Enter to Win the Latest Blu-ray Seasons for TNT’s “Falling Skies” and “The Last Ship” [ENDED]


To celebrate the Blu-ray releases for two of TNT’s biggest shows “Falling Skies” and “The Last Ship”, Media Mikes would like to give our fans a chance to win a Blu-ray of their latest seasons. If you want to win this great prize, please leave us a comment below or send us an email with your favorite TNT series film. This giveaway will remain open until June 12th at Noon, Eastern Time. This is open to our readers in US and Canada only. One entry per person, per household. All other entries will be considered invalid. Media Mikes will randomly select winners. Winners will be alerted via email.

Falling Skies – TNT’s alien-invasion saga from DreamWorks Television, TNT Productions and executive producer Steven Spielberg – will return to Blu-ray™ and DVD with its complete fourth season on June 2. The two-disc Falling Skies: The Complete Fourth Season Blu-ray and three-disc DVD set will include all twelve episodes from the fourth season, as well as hours of exclusive special features including behind-the-scenes footage, character interviews and more. Falling Skies: The Complete Fourth Season comes to Blu-ray and DVD in advance of the hit drama’s highly-anticipated final season, slated to debut on Sunday, June 28, at 10 p.m. (ET/PT) on TNT.

Falling Skies chronicles the extraordinary story about life and survival in the wake of a catastrophic alien invasion that leaves most of the world completely deliberated. Starring Noah Wyle (Tom Mason) as a college professor who becomes an unlikely resistance leader following the alien attack, the fourth season opens as the nightmare is just beginning for the humans battling the alien force. In season four, the Mason family and the remaining 2nd Mass suddenly find themselves under brutal attack by a new Espheni war machine – and a new, deadly creation unlike anything previously encountered.

The Falling Skies: The Complete Fourth Season two-disc Blu-ray and three-disc DVD set will feature the complete fourth season with all twelve 44 minute episodes. In addition, the set will package hours of special features including an exclusive featurette Tom Mason: A Man of Tomorrow, character interviews, inside-the-episode clips, season four prequels and a Comic-Con panel interview featurette. Falling Skies: The Complete Fourth Season will be available for the suggested price of $49.99 on Blu-ray and $39.98 on DVD.

The Last Ship – TNT’s top-rated action series starring Eric Dane and executive produced by blockbuster filmmaker Michael Bay – will make its Blu-ray and DVD debut with its complete first season on June 9. The Last Ship: The Complete First Season two-disc Blu-ray and three-disc DVD set will include all 10 episodes from the series’ first season, as well as hours of exclusive bonus features including commentaries, exclusive featurettes, behind the episode clips, cast interviews and more. The Last Ship: The Complete First Season comes to Blu-ray and DVD in advance of the highly-anticipated season two premiere on Sunday, June 21, with a two-hour premiere at 9 p.m. (ET/PT).

Based on William Brinkely’s popular novel, The Last Ship chronicles a global catastrophe that nearly decimates the world’s population. Because of its positioning, the Navy destroyer U.S.S. Nathan James avoided falling victim to the devastating tragedy. But now, Captain Tom Chandler (series star Eric Dane) and his crew must confront the reality of their new existence in a world where they may be among the few remaining survivors.

The Last Ship: The Complete First Season two-disc Blu-ray and three-disc DVD set will feature the series’ complete first season with all ten 44 minute episodes. In addition, the set will exclusively package hours of special features including commentary tracks, two new exclusive featurettes, character pieces, behind the episode clips, cast interviews and more. The Last Ship: The Complete First Season will be available for the suggested price of $49.99 on Blu-ray and $39.98 on DVD.

Noah Wyle reflects on Season Two of TNT’s “Falling Skies”

Noah Wyle is currently playing the role of Tom Mason on TNT’s “Falling Skies”. The series is wrapping up its second season this month, but don’t worry since it has been already renewed for a third season set for Summer 2013. Media Mikes had a chance to chat with Noah again to have his reflect on season two of the show.

Michael Smith: You now have a year under your belt with this character, are you still learning more about the character and finding different ways to perfect him?
Noah Wyle: Yes I sort of feel like I am just getting started you know they aren’t going start with this guy really will extent over three or four years in this slow deconstruction of his intellectual aspects. And his becoming a little bit harder and they’re way having a big of transference with the Weaver character who starts off very militaristic where Tom’s a bit more of a humanist. And then gradually Weaver becomes a lot more vulnerable and a lot more human and Tom gets a lot more practical and a lot harder edged. We sort of continue in that vein hopefully arriving at some sort of synthesis between the two of them as the most effective way of leading this group which isn’t not traditionally military dogmatic style and not exactly touchy feely human but something in between.

MS: Is it a challenge for your trying to act or interact with skitters or any other computer generated elements in the show that aren’t there with you on the set?
NW: I hadn’t done a lot of that kind of work up until this show but it’s a muscle that the more you exercise the better at it you get. And it’s kind of 50 50 between the screen and practical we do a lot of work hack into tennis balls on the end of sticks. But then we also have a really talented puppeteer and a really great skitter suit, for the close up personal interactions with the aliens. I would say the most difficult part is when you’ve got four or five actors in the same frame all having to react to the same thing that’s not there, trying to find a line of continuity and performance can be tricky.

MS: What continues to be the most challenging aspect to you for the series for your character?
NW: It’s kind of an aggregate thing. It’s a tough show to do most of it, it takes place at night, so you go to work around 12 in the afternoon and you work till 5 in the morning. And because we wanted this year to be less focused on any single location have the group be a lot more mobile, it made for some long wet nights as were shooting in mostly practical locations and exteriors.

MS: How did the second season differ for you, compared to the first?
NW: No there were some significant differences, you know we moved the production from Toronto, Canada to Vancouver, so we had allnew crew for the most part, we only had two or three people on staff that were there in season one. We had almost a brand new writing staff certainly a new show runner, so it wasn’t like we were building on internal momentum, we sort of had to start and get to know each other all over again which gave it a different era, just sort of ambiently. And then storytelling wise I thought we really stepped up the notch you know not having to dedicate so much of our screen time to exposition, establishing the world, establishing the characters. Allowed us a little bit more freedom to be creative in flushing out these character arcs and exploring the mythology of the aliens and why they’re here and who they are and how we’d radically misunderstood the situation in season one.

Kyra Sedgwick talks about final season of TNT’s “The Closer”

Kyra Sedgwick is known best for her role of Brenda Johnson on TNT’s “The Closer”. The show returns for its final season on Monday, July 9 at 9:00pm on TNT. Kyra took out sometime to chat about the show and reflect on her role and the end of the show.

Mike Gencarelli: Why did you decide it was time put a close to “The Closer” (excuse the pun), Was there an epiphany made you have the decision?
Kyra Sedgwick: No, there really wasn’t an epiphany. I think we were in the middle of shooting, gosh it must have been Season 6 actually, when I started to contemplate the idea of what a Season 8 would look like. It was something that I struggled with for many, many months; almost a year really to make the decision. It felt like time, mostly for me as an artist, time for me to do something else. The idea of doing a Season 8, I think felt daunting to me and overwhelming, and sort of just didn’t feel right. I think as an actor you really kind of just have to follow your instincts. It was a hard decision because you’re putting so many other people out of work and there was just a lot of factors that go into making that kind of decision. But, I feel like it’s wonderful that we get to go out on top, we had enough time to close this out in the right way.

MG: When The Closer was first on six years ago it was paled as sort of a groundbreaking show and Brenda was really kind of a revolutionary female character. What do you guys think will be the legacy of this show after it’s over? How will people remember it?
KS: I mean I see her as a significant and sentinel character in the lexicon of female characters ever played for a long period of time, whether it’s a movie series or a television series. I think we broke a lot of ground and I think that we were able to consistently weave exciting story lines with deep and resonating character arcs. I think that that’s something that’s very hard to do, especially in a procedural. And I think that we accomplished that.

MG: What can we expect from the final six episodes? Will there be humor interlaced? Or a pretty dramatic ending?
KS: I would say it’s a dramatic ending. There’s also really fun romp in the second episode of the final six. And yes, there’s always an element of humor. I don’t think we could do our job as well as we do if we didn’t have an element of humor. There’s always humor within, with any kind of law cops always have humor, but there’s also just the interpersonal, recognizable things about each other that when you’re with a family or a cast a long time. There’s a lot of interpersonal winks and people are still who they are, even in the midst of the most dramatic circumstances. So, there are still a lot of laughs and a lot of good character fun stuff.

MG: As you look back on the series, do you have a favorite episode or a favorite story arc that will stand out in your memory?
KS: That’s always so tough for me. I feel like we have so many years to choose from it’s hard to pull out some favorites. I’m always most intrigued and feel most satisfied by the character arcs. And by those I mean some of the character arcs with Fritz and Brenda. I loved the whole – their courtship, and then when he finally asks her to marry him in that doctor’s office, you know in between tears of realizing that’s she’s suffering from perimenopausal symptoms that have to be operated on. He asked her to marry her in the most inopportune moment, but it’s beautiful and funny and wonderful. I loved the whole cat arc, the getting the cat and her not wanting the cat, and then the cat becoming, you know an intrinsic part of her life, and then the eventual demise of the cat. I loved the parents. I loved the fact that, no matter what age you are when your parents come to visit you’re suddenly that 12-year old kid again who hasn’t learned anything; hasn’t changed at all. And I so appreciated being able to see that side of Brenda. I loved the personal moments with some of her squad when Detective Sanchez’s brother died and she had to be there for him in a very special and different way. Moments when she had to have Gabriel turn in his badge and his gun and – after he beats up the pedophile. I thought that was, you know very difficult for her and he is her favorite. And I loved that personal moment, so those were among my favorites.

Eric McCormack talks about new series TNT’s “Perception”

Eric McCormack is known best for his role on “Will & Grace”. He is starring a new show on TNT called “Perception”, which premiers Monday, July 9 at 10 o’clock pm Eastern on TNT. Media Mikes had a chance to chat with Eric on his new show and what we can expect.

Mike Gencarelli: What drew you to the part? Was it immediately you read the script and went I got to do it or how did it all happen for you?
Eric McCormack: Yes, I was a bit of that on first page where I’m lecturing was a big one for me because I was a big Paper Chase fan from the 70s with John Housman. And the idea of playing not just a neuroscientist not just somebody brilliant, but the fact that he is a teacher, that he has that thing that audience in the palm of his hand and that he’s funny and passionate and finds an interesting way to approach what could be a very dry topic. He finds a very humorous approach and I just love this guy. Then to find out outside of the classroom he is often crippled by symptoms of schizophrenia, I thought that’s a wild combination of the arrogant what becomes with an intellectual and the absolutely let us say crippling conditions that the disease contributes.

MG: What kind of research did you do?
EMC: I did as much as I could. I think it’s crucial that we represent all aspects of this, the neuroscience and also the academia but most importantly the schizophrenia, not to mention the FBI reality which is somebody else job, but with incredible accuracy. We started with Dr. Michael Green at UCLA who is a neuroscience professor with schizophrenia as his expertise. And then I sat down with Elyn Saks, a fascinating woman who wrote a book called The Center Cannot Hold. She is a law professor at USC but she wrote a book about her own schizophrenia, which she completely blew her mind out in the 70s. She was like writing brilliant papers one day and in the hospital strapped down to a bed the next and has such tremendous memory of it that she was able to describe it and some of the passages in her book about what it feels like to break psychotically were absolutely crucial to what I do in the show.

What aspects of your personality or idiosyncrasies did you bring to the role of Daniel?
EMC: What I love about him like I say is that combination of so much confidence and so much crippling fear. And I think if there is anything that I can understand as an actor is, I think it’s that. It’s that idea that sometimes the only way we see is by walking into a room and believing that no one can do that better than us. And yet it’s really just a mask we put on disguising the fact that we’re terrified that we suck and we’reterrified that we’ll never work again. I think understanding that dichotomy is understanding what it must be like to have the drive that says I need to be in front of a classroom or I need to solve this puzzle even though I’m on a crime scene that is absolutely shutting me down. And to have that disguising someone that ultimately would rather be in a laboratory then out to dinner with people is to understand the world that he lives in mixed emotional.

MG: What challenges have you found on taking on the hat of producer as well on this series?
EMC: I am a producer on the show I’m certainly not the producer. I couldn’t produce the whole thing and be in every scene. The guys that created the show Ken Biller and Mike Sussman do a fine job at producing it creatively and there are some great guys producing it physically. My contribution as a producer mainly I wanted to make sure that we all conceived the look and feel of the character and we’re on the same page. I wanted to have a say in the casting and I was certainly in the room for the casting of Rachael, Kelly, and Arjay and I’m really excited how that worked out. Then to say hey, it’s important the tone of the show, whether it be dealing with how do we shoot a hallucination and accurately reflect what schizophrenia can look like or feel like. How do we have a scene where he’s angry but there’s also a comic element? How do we do that and accurately represent how a professional behaves? How would a schizophrenic behave? It’s important that I always have the ability to speak up and to take ownership of that. That’s the main way I produce.

MG: So you’ve work for a while in comedy with “Will & Grace”; what do you enjoy more, the drama or the comedy?
EMC: I love doing both. When I was on “Will & Grace” nothing made me happier than having a big dramatic scene with Debra in the mists of the crazy comedy. Nothing gives me a bigger better thrill than dramatic crime scene in this show where he gets to suddenly say something inappropriate that clearly is going to be funny. I love the mix. I think the magic is in the combination and I’m never happy with just one.

MG: What do find challenging from playing Pierce in this from an acting aspect?
EMC: Like I say it’s a combination of being accurate enough to plot out. Okay in the course of an episode – and we were often shooting two episodes at the same time just for cost reasons, so it was really a lot of work on my part to go, I have to make sure that there is accuracy here in how he behaves situation to situation. But you also want unpredictability, that the fun of the character is that he surprises the people around him and he surprises himself sometimes. And I like sometimes to discover he surprises me. That somehow my reactions might be something I hadn’t thought of. And yet still remain within the realm of being accurate and being sympathetic and being responsible to the mental illness community.

MG: What do you think it is about “Perception” that’s really going to connect with theviewers? And now that you’re on Twitter how is that going to help with the promotion of the show?
EMC: Well, I’m not a natural tweeter. It’s work to make myself tweet everyday. But having work that I’m excited about like the play that last few months when we first got started it was fun to tweet about that. As we’re getting closer now in the next few weeks I’m going to start tweeting a lot about it because I want people to see the show. I’m excited to share that. I never do work just for the sake of doing it. I do it because I want as many people as possible to enjoy it. I think this will be – this is particularly for summer, I think this will be a breath of fresh air. So much of summer programming is sort of fun and silly and reality shows and competition shows. I think this is people love a good mystery solving show, but I love the point of view of this. I think we’ve gotten to the point now where we can’t just see regular cops following regular things because a lot of those shows we now – it’s nice to see coming from the angle of someone with a very extreme point of view on life. And a guy that is a neuroscience professor with schizophrenia is coming at a crime scene from a very, very different perspective, sometimes humorous, sometimes extremely intellectual. Some of the cases that we’re going to tackle are things that wouldn’t necessarily come up on a lot of other shows because there wouldn’t be anybody. They’d have to go to an expert, someone like a Daniel Pierce, to solve it. So, our guy David Eagleman who wrote a book Incognito: The Secret Lives of the Brain, to have him as our resident expert allowed us to come up with some plot lines that are really fun, and for anyone that likes the twists and turns in an hour long mystery there’s going to be some really surprising episodes.

LeVar Burton talks about TNT’s “Perception”, “Reading Rainbow” iPad app and 25th Anniversary of “Star Trek: The Next Generation”

LeVar Burton is a well-known actor who has appeared in shows like “Reading Rainbow”, “Star Trek: The Next Generation” and the mini-series “Roots”. LeVar is currently guest starring in TNT’s new show “Perception”, which premiers Monday July 9th at 10:00 PM Eastern. LeVar took out some time to chat with Media Mikes about TNT’s “Perception”, his new “Reading Rainbow” iPad app and also the 25th Anniversary of “Star Trek: The Next Generation”.

Mike Gencarelli: How did you get attached to TNT’s “Perception”?
LeVar Burton: Ken Biller and Mike Sussman are Star Trek alums and I read the pilot and forced my way in. I love Ken’s writing and I loved his pilot and I called Ken and said, “Is there any way I can be in this?” And he said, “Well, the one character that you’re right for it’s like in a scene in this pilot.” And I said, “Yes, but, you know, I see room there for this guy to grow.” And Ken worked it out. You know, he was thrilled at the prospects. We had a great relationship on Star Trek and I directed a lot of episodes that he wrote and as a fan I just wanted to be in this.

MG: This show is a crime procedural but it also has additional elements to it as well. Can you reflect?
LB: Well, I would say it has a real psychological element to it. I think that Ken’s point of view on the treatment — and I’m going to put this in quotes, “mental illness,” and brain chemistry and how our perceptions literally determine our reality. I think this is a fascinating conversation to have especially in the popular culture medium like television.

MG: How was it been working with Eric McCormack on the show?
LB: I’m a huge Eric McCormack fan, was before meeting him and working with him and even more so now. He totally kills this role, definitely, and I really appreciate the difficulty of what he is so deftly doing in every episode. And he’s just a joy to watch and a marvel to behold. I’m so happy to be working with Eric McCormack. And then on top of being as good as he is, he’s also a real professional. There are a lot of kids who want to be famous these days who come to Los Angeles and say that, you know, they want to be an actor or an actress but really what they want is to be famous. Eric is a real pro, right. He takes what he does seriously, yet he doesn’t take himself as a celebrity seriously, so he’s one of those people who knows, understands what it means to be the number one on the call-sheet. You know what I mean when I say that? Number one on the call-sheet. Eric knows, he knows what it represents. He knows how to do that. People like Scott Bakula, Mark Harmon, they’re guys who know how to be number one on the call-sheet, right. They care about the work and saying good night to everybody when they leave just that their humanity is a part of how they move in the world and it shows up in their inter-personal relationships with cast and crew and it just wonderful when you see that in action.

MG: Your career has been marked by such really important and really iconic roles and a whole slew of awards for “Reading Rainbow”. What do you still want to accomplish at this point in your career as an actor and director? What still keeps you working on every day?
LB: Aside from “Perception”, I’ve really taken a bit of a side-step and as much as the last two years of my life have dedicated and wholly devoted to the “Reading Rainbow” app. We launched it just last week and in 36 hours shot to number one in education. It’s still the number one grossing education app. This really feeds my passion. My mother was an English teacher. My older sister is a teacher. My son is in education. I have cousins, nieces, this is the family business, you know what I’m saying? I did “Reading Rainbow” the television show for 25 years and Rick Berman, the executive producer of “Star Trek”, having produced a children’s television series “The Big Blue Marble”, knew how important the show was to me and knew how important the show was to television. And so, he made it possible for me to do both “Trek” and ‘Reading Rainbow” at the same time. Ken knows it fully well how important “Reading Rainbow” is to me and this is what I feel like I’m really, really supposed to be doing. And the reason why we brought Reading Rainbow back is there is such a need right now. We have fallen so far behind our own expectations as a nation in terms of how we educate our kids and what the outcome of a public school education is these days. And we can’t rely on government to get it done anymore. It has to be a public-private partnership. Our government is brokaye, right? We’ve spent the last decade plus engaged in funding the machineries of war and our kids have been left behind. And, you know, from my point of view that’s just not OKAY.

MG: So with the app out, this is maybe a nice break for you being in a recurring role on television?
LB: It brings a balance to my life because I stepped away from acting after Next Generation and became a full-time director. And then my business partner, (Mark Wolfe) and I decided to re-launch the Reading Rainbow brand. And so that’s been a two-year journey. And now through Perception, I haven’t been on television in, I don’t know what, 10 or 12 years in a series. So I get to return to my first love here. And Ken, as the writer-producer, is committed to giving me notes to play that he knows the public hasn’t seen from me before. So I get to go to work and act and love every minute of that and love the people that I’m working with, Eric and Rachel and just really tremendously talented, quality human beings. My day job right now is continuing that mission of inspiring children who are making decisions as to whether they’re going to be readers or not, to choose the light.

MG: Do you think there’ll be any controversy when a show airs considering it’s like a fully-functioning schizophrenic with a job but doesn’t take any medication?
LB: Well, it’ll be interesting to see if there is, isn’t there? I think the whole idea of mental illness and the stigma that we have associated with it in this country is up for discussion. We are ripe to reevaluate that stigma. And to be able to, as I say, have that conversation begin with a television show, I know the value of that. I watched this nation become transformed in eight nights of television around an issue that goes to the heart of almost everything that happens in this country, in this culture. And that’s the subject of slavery and its legacy on subsequent generations. So I know and appreciate fully what the value of the medium to be an alive part of the evolution of culture. And I just think that we really need to have this conversation in America about how we feel about out-of-balance brain chemistry, just like we needed to have the conversation about racism in America, its roots and its legacy.

MG: You always seem to star in series that thrive on intelligence. How important is intellect and programming to you as an actor?
LB: Oh, my gosh. It’s everything. Unless the story-telling is smart, it’s hard to have impact. I’m really drawn to intelligence and to intelligent story telling. And, you know it when you see it. Even if you can’t define it, you know it when it smacks you in the face, right? And I’ve been really lucky. I’ve been very, very blessed throughout the course of my career. I just am grateful. I’m enormously grateful.

MG: You’ve been on a lot of shows with a lot of big fan bases like “TNG” and Reading Rainbow, obviously. You’re quite interactive with your fans via Twitter, so what are you enjoying most about interacting with them?
LB: Twitter I love because it’s an opportunity for me to have a conversation with people who are from different parts of my life and my career, “Roots” fans and “Star Trek” fans and “Reading Rainbow” fans. I can converse with them absent gatekeepers. I get to say what I want, when I want in a manner that I want 140 characters at a time. And there’s no studio or network or publicist between me and my voice. That’s what I love about it.

MG: Are you going to be going to San Diego Comic-Con and also sort of what’s your take like the fan experience at a Comic-Con versus sort of the insider experience at the Comic-Con?
LB: Definitely, I mean, I will at Comic-Con this year. This is the 25th anniversary of “Star Trek: Next Generation” coming on here, so we are actually doing, not in San Diego but we are doing a sort of a reunion tour where all of the cast is getting back together. We did the first one in Calgary back in April. We have dates coming up in Orlando and Austin and Toronto, I think. So from the inside when two or three and in these cases all of us are together, it’s just a glorious experience because we all remain incredibly close even though we don’t see each other every day like we used to when we were shooting the show. Patrick lives in England, Jonathan is always off working, we’re all doing other stuff with our lives. However, when we’re together there’s just nothing better.

Rich Eisen talks about TNT’s new reality series “The Great Escape”

A graduate of the University of Michigan with a degree in communications, Rich Eisen is probably best known to sport fans as the face of the NFL Network, which he joined after seven years at ESPN. He has also added his commentary to several of VH1’s various “I Love the….” decade shows and last year appeared in the very funny short “Field of Dreams 2” on Funny or Die. He can also currently be seen (actually heard) as the marathon announcer in the new film “That’s My Boy.” Eisen’s latest project is as host of the new action/reality show “The Great Escape,” which debuts this Sunday evening on TNT. Rich took some time recently to speak with Media Mikes about his love for football, his reality show skills and how he hopes to follow Dan Patrick to “Sandler Stardom!”

Mike Smith: How did you get involved with “The Great Escape?”
Rich Eisen: Charlie Ebersol, who is one of the producers, and his partner, Justin Hochberg…they created the show. They sat me down about a year ago and showed me on his iPhone a demo reel for “The Great Escape” that was constructed by Ron Howard, whose production company he runs with Brian Grazer, Imagine Entertainment, is one of the show’s producers, as well as the creators and producers of “The Amazing Race.” And I decided that if they wanted to bring to life what they just showed me on their iPhone…what was leaping off of that small screen and snapping my lapels back…well, I told them “tell me more!” (laughs) And now here we are, about to show it to the fickle beast that is the American viewing public. I don’t want to jinx it but it’s got everything that appears to appeal to the folks that like to watch this kind of programming. I mean it’s got EVERYTHING in it that will push their buttons. I’m really excited for it.

MS: With NFL training camps starting up next month with your duties on the show interfere in your NFL Network gig?
RE: No. We’ll be done shooting this season’s shows by the end of this month (June). I’m ready for the NFL season. I’ll tell you that. It’s a great thing, too. I’m really involved in two of the greatest reality projects around. “The Great Escape,” obviously. And the NFL. THAT’S 22-26 weeks of drama. Each and every week.

MS: Besides “The Great Escape,” is there a reality show you wouldn’t mind appearing on?
RE: You know I’d really like to try “The Great Escape.” I’d love to see how I’d handle it. I’d choose Warren Sapp (former Tampa Bay Buccaneer great) to do it with me because he’d be able to handle both the physical and the mental challenges. I’d love to do that. That would be a lot of fun. And when folks see this show that’s going to be their general sense…they’re going to want to do this. It’s going to call to them from the television.

MS: I caught your work in the new Adam Sandler film “That’s My Boy” earlier this week. Any plans of following your buddy Dan Patrick into bigger roles on the silver screen?
RS: (laughs) Dan always makes it seem like he’s the gatekeeper but it’s still really Adam Sandler and his producing partner, Jack Garraputo, who call the shots. I’m working my way into the rotation. “That’s My Boy” is a double edged sword because, though I’m involved in the funniest scene in the film, most people don’t hear me because they’re rolling in the aisles! But, that said, I can only aspire to be what Dan is in the Sandler oeuvre’!

Linda Gray & Josh Henderson gives a sneak into TNT’s “Dallas”

This summer TNT is reinventing the classic TV series “Dallas” and bringing back to TV. It is bringing a mix of original and new characters. Linda Gray is returning to her role, along with new co-star Josh Henderson. “Dallas” premiers Wednesday, June 13th at 9:00 p.m. Eastern on TNT. Media Mikes had a chance to ask them a few questions about what we can expect from the new 2012 “Dallas”.

Mike Smith: How do you feel that the new series is different from the old one? And in what ways is it the same?
Linda Gray: It took a diamond and polished it. What can I say? It’s magic. It was magic in 1978 and it’s got a little 2012 fairy dust sprinkled on it. It’s just wonderful.

MS: Josh, were you familiar with the original show?
Josh Henderson: I was, yes. I’m originally from Dallas, Texas. I was born there, so with my family it was a very kind of popular thing. My me maw – my grandmother, “Dallas” was her favorite show and she kind of always said, being from Dallas, Texas you go to church and you watch “Dallas”. That’s kind of what you do out there. So it was definitely something that I knew of. I was a little too young to remember actual details of the show, but I definitely knew of how big of a deal it was as a child.

MS: Linda, what are some of the story lines that you can tease this season?
LG: Well, the original show took place when our children, Christopher and John Ross were very young. Now it is the perfect timing. I’m always about timing. I think “Dallas” originally started at perfect timing in history, and how its now perfect timing again when both Christopher and John Ross are grown-ups. They each have their own values and the focus is on where they want to go with their lives, and with whom. So it’s focuses on a rivalry, and this competition. And there’s all these wonderful things that one would expect from the show. There’s a love triangle, so it takes all of the things that were with the original show and it just kind of amps it up. There’s a little cayenne pepper thrown in here. So we’re just taking what it was and amping it up a little bit. A lot.

MS: Linda, what was it like coming back with this character for you personally?
LG: It gets better and better and better every year. You know, we started out, we all had families and on the show there were deaths and divorces, and births, and all kinds of wonderful things that happen in normal families, but this was our Dallas family. And now we’re grandparents, all of us, and we were about five years old, the three of us. So we hang out, we laugh and we love. I don’t know exactly what happens here to make this show absolutely magical, and I think it is. I use the word seamless, because it seemed as if we had shot this about a month ago. And nothing was different. Dallas, the city had changed, and grown and become more art conscious. They have a beautiful art section. And everything about it is enhanced. So, we’re just quite pleased about the way it all came about.

MS: Josh, your character seems to have a lot of his daddy in him, as it were. On kind of a cross, back-stabbing, and plans on top of plans, and comes with a lot of layers, can you reflect?
JH: Well, John Ross is really trying. I think he’s at a pivotal moment in his life where he’s trying to really make his presence known as a businessman. He only knows one way to do business, and that’s kind of how he’s seen his father do business. And it might not be in everyone’s mind the best way, but in his mind it’s the only way, and he knows that it gets stuff done. So he kind of learned from, in his mind, the best and at the end of the day he doesn’t have a great relationship at this point with either of his parents. So he kind of feels like he’s on his own, and I know that he at some point would love to be able to confide with his mother, but he just doesn’t really – he’s not comfortable with that as of right now where he’s at. He’s really kind of trying to do things on his own and put his foot down and kind of put his footprint in, I guess, in this whole Ewing legacy. And so it’s – he definitely is somewhat like his father and, you know, I know his mother is now at the point where she’s kind of trying to give him some advice and hoping that he’ll listen, I guess.

MS: Can you tell us how has Southfork changed over the years?
LG: Well, I think it’s become a big business in how – I mean, every tourist who’s ever come to Texas wants to go to Southfork. I think it’s their number two tourist attraction. So it’s very interesting to drive down that driveway at Southfork, because it brought back so many memories — so many years spent there. And it’s still small. People are always surprised at how small it is. But then on film, they made it look so big and expansive. And it’s just, you play the theme song and that’s a character. You look at Southfork — that’s another character. So those were all the characters that embraced the whole series. So they give you what you had before and it’s just a bit enhanced.

MS: Josh, did you get any tips from Larry on how to play more of the dastardly side of John Ross?
JH: You know, the first thing he ever said to me when we were on set was, “Enjoy the ride.” He literally just said, “Have fun. Enjoy the ride.” I mean, I think with this show, “Dallas” does bring a whole new ride to your life and I think what made the original so special was that they, you know, Larry, Linda, Patrick — the original cast — they truly had fun and they really like each other. I think that when that happens, you can trust your coworker or the actor that you’re with in the scene more, meaning that you can go deeper with the characters to make a better TV show. So he really just said, “Enjoy the ride,” and they have embraced the new generation unbelievably. Like, they just made us feel so comfortable from day one. I guess they had a lot of trust and faith in us as kind of the new generation. And us being so comfortable really, I think, helped the entire dynamic of the show and the character relationships and everything else.

MS: This show really has the potential of hitting both audiences of the original and brand new people who have never seen it before. What would you say that this show has to offer for both sets of people?
LG: I think that it will bring our global audience to the new show. There’ll be kind of a lock that one. And then what will bring them to the new part is that they’ll see the extended family. They’ll see our children grown up, they’ll see their focus in life, they’ll see which business they have decided to go into, they’ll see a love triangle. So it’s the expansion of the original show. It still has the same family, but the family’s grown and it’s expanded. And there’s still the same rivalry and greed and all this craziness that went on in the first series. It will continue, so I think that you’re in for a great ride.
JH: Yes. I think like Linda said, it’s everything about the original that made the original so great and so kind of, you know, magnetizing that people had to run back to the TV every week. They really kind of did well of transcending that into the new generation of Dallas. And I think for me and the cast, our main goal is to satisfy the original fans of the show, give them what they want, give them what they’ve been missing for 21 years. The show, I believe, speaks for itself. So the new audience, hopefully some of the younger generation can bring in some the new kind of younger people. I think as long as they give us a shot, they’ll truly, really enjoy the show. What’s great about this one is that you don’t even have to have ever seen the original to really be able to hop on board with these storylines. That’s how good the show is.

MS: What do you think it is about Dallas that really resonates with fans?
LG: That’s a question that’s really hard to answer. I don’t really know. I think that when it first began, there were a lot of people that didn’t know quite what it was — was it a nighttime soap opera? — what was it? And I think that it was all about timing. I’ve always go back to that. In television historically, there’s always been shows that were perfectly timed. “I Love Lucy” was at a perfect time, there were a lot of doctor shows, now there’s a lot of reality shows. And I think that in 1978 it was a perfect time for something bigger than life. People wanted to see something big, like oil like the movie “Giant”. They wanted to see something big. They wanted to see people with money, they wanted oil and big shoulder pads and cars and all that stuff. And they wanted to see family dynamics. So I think that the original fans were connected to what happens when you have all that money and you have all these problems. It’s dysfunction at its’ finest, so I think people were initially drawn to all of that. And they saw it in maybe themselves or a boss or somebody in business. They saw the business dealings of J.R. Ewing, which attracted a lot of the men to the show, so they thought, “Wow, look at this guy. He’s a bad guy and we like him,” right? So that was sort of confusing at first to people. It’s like, “Wow, we really like that guy. He’s really doing all these ridiculous things.” And then they loved the way that he treated his wife, because then they could feel sorry for Sue Ellen and then be beating up on him. It was quite, then the intrigue started and then it’s the whole water cooler thing was, you know, it was all – it was all about the water cooler and people were talking about it the next day. There was a ground swell that happened and it just built and built and built so that it was then it just a magnet so it attracted everybody. This is just a continuation of all the people that had all of those things fulfilled. Again, to me it’s all about timing. It’s another perfect time.

TNT’s “Dallas” Interview Series

The one and only Dallas is back with more delicious drama. JR, Bobby and Sue Ellen Ewing return to the ranch with secrets, schemes and betrayals. This time, they’re joined by the next generation of Ewings, who take ambition and deception to a wicked new level. The battle for power, love and Southfork erupts in the new Dallas premiering Wednesday, June 13 at 9/8c on TNT.

The new Dallas stars Josh Henderson, Jesse Metcalfe, Jordana Brewster, Julie Gonzalo and Brenda Strong, and they will be joined by iconic stars Patrick Duffy, Linda Gray and Larry Hagman as J.R. Ewing.

Media Mikes had a chance to interview the shows iconic stars Patrick Duffy and Linda Gray and newcomers Josh Henderson and Jesse Metcalfe. Click below to see what they had to say about the reboot of “Dallas” and what we can expect.


Patrick Duffy and Jesse Metcalfe

Linda Gray and Josh Henderson

Patrick Duffy and Jesse Metcalf gives a sneak into TNT’s “Dallas”

This summer TNT is reinventing the classic TV series “Dallas” and bringing back to TV. It is bringing a mix of original and new characters. Patrick Duffy is returning to his role, along with new co-star Jesse Metcalf. “Dallas” premiers Wednesday, June 13th at 9:00 p.m. Eastern on TNT. Media Mikes had a chance to ask the guys a few questions about what we can expect from the new 2012 “Dallas”.

Mike Smith: How do you feel that the new version of “Dallas” differs and how is it similar?
Jesse Metcalf: Okay. Well, I don’t think we’ve changed what made the original series great.I mean the show still centers around the major themes of family dynamics, greed, loyalty, love, and betrayal. But we’ve just updated it. We made it modern and definitely socially relevant to the times. And in addition to that we added some new characters. Obviously, Christopher and John Ross were established in the original series. But, now you now get to see the type of man that these two children have grown up to be. We also introduced the character of Elena Ramos, who is the one side of the love triangle between, Josh Henderson and Jordana. She’s the daughter of our…
Patrick Duffy: The Ewing housekeeper…
JM: Yeah, the Ewing housekeeper. She definitely wasn’t a part of the original series. Then we also have my fiancé, Rebecca Sutter played by Julie Gonzalo. It’s a great marriage of the original show and the original cast and some new cast members.
PD: Yeah. The difference also is just technologically speaking television is done so differently now that if we tried to duplicate the old school “Dallas” I think it would be slow in appearance and in substance for a modern audience. So with the technology that we have with high def cameras and the new way of directing television, which is so dynamic and so intense in terms of the pacing. And the scripts reflect that also. They’re much more condensed. We get maybe four or five episodes of an old “Dallas” in one episode of the new “Dallas”. So all of these things I think contemporize the old show. But we maintain the honor that Cynthia Cidre and Mike Robin feel towards the show. So that hasn’t changed. And I think that’s what will impress old viewers as they look at the new Dallas is it’s so much similar to what they were used to. But it’s done for a contemporary audience. So we think we got the best of both worlds. And we’re hoping that everybody out there is going to agree with us.

MS: So Patrick, what was it like to hear the news that they were recreating the show? And did you ever see it coming back as a series?
PD: No, because I didn’t think that anybody knew how to do it as a series again. The real brains and heart behind the show is our executive producer, Leonard Cassman. And he died. All of these other attempts to write scripts and to promote a movie or a television show that fell so far short of what the original concept was. I didn’t think anybody had the ability anymore. Then Cynthia Cidre wrote a script and it was submitted to Larry and Linda and myself. And it was phenomenal. The pilot script for the show had everything even better than I would say half of the original “Dallas” scripts that we got. So from the moment, the three of us read it we were onboard. And it was the first time I ever thought it was a possibility of returning as a series. And we filmed the pilot. I was sure that we were going to series. I was sure we were going to do this show. I’m still as optimistic that it’s going to go for years and years, because the quality of it is so satisfying having done the show for 13 years to see how well it can be redone again in 2012. I would be more than happy if this were my swan song.

MS: Do each of you have a favorite scene that you’ve done or favorite moment from the first few episodes that you could each talk about?
JM: I probably have a favorite moment from every episode. It’s really difficult for me to pick just one scene. I mean the fun thing about this show is that it’s a magnificent ensemble. Every single day you get to work with a different actor. I love working with all these different actors on the show for different reasons. But I’d say from the pilot episode my favorite scene would have to be the scene where Christopher confronts Elena about possibly betraying him and about the email. Patrick and I have had a number of really strong scenes
PD: Yeah.
JM: What do you think, Patrick?
PD: Well it’s interesting to me, because several of my favorite scenes didn’t make it to the show. That’s what’s interesting is that these scripts are so compact and so intense every scene is so brilliantly done. You finish filming and you think I can’t wait to see that. And then it’s edited out. Well because, you just can’t put everything in each episode. I am sure it still exists somewhere; especially when it comes out on a DVD there will be, additional scenes as an ancillary side to the DVD. You have to as an actor let that go. But I had a scene with Jesse in a barn, which they only kept the lead in scene for that. And they eliminated it. And it was one of my favorite ones of that episode. But over the years I’ve learned to let those feelings go and just enjoy what I see. Most of my new scenes that I have with my wife, with Brenda Strong, are really satisfying, that to me is the big test to find someone who would be the new Mrs. Bobby Ewing is a tough decision that casting had to make. It was a tough role for somebody to accept and Brenda is so good and I feel like when I watch us on camera anymore that we’ve been married for 20 years. There’s just an ease that we have with each other that makes those particular scenes very enjoyable for me. And I like being a father. So every time I work with Jesse it’s another level of satisfaction.

MS: Jesse, what really made you want to be apart of this show?
JM: It was the writing. The pilot episode was the initial script that I read. To be honest, I think this probably speaks to our critics a bit.
I was a bit hesitant to even audition for the new “Dallas”, because I wasn’t sure of remaking such an iconic show was a good idea. With the wave of remakes and reboots of various different shows over the past five years, it’s really been a trend. Most of which weren’t very successful, I was definitely hesitant. But after reading that pilot episode I was like, wow, this is really good story telling. The characters are really well defined and complex. I was like, wow, I think I want to throw my hat in the ring. Initially I auditioned for the role of John Ross. There was some interest there. But they ended up going with Josh Henderson, who I think is perfect casting for the role. And they came back for Christopher and I was even more excited for that role. Then I think the thing that really pushed it over the top for me was that Larry, Patrick, and Linda were going to be a part of the new series, which I think is completely necessary.

MS: Patrick, what do you think it is about the show that really captures so many viewers?
PD: Well, Jesse nailed it because we’ve been approached over the years both to be in a show or how do we feel about, you know, redoing “Dallas” or movie versions that didn’t even involve the original cast members and they all fell so far short…even approaching the original show that I didn’t think it was possible to do. And as Jesse said, once I saw the script and Larry and Linda saw the script and read it we realized not only was it possible but it could end up being better than the original because of the timely nature of how the scripts were written and what we could do with technology now. So the three of us got onboard, and I’ve not been disappointed in a page, a paragraph, or anything since the original pilot episode. So I’m onboard as long as they can squeeze another year out of this old horse.

TNT’s “Rizzoli & Isles” Season 3 Interview Series

Based on characters created by best-selling crime novelist Tess Gerritsen, RIZZOLI & ISLES stars Angie Harmon as Jane Rizzoli, a tough-as-nails Boston police detective, and Sasha Alexander as Maura Isles, a smart, impeccably dressed medical examiner from a privileged background. Despite being complete opposites, the two women share an offbeat chemistry and strong working relationship that has helped them bust some of Boston’s most notorious criminals.

RIZZOLI & ISLES returns to TNT for its third season starting on June 5th, 2012.  Media Mikes had a chance to chat with its stars Angie Harmon and Sasha Alexander to discuss this new season and what we can expect.  Check out the interviews below:


Angie Harmon

Sasha Alexander

Breckin Meyer & Mark-Paul Gosselaar talk about Season 2 on TNT’s “Franklin & Bash”

Breckin Meyer & Mark-Paul Gosselaar are the stars of TNT’s hit law drama “Franklin & Bash”. The show returns June 5th for its second second. Media Mikes had a chance to chat with the guys about working on the show and what we can expect from season two.

Mike Gencarelli: What should we expect from your characters in the second season?
Breckin Meyer: I think with the second season, when we jump off, we start with Franklin & Bash becoming equity partners in the firm which, for them, is a great thing because, I mean, it’s more money for toys. But on the bad side, it is a lot more responsibility and also a lot more repercussions for their actions. It’s no longer just the chance of them getting thrown in jail for contempt or getting fired. Now they got 500 employees behind them and they can really cause some damage, and also them representing – if they have to make rain. They have to sign corporate companies and these are guys that are used to fighting against. So how do you stay true to your values when you’re working for them instead of fighting them.

MG: Were you surprised at how well people received Franklin & Bash that first season?
Mark-Paul Goselaar: Oh, see, I have to go really quickly because Breckin took up so much time [laughs]. Yes, we were actually pretty surprised that we had such a big audience.
BM: I’m sorry, Mark-Paul, that’s all the time we have.
MPG: But, you know, I think Breckin and I are huge fans of our own show and so it was just a pleasurable surprise to find that people liked it as much as we did.

MG: So let’s talk about relationships, though. I mean, you guys got any love interests coming in the cards this season? Mark-Paul?
MPG: Yes, there are about two episodes worth of a relationship for Bash. One of the things that we try to do is not have anything come in between the two boys. So – because relationships don’t last all that long. They just sort of give you a glimpse of a different side of the two characters.  I think for me -I don’t know about how Breckin feels about it, but I like when the guys are together so it’s hard for us to bring in another relationship that isn’t Franklin or Bash. But we did do a bit of it over the course of the season. I had a girlfriend and Breckin’s character had a girlfriend as well.

MG: This show kind of stands out from other law shows out there.  Can you describe why you thought the show is so unique?
BM: I think from the get-go what Mark-Paul and I can both respond to is the fact that even though there is a case of a (weak atmosphere) that you have in normal procedurals, with this show, we go home with the characters. It really is – the cases are more of a backdrop. What the show’s really about is the relationship between the two lifelong friends and their kind of dysfunctional family of a law firm.

MG: Now I hear you didn’t really know each other that well before Franklin & Bash started. Have you developed a real-life friendship? And does that translate to having even more fun on screen do you think?
MPG: Well, I knew Breckin. I just wasn’t a fan of his work.
BM: Yes, that’s accurate.
MPG: Yes, that’s pretty accurate. But go ahead, Breckin.
BM: I was hoping that they would get literally anybody but Mark-Paul Goselaar. And then once they got him, it really was just – the money was green so what am I supposed to do, you know, at that point. But no, I think I can honestly it’s by far my favorite day job I’ve ever had. And I think it shows up on screen. The show lives or dies by whether or not you believe these guys are lifelong friends.
MPG: And by daytime job he means by post hole digging and drawing cars as his – car lot, so. This ranks right up there with one of his favorite jobs.
BM: It ranks right up there will pulling weeds.

MG: You guys have a really great list of guest stars for season two. Is there anyone that you are particularly excited about working with?
BM: I was really happy to have Seth Green come on because he’s a buddy and Mark Paul has been on Robot Chicken and we kind of thought he owed us. He has to return the favor. Who else? We have – Shawn Aston was a lot of fun. Rick Fox. Kevin Nealon was great. Chris Klein came on. We’ve had a lot of fun with our guys because, I mean, what you’re offering as actor is basically a week to come and play, you know, to come and have a really good time and our set is a fun set. It’s a fun time. It’s not super serious with no egos. And you get to come play for a week so we had Beau Bridges come back. Jane Seymour comes on as Peter’s mom so we meet Mama Bash.
MPG: I just echo what Breckin just said, but we had Sherry Appleby come on and play your girlfriend and Kat Foster came on and played my girlfriend and, boy, we just had a lot of fun, it just is a testament to our show and the word around sort of the industry is that it’s a great set to be a part of and come have fun and enjoy yourself.

MG: Do you have a lot of room available for improv?
BM: They give us the script. We always make sure we get a take completely on book. And then once we’ve got it definitely in the can, we kind of take our leash off and they say we can – we riff a little bit just as kind of the (buttons), the ins and outs of scenes, we may riff a little bit and it’s more for us. It’s more just to help us kind of solidify these guy’s friendships in our mind, that these guys are real friends who riff and goof off. So luckily enough we all kind of get these characters enough. Sometimes some of that stuff ends up in the show. But I mean, it’s fun to be able to riff like that. It just keeps us alive while we’re having long days.

MG: The first season kind of pushed the envelope when they portrayed Franklin and Bash’s private lives. Is season two going to be pushing the envelope even further?
MPG: I hope so.
BM: We start off full frontal this year.
MPG: We not only go to their private lives but we go to their private parts.
BM: Yes.

MG: Well, besides your private parts, it is different for a legal drama to see their private lives? I mean you guys are party animals.
BM: Yes, I like that we go home with the guys. I mean, I like that we follow their relationship. It’s not just about what happens behind the doors of the courtroom. It’s about what happened in these guy’s lives and how it leads over into the courtroom. But really, it’s about these characters.
MPG: But I also think that they’re less party animals and they really just enjoy the fruits of their labor. I don’t think that they’re the guys that like to sip out of red cups and, you know, and throw a party just to throw a party. They really enjoy having people around them and using their money and having a good time. But they’re not fraternal in that way, right. I don’t think it’s like they’re a party – I mean, we’ve always fought that. We’ve always said you can’t make these guys just party animals because that’s not fun for everyone. You’ve got to have an element – these guys have to have a level of maturity and I think there’s a fine balance to that I think that we’ve created on this show. And, again, with this year, giving them more responsibilities, making them equity partners and (Intel Daniels), having them take on harder cases with bigger clients. And representing people that in the past that they fought against will create for the audience as well as for the characters, the maturity of that that I think you need to have to make this show work. It can’t just all be fun and, you know, parties.
BM: It’s just that’s their approach. There’s more drama – and I think that’s why this season is better than last season, is because there’s more drama and the way that these guys deal with drama is by being more liked and being fun and that allows the audience to not even realize that they’re watching a legal drama in that sense.

TNT’s “Southland” Interview Series

Head back to the streets of Los Angeles for the new, explosive season of Southland, the critically acclaimed drama series from Warner Bros. Television and Emmy-winning producer John Wells (ER, The West Wing). Chronicling the lives of LAPD officers and detectives like no other series on television, this powerful, intensely emotional drama stars Michael Cudlitz, Shawn Hatosy, Regina King and Ben McKenzie, along with special guest star Lucy Liu.

Since premiering in 2009, Southland has redefined the police drama with its raw, authentic look at the lives and work of Los Angeles detectives and beat cops. The show centers on four main characters: Officer John Cooper (Cudlitz), a seasoned cop who will have to prove himself again after recovering from surgery; Officer Ben Sherman (McKenzie), who still has much to learn after recently completing his training rotation; Detective Lydia Adams (King), whose unending caseload hits closer to home; and Sammy Bryant (Hatosy), a former detective who decided to go back to being a uniform cop after the traumatic death of his partner.

Media Mikes has had a chance to chat with various members of this great show including Michael Cudlitz, Shawn Hatosy, Regina King and Ben McKenzie, Dorian Missick and Lucy Liu.  Feel free to leave comments below and make sure to check out season 4 of “Southland” on January 17th.


Ben McKenzie

Dorian Missick

Lucy Liu

Michael Cudlitz

Regina King

Shawn Hatosy