance before being closed out with a somber duet of Smith’s “Memory Lane”. Whether you are a casual fan or dedicated diehard of the artists featured on this album I highly recommend this to anyone looking for a great musical experience

Track Listing:
Between the Bars
Baby Britain
Fond Farewell
Somebody That I used to Know
Let’s Get Lost
Twilight
Ballad of Big Nothing
Angel in the Snow
Pitseleh
Angeles
Roman Candle
Memory Lane

Pentatonix’s Avi Kaplan & Scott Hoying talk about NBC’s “The Sing Off”

Scott Hoying and Avi Kaplan are members of the Arlington, Texas based a cappella group Pentatonix. The group burst on to the scene last fall after winning season 3 of NBC’s “The Sing Off” Media Mikes talked recently with Scott and Avi about the group’s formation as well as their new hit single “Starships”.

Adam Lawton: Can you give us some background on how the group came together?
Scott Hoying: We started out as a trio. Mitch Grassi, Kirstin Maldonado and I all grew up together. Later when I move to Los Angeles to go to school I decided I wanted to try out for “The Sing Off”. I talked to my friend and he told me I was going to need a really awesome beat boxer and bass if I wanted to have a chance at the show. We found Avi through a friend as he had a really great reputation for singing bass in the Los Angeles area. We later found our beat boxer Kevin Olusola through a viral video of him playingcello and beat boxing. We sent him an email and after a phone call or two he was interested and he came out. We actually all met the day before the audition. Everything just clicked and the audition went really well. Now we are all best friends and it’s a happy go lucky story.

AL: What was it like competing on the show while you were still getting to know each other as a group?
SH: It was an interesting thing. On the show we were developing both as a group and as friends. If you watched the show you could actually see how we interacted with each other. We were also finding out how to work with each other as we didn’t really have a leader. We sort of sat in a circle and just talked. It was super hard to do at first because we were all different people and liked different music. We eventually clicked and ever since things just keep getting better and better.

AL: Was it hard working with the cameras around?
SH: Not really. I expected it to be hard but literally after one day you forget that they are there. You just go on your way and do what you have to do.

AL: What have been your thoughts about the success of your EP and its first single“Starships”?
SH: It been overwhelmingly exciting. We never thought a year ago when we were trying out for the show that anything would become of it. To be able to do what we love and are passionate about is really great. When we made the EP we worked so hard on it and the scary thing is people don’t really buy albums anymore. We were afraid it wasn’t going to do well.  People have been really intense about supporting us and we really appreciate that. Things are going better than we have ever hoped. We are still celebrating.
Avi Kaplan: The whole thing for me has been a dream comes true. It’s an amazing experience. This is just something that I have always wanted to do. I never thought this type of music would be my profession. I am getting to live my dream everyday and it is just so amazing.

AL: What made you choose “Starships” as the first single?
AK: When we were arranging all of the songs “Starships” was one of the last songs we arranged. The song just stuck out and we were very proud of the arrangement. We thought that this song would be a great spring board for our album.

AL: What were the writing/recording sessions like for the EP?
AK: It was definitely a collective process as we all have different styles. We appreciate all types of music so things were very collective.

AL: What are the group’s plans for the rest of this year?
AK: We really want to start recording our next EP or LP. We also want to start working on our Christmas Album. Besides touring those are the two things on our plate right now. We have a few different shows already scheduled and will be announcing more as the dates become available.
SH: We are going to be touring in a lot of different places. Even though were not doing an official tour nationwide. We plan to do a number of shows in different areas where it will feel like a tour.

DVD Review “Mama, I Want to Sing!”

Directed by: Charles Randolph-Wright
Starring: Ciara, Lynn Whitfield, Patti LaBelle, Juanita Bynum, Hill Harper, Billy Zane, Ben Vereen
Distributed by Fox Faith
MPAA Rating: Not Rated
Running time: 95 minutes

Film: 1.5 out of 5 stars
Extras: None

Inspired by the hit off-Broadway play, this would have been better off staying as a play. This film absolutely no direction and just keep bouncing around from scene to scene aimlessly. Also Ciara might need to stick to singing or at least take some acting classes. This role should have been a piece of cake, especially playing a singer. The film is a drama but there is no real drama portrayed by its actors. The best part of the film is Billy Zane but he does not get enough screen time. Let me tell you, I would have chosen a different title like “Mama, I just wanted to turn this movie off half way through”.

Following the death of Reverend Dr. Kenneth Winter (Marvin Winans). We follow the rise and fall of the Winter family. Amara Winter, daughter, follows her rise to stardom and the issues that come with that. While rising to stardom she looks for the support from her mother Lillian Winter (Lynn Whitfield), who is trying to build a business in preaching and having her own issues and belief issues. Luke (Kevin Phillips), Amara’s younger brother, works as her photographer but dreams to become a photo journalist. The family works through the issues and remembers that family and faith is the most important.

The film tries to really back the emotions but there is something about it that just feels so fake. It is definitely clear why this was stuck on the shelf for almost three years after it was filmed. They must of had to really bribe the studio to release it. I think I would have rather enjoyed watching the Off-Broadway play and it would have been truer and more emotional than this lacking film. To top it all off there are no special features at all but I was just lucky I didn’t have to watch any more after it ended.