Testament’s Alex Skolnick talks about new band Metal Allegiance and their debut album

Alex Skolnick is probably best known as the guitarist for the legendary thrash metal band Testament. When not performing with the group Alex keeps busy with numerous side projects such as The Alex Skolnick Trio and, his latest endeavor Metal Allegiance, The group which features a laundry list of some of today’s top heavy metal performers is set to release their debut self titled album on September 18th and Media Mikes had the chance to speak with Alex recently about the album and the group’s formation.

Adam Lawton: How did you first get involved with the Metal Allegiance project?
Alex Skolnick: It all happened pretty fast. I was on the “MotorBoat Cruise” playing with Testament and that’s where the very first performance under that name happened there. There were a bunch of us guys hanging out during dinner one night and some of the guys were talking about set lists. They wanted to add in some classic Van Halen and I was the guy who was pretty up on that stuff. I wasn’t really planning on playing and Mike Portnoy sort of threw it out there as a joke and I went along with it and everyone went nuts. We ended up having this great jam and afterwards we were talking about more shows in the future and I said I would be for it any time. I get a call one day asking if I would be interested in doing an album. I had never worked with any of these guys before but I was willing to give it a shot. I went in thinking it was going to be mostly an album of covers with possibly two or three original songs. Up until this point all we had played together was covers. When we got together the writing process just took off. We started off with just a couple songs we felt great about and it just sky rocket from that point on.

AL: Being that you all had never worked together before what was the creative process like for the group?
AS: We all are fans of this music and we wanted to make an album that we would be excited about putting out. We all had ideas as to what makes great album and we wanted to make sure that we captured the performance of each player involved with the record. There’s a lot of great stuff being recorded these days digitally but we wanted to take a more analog approach and incorporate elements from areas that inspired us to become musicians.

AL: Was a majority of this album created separately and sent back and forth via email or was there a point where everyone got together and recorded as a group?
AS: We worked in a couple different phases. The first phase involved the three core guys of the project. Myself, Dave Ellefson and Mike Portnoy were brought together by our mutual friend Mark Menghi. The four of us got together during the holidays and did our first session. A few weeks later we got together again for a second session. Those sessions were all done in a traditional band type recording session. In February we went out and did the “ShipRocked” Cruise and after getting back we began the next phase of work which we did in Long Island at Mike Portnoy’s home studio. There was some stuff that got sent back and forth via email but a majority of the album was done the classic way with everyone being present in the same recording space.

AL: When it came time to bring in the various guests who appear on the album who was the person making those decisions?
AS: The four of us myself, Dave, Mike and Mark made all of those decisions together. We call ourselves “The Core Four”. There was a constant stream of text messaging that we all would reply to where we all made suggestions related to the music. We decided that we would all have to agree as to who was going to be asked to be a part of the project. There were some ideas that didn’t end up happening as ultimately we felt they just wouldn’t fit and some of those may have helped sell more records but this wasn’t about that. Everything was about the feel of the track and how each piece fit and worked together.

AL: With the project taking on almost a life of its own is this something you guys hope to continue to expand on or, is this album the closing piece for the group?
AS: I believe we would like to keep this going indefinitely. There is no reason not to. We don’t want to be limited to just performing on cruise ships or at large events. We do have plans to do those types of events but we also want to do more. We have the album release show in New York at the Best Buy Theater which is going to feature most of the personnel from the album. That’s something that is going to be hard to duplicate on a tour but we are figuring things out as we go. We just announced our first international show in Mexico City which will feature the core group along with Mark Osegueda from Death Angel on vocals. There are a number of different levels that this project can work on which I think is going to be really great.

AL: Outside of the Metal Allegiance project what else are you currently working on?
AS: I have a lot of stuff going on. I have my first acoustic album out which is called “Planetary Coalition”. This is a world album and is something that I always wanted to make. I have a bunch of great artists featured on there including Rodrigo y Gabriela. Last year the trio recorded a live concert and it came out really well. We also recently wrote a few new songs and I think we are going to release that as a live album. I’m going to be a part of the “Axes and Anchors” cruise which is a cruise for guitar enthusiasts. Zakk Wylde is going to be there along with Yngwie Malmsteen, Michael Schenker and a bunch of other great players as well. Testament has mostly one off shows booked as of right now and in between those we are writing new material with hopes of having a new album out next year.

Testament’s Chuck Billy talks about signature line of vaping pens “The Chief”

Chuck Billy is probably best known as the vocalist for the legendary bay area thrash metal band Testament. However when not performing with the band around the world Chuck keeps himself busy with several business ventures. His latest is that of his own signature line of vaping pens “The Chief”. Together with Lord Vapor the leading provider of high-quality custom vape pens Billy is set to create a product line just as intense as his music. Media Mikes spoke with Chuck recently about the new product line, his experience with vaping and also touched on the upcoming plans for Testament.

Adam Lawton: What was your first exposure vaping and what was it that you found appealing?
Chuck Billy: I tried vaping years ago when I was in Amsterdam. After I got back I bought my own volcano just like I had seen in Amsterdam. There’s certainly a different feeling that comes with vaping. For me being a singer and trying to keep my lungs healthy vaping always seemed a little easier and I enjoyed that. ==

AL: How did the opportunity to create “The Chief” line of herbal vape pens?
CB: I had talked with Adam from Lord Vapor quite some time ago about doing a product line but it never really got hooked up. About eight months ago we met up and really started talking and working on designs. We had to figure out how to make the product better than it already was and also to have it stand out among the other pens like this. We went in and looked and things like temperature. We found that the hottest current temp wasn’t enough to throw the size of cloud we wanted. We worked with some things and got the temps hotter and also worked with the overall look of the pen. Once we got all that stuff down we ordered the first run of prototypes. It did take awhile but once we got it things worked great. We hit the market in March with the first run of “Big Chiefs” and we are currently working on the second line which will include slim line pens both in rechargeable and disposable models.

AL: What did you find to be the most difficult part of developing this product?
CB: The graphics and the design seemed to take the longest. There was a lot of back and forth between us and the manufactures because we weren’t right there while they were being made. Upping the temperature was certainly the easy part but getting things to look right with not only the pen but also the packaging certainly took some time. You need everything to look correct right out of the box because once you go into production if things aren’t right then everything comes out wrong. It was a bit of a gamble but we learned through the process and we have a really great product.

AL: What do you think has caused the recent rise in vaping?
CB: It’s an option people have to where they can go out in public and not cause a scene from smoking. I have used mine in movie theaters without anyone ever saying a word. One of the days on the recent tour we went out with the Exodus guys and we were all vaping during dinner and having a great time without any problems. Those are definitely some of the advantages over being out and smoking say a pipe or joint. You are a bit more inconspicuous. Also again for me personally it’s less harsh on my lungs than other methods.

AL: Are there plans to increase the line outside of just pens?
CB: I’m not sure if we are going to try out liquids or not at this point. That is something that I am not really a fan of. We are working on the rechargeable and disposable pens right now and wrapping up sales on the first 1000 signed and numbered special edition Chiefs. Once those are gone we have plans to change the packaging making those first run Chiefs really special. I think this the Chief signature line is something that’s going to keep growing. Adam has opened the door for me on this and within the next year or so I may venture in to a signature accessories line as there are just so many different accessories you can get.

AL: Aside from your vaping products can you give us an update on Testaments current plans for the coming months?
CB: We are pretty busy. We recently wrapped up one tour and will be heading out on another which is overseas in Europe. After that we will be taking three or four months of to finish the writing of the new record. We really want focus on the album and getting it done. Being that we all don’t live near one another these days that can be a little difficult. There’s a lot of emailing and getting together when we can so it takes time. We are very fortunate at this time that our label Nuclear Blast isn’t breathing down our necks to get it done. They don’t do that as they know when it’s ready it’s ready. That’s been the beauty of things as we can make the album right and we are happy with it.

Testament’s Alex Skolnick talks about upcoming book and working with Trans-Siberian Orchestra

Alex Skolnick is best known as the guitarist for the legendary thrash metal band Testament.  Alex also performs with the Trans-Siberian Orchestra and his jazz group The Alex Skolnick Trio. Media Mikes caught up with Alex on the floor of the New York Comic Con to discuss his upcoming book.

Adam Lawton: What led to your decision of writing a book?
Alex Skolnick: I have wanted to write a book for years as I am a fan of books. For a long time I had thought that if the music thing ever got too difficult to deal with I would look to literature as an option. I would never slow down on music and guitar playing but the music business is tough. The business side of things is completely separate from the music itself. It is very challenging and there are a lot of perils. I actually have ideas for several books in my head. I think the first one that I wrote had to be very personal and about me. I have lots of other ideas and eventually would like to branch in to fiction. This first book is really sort of a memoir. I am inspired by memoir/autobiographical books. This book has been a long time coming but it wasn’t until about 3 years ago that I really buckled down to get this out. This is a legitimate story that I think will appeal to more than just guitar and rock fans. In the book I talk about the high levels of resistance I encountered as a youth. I come from an academic family and I really rebelled against them by joining a band in high school. That was an amazing and very defining moment for me. I played with Testament the first time from the ages of 16 to 23. During those years you do a lot of growing and a lot of musicians are just beginning their careers at 23. I did my first album at 18. The book segway’s from my childhood and adolescence into joining the band which would become Testament. Our story is a bit different as we didn’t have a hit record with a set career path. This was a band that every album was a struggle. We got a lot of respect from the fans but never really from the industry. We never had gold/platinum records or won a Grammy yet we existed.

AL: Did you find writing the book was similar in any ways to writing music?
AS: Yes. Absolutely! Physically the process is very different. I would imagine if you compared different types of sports and how you play them there are differences however there is also some overlap. You get in to similar zones. What I found between guitar playing and writing is there’s this inspiration process that happens. With music you can try and get inspired by listening to music or going to concerts. Sometimes the best ideas come when you pick up your instrument after not playing for awhile and a great idea comes out. You just have to capture those ideas and with writing it was very similar. Usually the ideas are completely un-presentable in their raw form. I would just write page after page of stuff I wouldn’t want anyone to ever see but after awhile within those pages some pretty cool stuff starts happening. From there you have to go back and pick the best parts. It’s the same thing with music. You are hopefully trying to create some result. You have to do this quite a few times and abandon some huge chunks. Though this can be hard it is very important to de-clutter things. This process requires a lot of humility.

AL: Will fans get to see you out on tour with the Trans-Siberian Orchestra this year?
AS: I won’t be going out with them this year. I just have so much going on with Testament right now. The band is scheduled to go to Europe and the UK this coming year for some shows and we are also booked to go to India as well. My book is going to be coming out right around this same time so I have some things in the works to promote that as well. I worked with Trans-Siberian Orchestra for 9 seasons which was great but it was a lot. Ultimately all the projects I have going on right now I am more closely tied to.