San Diego Comic Con Stumbles Out of the Pandemic

“Has it really been three years?” That was my thought as I sat in my cramped, terrible plane to San Diego. Ignoring the terrible aviation service, I had my mind on the prize. While San Diego Comic Con technically came back last November, the turn out by vendors and patrons alike made it seem more like a test run before this summer’s return to glory. Was July 20-24 everything I hoped it was? No, but that’s OK.

The biggest takeaway for those outside the geeky bubble of the San Diego Convention Center and Gaslamp District was the return of Marvel Studios to Hall H. Not only did they unveil footage from “Black Panther: Wakanda Forever” and “Ant-Man and the Wasp: Quantumania,” Kevin Fiege, the Willy Wonka of the MCU, also unveiled their plans for phases five and six, revealing what the “Multiverse Saga” has in store for eager fans. Oh, and DC showed some new “Shazam” and “Black Adam,” but some are still wondering where Superman and Flash are.

Outside that big news, “Star Trek” had a lot to say, showing a look at “Picard’s” final season as well as info on a live-action/animated hybrid crossover that I’m sure Trekkies are already getting amped for. Outside the convention halls, Star Trek had an offsite experience called Ten Forward where Trekkies and others could partake in food and beverages in a “Star Trek” setting that had fans finally living in some of their favorite moments. Sci-fi wasn’t the only draw as “The Lord of the Rings: The Rings of Power” and “Dungeons and Dragons: Honor Among Thieves” rolled out footage that not only got fans pumped, but garnered attention from people who had no interest (me being one of them). D&D also wowed people with it’s offsite bar where people could partake in a fantasy brew while interacting in what can only be described as a cave tavern harassed by dragons.

Out of all the fandoms though, there was quite a bit of disappointment. Fans of Adult Swim’s offsite activations were left wondering where they were only to find a box in a field with a peephole advertising the Adult Swim Festival…taking place on the other side of the country. “House of the Dragon,” a “Game of Thrones” prequel, failed to generate buzz for people in Hall H, while the activation was apparently only for die-hards who left disappointed or content after standing in line for an average of five hours. The “Bob’s Burgers” panel was cancelled last minute, leaving Bob’s fans scrambling to find another favorite moment from this year’s festivities.

A lot of people actually may be signing up for Apple TV after the company’s first foray into SDCC. The fresh-faced streaming service highlighted several shows like “For All Mankind,” “Mythic Quest,” and this writer’s favorite, “Severance.” While not personally attending, the footage from inside the “Severance” offsite was astounding. It truly looked like people were walking into the world of “Severance.” Not only was it the most discussed and favorite offsite of this year, but it maybe the standard going forward for fully immersive rewarding offsites. One of the companies that manages to bring the fun to offsites, FX, returned this year with a maze featuring haunted dolls, muttering lunatics’, a vampire dance party and a chance to win various hot sauces.

Despite the highs of SDCC, something felt off. As a non-profit, it would make sense that SDCC would have to cut some corners and scale some things back with it’s return. But you have to wonder about some of the choices and decisions. One talking point that was (and still is) discussed is COVID-19. Was there a mask policy? Yes. Was it bothersome? Not really. The majority abided by it and it wasn’t like most people haven’t already spent a good portion of the past three years wearing one. That being said, I will flat out say that the COVID-19 wristband policy was stupid. To obtain a COVID-19 wristband, you must either be vaccinated or have a negative COVID-19 test result that was collected within 72 hours. If either of those requirements were met, you were given a flimsy paper wristband that was supposed to survive five days of sun, showering (maybe not everyone) and whatever else comes there way. The idea behind this is to prevent sick people from coming in, but as we’ve all found out, you can still become sick and a carrier of COVID-19 if you’re vaccinated and can still become infected and become a carrier within 72 hours after said COVID-19 test. So with all due respect, what was the point of the wristband? Another line? A sense of false security? Regardless, it was a completely unnecessary hurdle that frustrated hundreds if not thousands on a daily basis who showed up without a wristband and then had to wait in a lengthy hour-or-more line. I prepared and knew all about this, but not everyone is me and I can relate to the grief of having unnecessary requirements stand in your way of fun you’ve been craving for years.

Was there plenty of things that had me shaking my head in frustration? Yes. Was there plenty of things I enjoyed immensely regardless? Yes. In no way was this year a sign that it’s time for me to quit going and in no way will I say my experience was negative overall. There’s always going to be things I miss and things I will cherish forever. I’ve learned, grown and adapted to the things that happen every year like others…the long lines, the shocking amount of BO from fellow congoers and so on. Here at MediaMikes, we’re fairly confident SDCC 2023 will be better and 2022 will still have been a great year, just not as great as other years.

“Star Trek: 50 Artists. 50 Years” Lands at New York’s Paley Center

September 16- “Star Trek: 50 Artists. 50 Years”,  which made its debut at this year’s San Diego Comic Con opens up to New York fans today at the Paley Center for Media in midtown. The exhibition, which celebrates the 50th anniversary of the original Star Trek television series, features fifty pieces from ten nations as well as tie-in fan screenings and whimsical photo ops sure to please the Trekkies of Manhattan. Noteworthy amongst the art on display is a piece of the famous Vulcan salute by none other than the late Leonard Nimoy himself.

Work by Leonard Nimoy

To my eyes, Spock looks to be favored character by the show’s artists, including a digital illustration from Stanley Chow whom I spoke with at the exhibition preview:

Where are you from?
Stanley Chow: I’m from Manchester England.

What Inspired you to choose Spock?

SC: I think like when I was growing up in the 70s and 80s and then watching reruns of Star Trek, the first person I kind of looked up to was Spock. He seemed like the more intelligent one and slightly different. I guess with me it was–when I was growing up, I was the only Chinese boy in the village, you always kind of–I felt you needed someone different to look up to and aspire to, you know? And Spock was always the one, with his cool, calm, collected demeanor. And his pointy ears.

Artist Stanley Chow with his work

Do you have a favorite Spock moment?
SC: There’s not been a favorite moment, but I’ve always liked the kind of relationship he had with Uhura. You know? It was never kind of like a fully fledged relationship. It was always kind of like an underlying thing…Which was sort of my life with lots of girls when I was growing up.

Do you enjoy Zachary Quinto’s take on the character?
SC: Oh, I think he’s amazing! When he was picked, obviously he was off of “Heroes”…And then once he puts the ears on and he does his thing [in the] movies, he’s the only actor–it’s sounds kind of cliché to say he’s the only actor who could do Spock but he’s done it so well but that’s why it’s become a cliché isn’t it?

Head of CBS consumer products, Liz Kalodner was also on hand to celebrate the opening.

Do you have a Star Trek favorite character?
Liz Kalodner: Well Captain Kirk is the classic, c’mon! Although I have to say, Captain Janeway [From Star Trek: Voyager], also pretty good.

Do you enjoy the new film franchise?
LK: Oh, absolutely. i think JJ Abrams has done a wonderful job. It’s brought in a new, younger audience, and really has given the franchise great energy.
As you’re from consumer products, I noticed you’ve got a fictional cereal here in the exhibit, is that a favorite item?

LK: Yeah! So that’s by an artist named Juan Ortiz who loved Star Trek from when he was a kid and actually had that idea when he was a child. And he always wanted to do it. And I don’t know if you saw the back but there are cutouts, trading cards, because cereal boxes always had you know, the free in-pack or on-pack, so he created that.

Since Star Trek is coming back to TV are you getting ready with your department for that?
LK: We are getting ready! We’re working with showrunner but it’s all in the development stage. But it’s a wonderful time to be in the Star Trek business.

“Star Trek: 50 Artists. 50 Years'” brief stop in NYC concludes on September 25th. Details on the Paley Center’s screenings to coincide with the exhibit can be found here.

The Paley Center for Media is located at 25 West 52nd Street.

Fred Williamson Talks About His Film Career and the State of the NFL Today

They called him “the Hammer.” While playing for the Pittsburgh Steelers, Oakland Raiders and Kansas City Chiefs, Fred Williamson was one of the most feared defensive backs in the history of the NFL, finishing his career with 36 interceptions in 104 games. He retired in 1968.

That same year he followed fellow football star Jim Brown to Hollywood, appearing on such television series as “Star Trek,” “The Bold Ones” and “Ironside.” In 1971 he had a recurring role as the title characters boyfriend on “Julia.” He made his feature film debut in the Academy Award winning film “MASH,” and later appeared in several classic “Blaxploitation” films, including “Black Caesar,” “Hell Up in Harlem” and “Three the Hard Way.” He also appeared as a Vietnam vet in an episode of “The Rookies.” A few years later, that character was featured in his own film, “Mean Johnny Barrows.” The story of a troubled Vietnam veteran trying to make it back in the world, the film preceded “First Blood” by six years. The film was also Williamson’s directorial debut.

Since then, he has appeared in such films as “From Dusk ’til Dawn” and “Starsky and Hutch,” as well as a series of films featuring ex-cop turned private eye Dakota Smith.

Mr. Williamson will appear at the Kansas City Comic Con from Aug. 12-14. Prior to his appearance he took some time out to speak with me about his “rules” for making films, the state of today’s action films and why the NFL isn’t what it used to be.

MIKE SMITH: At age 78 you are still working steadily.

FRED WILLIAMSON: I make three movies a year.

MS: Is it as fun and exciting now as it was when you started your career?

FW: It’s more exciting because I control what I do now. Most of my films I direct and I write the stories. I hire three or four writers to write the script and I take the best parts from each writer and rewrite the whole thing myself. It’s more fun and more creative.

MS: Do you still make sure you get the girl and don’t lose a fight?

FW: That’s only two of my three rules. Number three is you can’t kill me either. You can’t kill me, I don’t lose a fight and I get the girl.

MS: I see you have another Dakota Smith film coming out.

FW: Yes, I have a new film called “The Last Hitman.” I also have a film that I made in Berlin called “Atomic Eden” and after that I have a film called “Check Point.” I have three films coming out in the next six months.

MS: You’re coming back to Kansas City this weekend. I assume playing in Super Bowl I would be your favorite memory of your time here. Do you have others?

FW: All the time I spent there in Kansas City contributed to my creative years in football. I had a great time in Kansas City. Kansas City was a challenge. You have to remember that this was in the 1960s, so the racial prejudice was very strong there and in other communities at that time. But for me that was motivation…it was what helped make me as great as I was. Someone telling me I couldn’t do something was an extreme motivator for me.

MS: Looking at the way football is played now – you can’t hit in training camp, only one practice a day, defensive players appearing almost afraid to hit for fear of being fined – do you think the game has gotten better or worse since you played?

FW: The game would be more expensive for me if I played today because I’d probably get a $25,000 fine the minute I stepped on the field. (laughs) The “Hammer” tackle would have gotten me kicked out of the game and fined $25,000. I think the thermometer is if you – the refs – can hear the tackle, it’s illegal. If you can hear the pads hit up in the stands, it’s a 15-yard penalty and a $25,000 fine for unnecessary roughness. It’s the changing of the game. That’s why you don’t see that many hard tackles now. Guys are reaching in and trying to stop them with their arms because they really don’t know how to tackle anymore. And these running backs are gaining more yards because no one wants to hit them. They run through arm tackles because most of them are strong runners so they just run through arm tackles.

MS: Nobody seems to know how to wrap up anymore.

FW: You can’t take a chance anymore. Wrapping up means laying your shoulder into him. You can’t wrap a guy up until you stop his momentum, and you have to stop his momentum by cracking him. But now if you crack him too hard it’s a penalty. How do you stop a guy without being able to hit him first? You can’t stop him with an arm tackle.

MS: How do you feel about the action films of today. Are they better now or worse then your films of the 70s and 80s because of being able to use computers?

FW: Computer things are boring, man. Who wants to see some guy jump out of an airplane and land on a moving car when you KNOW that’s not real? That’s not possible. To me it’s boring. They are losing their audiences because now the special effects are the star of the movie. Why do they pay a guy $20 million when the effects are the star of the movie? They need to go back to the days of Robert Mitchum. Gregory Peck. Richard Widmark. Burt Lancaster. Guys like that. You saw how they walked and how they talked. It wasn’t the fact that they could fly through the air or bounce off of a building or just miss getting run over by a car and then getting up and shooting the bad guy. No, no, no. Let’s go back to reality. There’s nothing real in those films.

MS: Thank you again for your time. I hope you enjoy your time back in Kansas City.

FW: I’m looking forward to it. I’ve got a lot of old friends there and a lot of former players that still live there so I’m looking forward to recapturing that experience.

Blu-ray Review “Star Trek: The Next Generation – Season One”

Starring: Patrick Stewart, Jonathan Frakes, Brent Spiner, Michael Dorn, Gates McFadden, LeVar Burton, Marina Spirtis
Number of discs: 6
MPAA Rating: Not Rated
Distributed by: Paramount Home Entertainment
Release Date: July 24, 2012
Running Time: 1184 minutes

Season One: 4.5 out of 5 stars
Extras: 4 out of 5 stars

I have to first admit that I am new to the whole “Star Trek” universe. Earlier this year, I have completed watching the Original Series, the Animated Series and currently I am halfway through Season Six of “The Next Generation”. Let me tell you I am completely immersed in this series and I feel like I have been living and breathing “Star Trek” over the last few months. I have purchased shirts, iPhone cases and even baby onesies to only enhance my trek into becoming a full on “Trekkie”. I feel that my review would actually provide a unique perspective to this release, especially since I am not your typical hardcore fan. When I recently watched the first season of “Star Trek: The Next Generation”, courtesy of Netflix, I couldn’t help by thinking how terrible this series looked and it really needed an HD upgrade bad! Well, all of our prayers have been answered because this release brings the first season re-mastered beautifully in high-definition and just in time for the show’s 25th anniversary.

Firstly, when they say that this season has been restored, they are not saying that lightly. This show looks like it was ran through the cleaners and it is super pristine with proven before/after results. It is also is presented in the original 4:3 ratio, which should be a must for fans. Those who think that it would be better widescreen should know that this show was specifically shot for full screen ratio and wouldn’t even be able to be converted to widescreen without distorting the picture. Even though the first season isn’t the most highly regarded in the series it is still a great start and only a sample of what we can expect for future seasons. One thing that I was hoping for though was a better case presentation, the season’s 25 episodes are spread out among six discs delivered in a slim BD case with a slipcover. I liked “The Original Series” Blu-ray packaging way more than this but nonetheless fans of “Star Trek” couldn’t have asked for a better high definition jump to warp speed for this classic sci-fi series.

Let’s talk a little bit about the video presentation for season one of “The Next Generation”. These episodes haven’t been just remastered from the existing film masters, they actually went back to the original 35mm camera negatives and redone all the visual effects, all in high definition. The special effects are completely updated and revised, sort of what Lucas did with the “Star Wars” trilogy. The 1080p transfers of each episode are extremely sharp and are very impressive, summing up a really excellent restoration. There are two audio tracks included on this release. There is a mind-blowing DTS-HD Master Audio 7.1 track and a retro Dolby Digital 2.0 track as well. Personally the 7.1 track completely trumps the 2.0 track, the clarity of the sound is super clear and also completely restored. You honestly feel like the action is happening all around you and you are flying through space with the USS Enterprise.

Click play to watch the incredible side-by-side look at the transformation of “Star Trek: The Next Generation” into high-definition.

This release also includes a bunch of exclusive special features including never-before-seen archival footage, many brand new interviews and much more! Honestly the special features are worth the purchase alone for any true “Star Trek” fan. The extras are split over the 1st and 6th discs. Disc 1 starts off with a promo for Season Two of “The Next Generation” on Blu-ray, which I was very pleased to see that they are planning these seasons back-to-back. It is even more exciting since it revealed that it will contain a brand new, high definition 75-minute roundtable with the cast of “The Next Generation”. You can really tell that they are looking to please their series fans and not just cash in on a high-def release. There is the retro 1987 series introduction trailer, a season one vintage promo, three more launch promos as well as three episode promos. The real draw for this disc though is a brand-new 25-minute documentary titled “Energized: Taking The Next Generation to the Next Level”, which focusing on the remastering process and how they went to the original camera negatives and restored the visual effects in HD.

The rest of the special features are included on disc six, mostly vintage extras from past DVD releases but still worth checking out. Included are four production featurettes, “The Beginning”, “Selected Cast and Crew Analysis”, “The Making of a Legend” and “Memorable Missions”. It covers quite a bit of ground. Next up is a great three-part 95-minute documentary called “Stardate Revisited: The Origin of Star Trek: The Next Generation.” It provides some really comprehensive information about the series. The first part is called “Inception” , the second is “Launch” and last is “The Continuing Mission”. Don’t miss this for sure! Lastly there is a great 8-minute gag reel. “Star Trek: TNG” has always had a great sense of humor and this shows it. There is also another teaser for season two on this disc as well. I really am looking forward to what they are planning next, especially after this already amazing release.