Film Review: “Fisherman’s Friends”

FISHERMAN’S FRIENDS
Directed By: Chris Foggin
Starring: Daniel Mays, James Purefoy, David Hayman, Sam Swainsbury, Tuppence Middleton
Runtime: 112 mins.
Samuel Goldwyn Films

A hot shot London music agent named Danny (Mays) becomes entangled with some seaside villagers when he is ditched by his stag party buddies in Chris Foggin’s Fisherman’s Friends. Loosely based on a true story, the Fisherman’s Friends are a group of local musicians that Danny discovers singing sea shanties. Under peer pressure from his pals, Danny decides to ingratiate himself with the band in order to secure a record deal to take home. Along the way, he strikes up a romance with one of the group’s daughters and entrenches himself in local politics. With its picturesque setting, its city folk-country folk clashes and its romcom meet cute, Fisherman’s Friends has all the hallmarks of well, a Hallmark movie! Without the pesky Christmas baggage. Whether you’re on board with this style depends upon whether you’re up to this level of coziness and predictability.

The flimsy setup to get city boy Danny stranded in Cornwall happens after his clique’s bachelor party yachting excursion falls through. Once it becomes clear they won’t be embraced by the locals after their drunken paddle boarding lands them in need of rescuing from the town’s fishermen, the trio of Londoners hightail it out of there leaving Danny stuck as a joke. It’s a pretty drastic prank but seeing as it passes the movie over from a carload of annoying bro caricatures and into the wonderfully capable and more weathered hands of cast like James Purefoy and David Hayman, the brevity is welcome.

There is a real warmth to the Cornwall setting and Foggin loads his soundtrack up with the Fisherman’s Friends sea shanties to keep everything pleasantly humming along. Sam Swainsbury as Rowan, the youngest member of the band, particularly shines in some of his solos as well as in playing the owner of the town’s financially struggling pub. His plot line gives the movie some needed stakes where the Fisherman’s Friends’ musical dealings are concerned. Meanwhile, the less defined village characters all manage to get their quippy jabs in at Danny in ways that are sure to wring a smile or pleasant chuckle from most viewers. It’s also nice to see Daniel Mays take a turn at a contemporary leading role seeing as I’m primarily used to seeing him pop in and out of so many period blockbusters.

When the film veers from the musical talent into Danny’s romantic relationship with Alwyn (Tuppence Middleton), the daughter of Purefoy’s character, you do lose some of that momentum while awaiting the fate of the titular band. Not least of all because one senses this movie will inevitably end happily so the requisite romcom roadblocks feel all the more rote. That said, even if you find yourself drifting somewhat, the kernel of the real life underdog musicians’ tale is compelling enough and the soundtrack is buoyant enough to keep it all afloat.

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TFF 2020 Review: “The Trip to Greece”

THE TRIP TO GREECE
Directed By: Michael Winterbottom
Starring: Rob Brydon, Steve Coogan
Runtime: 103 mins.
IFC Films

Through no fault of its own, The Trip to Greece is arriving on VOD today with some extra baggage. Seeing as this release comes at a time when the world doesn’t know how and when we might resume the kind of care free international tourism that stars Steve Coogan and Rob Brydon enjoy, it’s hard to judge how this film might hit you. Is armchair tourism at this juncture escapism or masochism? At this point in the series, given this is the fourth time around with this specific formula, that might be the only factor in your decision making. As with their first three trips–starting in England the duo then hit Italy and Spain–the vistas are gorgeous, the food looks delicious and the impressions are plentiful. What sets this one apart, fittingly for ancient Greece, is the injection of some tragedy within the film’s “plot” separate from the context of its release. The result of this turn is a film that is more an admirable finale than the hilarious joyrides that its predecessors were.

The setup is slim, as always, with the comedians ostensibly working on some article while retracing the trail covered in The Odyssey from modern day Turkey to Ithaca. Ten years of Odyssey condensed into six days of jet setting. The structure sets their agenda but then Brydon and Coogan’s conversations go off the rails as needed. This time around, Coogan has recently received dramatic accolades for his portrayal of Stan Laurel in Stan & Ollie and a lot of their comedic tension comes from Coogan trying to emphasize his newly minted dramatic chops while Brydon firmly still categorizes his buddy as a comedian. If there were an Olympics for negging, these two would surely medal. The guys are hilarious at oneupmanship whether it’s picking up on a Mick Jagger impression and doing their own take or attempting to turn the the mundanity of a restaurant check into a game show round. In these sequences this series always hits its stride and credit must go to director Michael Winterbottom and his editor Marc Ricardson for often wringing another laugh out of a moment by just cutting on the right beat.

The film does do that shift for the dramatic though by adding in ominous black and white dream sequences rooted in Greek myth for Coogan and introducing a family health crisis as well. I haven’t been able to suss out if that part was based on something in Coogan’s actual life or entirely fabricated for the film but if the latter, it seems an odd choice. At one point they also take a detour to a refugee camp after coming across a former colleague of Coogan’s who’s based there. While it is, as I said above, admirable that this series of extreme-first-world tourism actually takes a moment to observe the realities of a host country, it comes off more as momentary lip service rather than genuine reflection. Eventually the back home problem for Coogan split the comedic duo apart for the remainder of the film much to its detriment. Where the pair end up does have the air of finality, which this installment supposedly is, so I understand the choice. Overall I enjoyed Brydon and Coogan’s competitive company as I always have, just wish that this finale could have focused more on the series’ strengths as it headed off into the sunset.

Note: The Trip To Greece was due to make its North American premiere as part of the 2020 Tribeca Film Festival’s “Spotlight Narrative” slate. Though the 2020 Festival was officially postponed due to ongoing pandemic precautions, online screeners and the fest’s press library mean we can still offer coverage of this year’s selections while looking forward to getting back to the fest in the future!

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TFF 2020 Review: “Inheritance”

Note: Inheritance was due to make its world premiere as part of the 2020 Tribeca Film Festival’s “Spotlight Narrative” slate. Though the 2020 Festival was officially postponed due to ongoing pandemic precautions, online screeners and the fest’s press library mean we can still offer coverage of this year’s selections while looking forward to getting back to the fest in the future!

INHERITANCE
Starring: Lily Collins, Simon Pegg, Chace Crawford, Connie Nielson, Patrick Warburton
Directed by: Vaughn Stein
Runtime: 111 mins.
Vertical Entertainment
Not Rated

Early on in Inheritance, the will of deceased banker Archer Monroe (Patrick Warburton) is read out to his district attorney daughter Lauren (Lily Collins) and her congressman brother William (Chace Crawford). While the campaigning son takes a massive twenty million dollars, his sister “only” gets one million. If you think that’s the main source of strife in this family then oh boy, strap in because that difference barely scratches the surface of Lauren’s problems. Director Vaughn Stein’s new thriller releasing on VOD this week after having been a 2020 Tribeca Film Festival selection, takes a hard turn into its potential-horror setup but doesn’t fully embrace it with leads who can’t sell it.

The monetary discrepancy between Lauren and her brother quickly gives way to Lauren receiving her actual inheritance in the form of a mysterious key and a video from her late father urging her to keep the truth buried. Not to be too cynical but it’s pretty expected that a wealthy family like these Monroes–populated with bankers, lawyers and politicians–is going to have its share of skeletons in its closet. Stein’s film does this cliché one better by Archer leaving his daughter a full grown man chained up in a bunker. Thanks, dad. The bunker man is named Morgan (Simon Pegg) and seems to know everything about Lauren who desperately wants to know the whys and hows of Morgan’s disgusting situation. More than that, Lauren must face a crisis of conscious whether to heed her father’s will, especially in the middle of her brother’s re-election or release the bedraggled, pitiable Morgan with his trove of family secrets.

Simon Pegg has long been one of my favorite actors, whether in leading the “Cornetto trilogy” or popping up in larger fare like Star Trek or even better the Mission: Impossible series, but saddled in this film with the heavy wig and grime of Morgan’s imprisonment and, worse, a ropey American accent, and he is utterly wasted. The main tension in Inheritance should come from whether Lauren can muster enough pity for Morgan to release him or Pegg can be sufficiently menacing in his blackmail of the Monroes to achieve his ends. But in their contained scenes, the dynamic never coalesces into real tension. Where you’re expecting someone to actually strike, they just keep talking in circles. And I can’t underscore enough how badly Pegg’s US accent hobbles how threatening his character could have been. There are later parts in the film where I imagine Pegg was really having fun with it, but too much of the runtime for his character is leaden stuff. Collins, 31, for her part as a DA in Manhattan is much too young to hold such a role and comes off as someone playing dress up. It was hard to take either of them seriously in these parts.

For a movie where the crux of the problem is a man chained up in a basement, Inheritance is just overall way too bland. Outside of Pegg and Collins, the Monroe family and their posse come off as stock soap opera characters. Chace Crawford, so good on “The Boys,” is as ridiculous as a hot-shot congressman as Collins is as the DA. Ultimately their rich people problems–and secrets–aren’t as shocking as the film wants them to be.

Inheritance is available on DirectTV and releases on VOD on May 22nd

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Film Review: “South Mountain”

SOUTH MOUNTAIN
Starring: Talia Balsam, Scott Cohen, Andrus Nichols
Directed by: Hilary Brougher
Runtime: 85 mins.
Breaking Glass Pictures

Behind the stillness of a home in the rural Catskills is a wealth of roiling emotion beautifully realized in writer-director Hilary Brougher’s South Mountain. The feature, which debuts on DVD and VOD today stars Talia Balsam who gives an achingly vulnerable central performance.

On a summer evening, Lila (Balsam) is having a cookout with her family and friends as she preps for her daughters to leave her with an empty nest. And if there’s a subtle tension between Lila and her husband, Edgar (Scott Cohen), well that may be because Edgar is sneaking off within this very household to video call a mistress actively giving birth to his child under the guise of a “work call.” Yikes.

What’s remarkable about Brougher’s film is the situation has all the potential to wade into overwrought melodrama but it never does. Instead, Balsam plays Lila with a fragility that occasionally tips over into flashes of rage but remains thoroughly grounded. Cohen too, whose philandering intro really gives him an uphill battle with the viewers, manages to wrangle sympathy as Edgar in the sensitivity he brings to the more fraught scenes with Balsam. Their dynamic of him knowing it is over versus her not quite ready to let go is compelling.

The lovely performances are all given solid support from Brougher’s production and sound design which really evoke both the encroaching summer and Lila’s isolation. The lush greenery and rustic house are their own character which composer Herdis Stefansdottir subtly accents with a sparse musical score that knows when to take a backseat to the chorus of birds, insects and rumbling clouds. Ultimately, Brougher’s film achieves a beautiful balance between the permanence of Lila’s place in the mountain and the ever shifting circumstances of her life and most intimate relationships.

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IFC Midnight’s “The Wretched” hits VOD May 1st

Whenever I see a film being released by IFC Midnight, it immediately gets my attention. “THE WRETCHED” is about a witch that moves in next door, definitely catches my interest. It is directed and written by Brett and Drew Pierce and stars John-Paul Howard and Piper Curda. It opens May 1st on Digital Platforms and VOD and is sure to be a real winner.

Here is the film’s official premise:
Following his parents’ separation, a rebellious teenage boy, Ben, is sent to live with his father for the summer and work at the local marina in order to gain some form of discipline. The idyllic tourist town offers little solace for him, however, as he is forced to deal with the local, privileged teens and his father’s new girlfriend. Ben’s problems grow increasingly disturbing when he makes a chilling discovery about the family renting the house next door. A malevolent spirit from the woods has taken ahold of the parents and starts playing a sinister game of house, preying upon the children and wiping away any trace of their existence. Ben’s suspicions of the supernatural horrors go unheeded and he launches a perilous crusade in order to put an end to the skin-walking witch’s reign of terror.

The film has been getting rave reviews from critics across the net. After reading that premise and watching the trailer (see below) it doesn’t seem to be a big gamble for this film. While you watch you can also check out bob casino to not only win big with this killer film but also in real life. If you need more proof here are a few of early reviews:

“A polished, well-paced nightmare [with] a playfully Hitchcockian suspense approach… likable performances keeping us emotionally grounded.”

  • Dennis Harvey, VARIETY

“A viciously good time.”

  • Kristy Strouse, FILM INQUIRY

“In the vein of Disturbia or Rear Window with a dark fairy tale makeover.
The witch is worth the price of admission alone.”

  • Meagan Navarro, BLOODY DISGUSTING

Here is a little bit about the filmmakers Brett and Drew Pierce:

The Pierce Brothers are the writing/directing team behind the zombie cult hit DEADHEADS. From childhood they have been obsessed with the horror genre, having grown up amid the production of Sam Raimi’s cult classic THE EVIL DEAD, for which their father served as the photographic effects artist. Previously, Drew Pierce has worked as an animator and storyboard artist on various projects such as “Futurama,” THE INTERVIEW, and THE HAPPYTIME MURDERS. Brett Pierce has worked in production as well, most recently in the development department on various reality shows for Netflix, History Channel and A&E. This is their second feature film.

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Film Review: “Human Capital”

HUMAN CAPITAL
Starring: Liev Schreiber, Peter Sarsgaard, Marisa Tomei, Maya Hawke, Alex Wolff
Directed by: Marc Meyers
Not Rated
Running Time: 95 mins.
Vertical Entertainment

An academic awards dinner serves as a turning point for multiple families when a hit and run accident leaves one of its wait staff dead in Marc Meyers’s Human Capital. The film boasts a solid cast lead by Liev Schreiber, Peter Sarsgaard and Marisa Tomei but its rigid structuring choices throw the film off balance as it delves ever deeper into the melodramatic. The resolution to its mystery proves murky and is not quite given enough space to breathe before the film’s conclusion.

Director Meyers and screenwriter Oren Moverman (adapting a novel by Stephen Amidon) split the film up in such a way that the pivotal day of the dinner leading up to the murder is shown through the lens of three characters played by Liev Schreiber, Marisa Tomei and Maya Hawke. It’s the multi-POV strategy we’ve seen with films such as Crash, but on a smaller scale. The trouble with these rigid thirds is that while they all are sort of negotiating with varying degrees of class inequality and value in humanity over money, they don’t quite convalesce in a meaningful way. Largely they depend on leaden dialogue to hit you over the head with each character arc’s Central Theme before we shift to the next one.

Unfortunately I found the first arc, that of Schreiber’s Drew, to be the most compelling of the three stories. His character figures largest into the characters who felt most genuine–his daughter Shannon (Hawke) and his pregnant wife Ronnie (Betty Gabriel, “Get Out”). Schreiber is also easily relatable as a man woefully out of his depth when trying to make a big deal with Sarsgaard’s slimy hedge fund manager Quint. While the film is in no way interested in clarifying the economics at play, Schreiber’s everyman persona makes up for it in his desperate reactions. I felt more interested in the fallout of his bad decisions than I did in getting to crux of the car accident plot.

Beyond Schreiber the film severely underserves the remainder of the cast. I found little to care about in Tomei and Sarsgaard’s relationship. They’re constantly sniping at each other and no doubt trying to hammer home that money can’t buy happiness. Tomei is eventually driven into the arms of a colleague played by Paul Sparks. Usually Sparks is a welcome addition but here it feels like he’s retreading the role he had during his tenure on “House of Cards.” Meanwhile, Aasif Mandvi is a sneering Wall Street bro sidekick to Sarsgaard and feels straight out of an 80’s movie. Eventually the film turns itself over to exciting newcomers Hawke and Alex Wolff (“Hereditary”) but again, their romance and how it all ties into the central mystery drags and feels like it’s trying to throw even more big social themes into the mix in the rush to the finish.

Human Capital is currently available on VOD

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Film Review: “Little Joe”

LITTLE JOE
Starring: Emily Beecham, Ben Whishaw, Kerry Fox, Kit Connor
Directed By: Jessica Hausner
Rated: Not Rated
Running Time: 105 Minutes
Magnolia Pictures 

Due to the prominence of Little Shop of Horrors‘ famous “Audrey II” in pop culture, it makes sense that I approached Little Joe–the titular blossom in Jessica Hausner’s new feature, named after its lead’s young son–somewhat warily. After all, naming that unnatural plant after its owner’s closest loved one didn’t quite work out for Seymour, did it? Both the plant and the feature Little Joe are not quite the bombastic spectacle as that man-eater, but they offer a few creepy elements of their own. Part sci-fi, part social commentary and with hints of horror, Hausner’s film is visually arresting but its many thematic seedlings never fully take root.  

Alice (Emily Beecham) works in an advanced plant breeding lab, where she has just made a breakthrough in engineering: a plant that is meant to boost its keepers happiness just by breathing in its presence. This antidepressant alternative, which Alice dubs “Little Joe” after her son, sounds promising but Alice’s coworkers remain suspicious. Particularly after the Little Joes causes “his” planted neighbors to wilt. Alice’s only supporter appears to be Chris (Ben Whishaw) who’s anxious for Alice to come out for a drink with him. The first red flag comes in the form of fellow scientist, Bella’s (Kerry Fox) dog running rampant in the lab after encountering the new plant. His owner was already in opposition to Alice’s work and even more so after she becomes adamant that his encounter made the dog “not himself.” Despite this, Alice has a seedling of her own currently potted in the home she sometimes shares with her son (she is divorced), the human Joe. 

As you can imagine, suddenly Joe isn’t exactly himself either. The trouble with the film comes in how it never really commits to how malevolent Little Joe is meant to be. In some of those encountered they do gain a sort of vapid air of cheerfulness. In others, their entire personalities take hard turns. Human Joe suddenly does want to move out to live with his father while the lovelorn Chris gets more aggressive in his overtures to Alice. At times it seems to lean into critiquing what exactly is true happiness–if you’re only happy on a drug, does it count and does it matter? At the same time though, Hausner introduces this angle of the plant wanting to multiply via its human hosts and a whole lot of movie pseudo-science. A sort of Invasion of the Bodysnatchers. But it’s an extreme it only really goes to in one tense sequence with Fox’s character trapped in Little Joe’s greenhouse. 

If there’s one thing that’s consistent, it’s Hausner’s overall grip on the film’s visual design.  Production designer’s Katharina Woppermann beautiful pastel palette complements Beecham’s overall aloof demeanor well from her sterile labs to her small home. Little Joe’s flower with its vibrant puffs of blood red pollen is also fittingly ominous. Meanwhile Hausner’s camera never quite stays still, even roving slowly through the quietest of conversations to keep viewers just a little on edge throughout. It’s unfortunate however that the visual team’s work is frequently undermined by a jarring score of loud clashing sounds. Again, the score is telling me horror film, but Hausner isn’t giving me enough to support it.

Overall, like a botanical garden, Little Joe is something I admired in a slow meandering sort of way for its beauty and craftsmanship more than any sort of emotional connection. 

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Win an iTunes Gift card to Support the VOD Release of “The Devil’s Hand” [ENDED]

To celebrate the VOD release of “The Devil’s Hand”, available now on iTunes, VOD and in select theaters, we are happy to be giving away a $15 iTunes gift card. The film stars Jennifer Carpenter (Dexter), Rufus Sewell (Dark City), and Adelaide Kane (The CW’s Reign). If you want to win this, please leave us a comment below or send us an email with your favorite horror film focusing on the Mr. Lucifer himself. This giveaway will remain open until November 7th at Noon, Eastern Time.

Each household is only eligible to win One (1) iTunes via blog reviews and giveaways. Only one entrant per mailing address per giveaway. If you have won the same prize on another blog, you will not be eligible to win it again. Winner is subject to eligibility verification.

When six girls are born on the sixth day of the sixth month to different mothers in the small, devout village of New Bethlehem an ancient prophecy is set in motion – on their 18th birthday one of the girls will become the Devil’s Hand. As the day approaches and one by one the young women begin to disappear, terror overtakes the quiet community and those remaining girls band together to uncover who or what is behind these treacherous acts.

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Michael Biehn Takes on Different Kind of Role in This Latest Dark Thriller, “Treachery”, to Be Released on VOD September 1st.

LOS ANGELES- Talent Management, Production, Distribution and Marketing Company Traverse Media, announced today the North American release date for Blanc/Biehn Production’s latest Movie TREACHERY on Video on Demand (VOD).

TREACHERY stars Michael Biehn along with a fantastic ensemble cast that includes Jennifer Blanc Biehn (The Divide, Everly, Wrong Cops), Sarah Butler (I Spit on Your Grave remake), Caitlin Keats (Kill Bill Vol. 2, Broken English), Chris Meyer (Among Friends) and Matthew Ziff (Truck Stop, Altered Perception).

Bringing to life real family drama, TREACHERY dives into the deep roots that binds a family and the darker secrets that family can create. Travis Romero (TV’s “White Collar”, THE VICTIM) wrote and directed TREACHERY, which centers on a man (Biehn) who is reunited with his estranged son at a remote wedding party. When a storm strands the party, ugly truths are revealed.

Biehn is best known for his work in The Terminator and Aliens movies but has developed a niche for himself producing low-budget grindhouse-style productions. He is producing Treachery via his BlancBiehn Productions, which he runs with his wife and partner Jennifer Blanc Biehn.

“I always love playing humanitarian type characters and characters that are the real good guys,” says Michael Biehn, with a wink and a nod.

“With an incredible cast, Michael and I were excited to take this story and make it come to life,” Jennifer Blanc-Biehn

TREACHERY will be available from September 1st on:  iTunes, Amazon Prime, Amazon Instant Play, Google Play, VUDU, Vimeo on Demand and across Cable VOD.

About Traverse Media:

Traverse Media is a talent management, production and distribution marketing and distribution company for the independent filmmaker created by independent filmmakers. We provide distribution with active digital profiling and campaigning via the Internet’s best-known film sites. Join us on Facebook: https://www.facebook.com/TraverseMedia and Follow us on Twitter @Traverse_Media

ABOUT BLANC/BIEHN PRODUCTIONS:

Blanc Biehn Productions is the partnership of famed actors Michael Biehn and Jennifer Blanc-Biehn. The pair decided to put their passion for acting and filmmaking together, creating their own production company. The duo produced and starred in Biehn’s directorial debut, THE VICTIM, a grindhouse film which co-stars scream queen, Danielle Harris.  The company recently finished post-production on TREACHERY and Jennifer Blanc-Biehn’s directorial debut THE NIGHT VISITOR. They are currently in post-production on HIDDEN IN THE WOODS REMAKE and THE GIRL, starring Biehn and Tia Carrere. Other films in development include ALTERED PERCEPTION, SHE RISES, starring Angus MacFadyen, THE NIGHT VISITOR 2, GET BACK JOE, and PYSCHOPHONIA with 2013 Nicholls Fellowship winner Barbara Stepanski, to be directed by award winning filmmaker Paticia Chica. Look out for more releases on their slate as well as festival screenings in the near future, as well as a new list of fabulous directors being added to the roster. For more information on upcoming BBP features, please go to www.TheBBBasement.com and sign up for news and updates. Many projects are currently in post-production with partner, executive Lony Ruhman.

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Strand Releasing releases “Girlfriend” with Jackson Rathbone on VOD and DVD

GIRLFRIEND is the first North American feature film to star a man with Down Syndrome in the lead role, Evan Sneider. After premiering at the Toronto International Film Festival to outstanding reviews, the film screened theatrically and recently won the prestigious Audience Award at the 2011 Gotham Independent Film Awards, an honor previously bestowed upon WAITING FOR SUPERMAN.

As a result of this tremendous support by the public, the film was recently picked up for distribution and will be released by Strand Releasing on DVD, VOD in 90 million homes (Time Warner Cable, Comcast, Dish Network, Direct TV), Amazon, iTunes, Netflix and Vudu.

More information about the film:
Official Film Stills for Download: http://www.flickr.com/photos/jslerner
Facebook: http://www.facebook.com/pages/GIRLFRIEND/247774270511
Twitter: http://twitter.com/#!/GirlfriendMovie

Official Selection at:
2010 Toronto International Film Festival (World Premiere)
2011 Festroia International Film Festival
2011 Moscow International Film Festival
2011 Galway Film Fleadh
2011 Woods Hole Film Festival
2011 White Sands International Film Festival
2011 Ghent International Film Festival
2011 Mill Valley Film Festival
2011 Sao Paolo International Film Festival
2012 New York Disabilities Film Festival
2012 San Francisco Independent Film Festival

Winner:
Best Narrative Film (Jury Prize) – 2011 Woods Hole Film Festival
Best Film of the Festival (Audience Award) – 2011 Woods Hole Film Festival
Grand Jury Prize – 2011 White Sands Int’l Film Festival
Best Director – 2011 White Sands Int’l Film Festival
Audience Award – 2011 Mill Valley Film Festival
Audience Award – 2011 Gotham Independent Film Awards

AMAZON:
http://www.amazon.com/Girlfriend-Shannon-Woodward/dp/B007TOSB7O/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1344529094&sr=1-1&keywords=girlfriend+DVD

ORDER ON iTUNES:
http://itunes.apple.com/us/movie/girlfriend/id542926442?ls=1

NETFLIX:
http://movies.netflix.com/movie/Girlfriend/70154140

 

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Mario Van Peebles’ “We The Party” Hits VOD and Blu-ray This Month

LOS ANGELES (July 2, 2012) – XLrator Media proudly announces the VOD and DVD release of WE THE PARTY. Written and directed by Mario Van Peebles, WE THE PARTY takes a close look at today’s youth culture. The film stars Snoop Dogg, YG, The New Boyz, The Rej3ctz, The Pink Dollaz, Mario Van Peebles, Michael Jai White, Salli Richardson-Whitfield, Tiny Lister, Melvin Van Peebles, Mandela Van Peebles, Simone Battle, Moises Arias, Orlando Brown and Quincy Brown.

The film is available on VOD on all providers on July 19, 2012, and in stores on July 31, 2012 at an SRP of $20.99 for the DVD and $26.99 for the DVD/Blu-Ray combo.

A revealing look at contemporary youth culture, writer-director Mario Van Peebles’ WE THE PARTY shows teenagers as they are, not as adults would like them to be. Set amidst the latest trends in music, dance and fashion, WE THE PARTY is a colorful, cutting-edge comedy set in an ethnically diverse Los Angeles high school during America’s first black president. The film focuses on five friends as they deal with romance, money, prom, college, sex, bullies, facebook, fitting in, standing out, and finding themselves. Evoking such classic teen comedies as The Breakfast Club and House Party but with an attitude and style all its own, WE THE PARTY captures the hopes, confusion, challenges and dreams of today’s teenagers as they plunge headlong into an uncertain future.

The DVD and Blu-ray bonus features include a feature-length commentary by writer-director Mario Van Peebles and actors Mandela Van Peebles and Makaylo Van Peebles, 4 music videos from the film (“Truth,” “She’s a Vegan,” “A Light at the End of the Tunnel,” and “Forever”), and the theatrical trailer.

WE THE PARTY was released in theaters on April 6, 2012 by XLrator Media in association with MVP Filmz.

We The Party iTunes link
http://itunes.apple.com/us/movie/we-the-party/id537379658?ign-mpt=uo%3D4

We The Party Official Trailer

Connect with We The Party online at:

www.Facebook.com/wethepartymovie

www.Twitter.com/Wethepartymovie

www.Youtube.com/wethepartymovie

www.Statigr.am/wethepartymovie

WE THE PARTY –Specifications
Running Time: 104 Minutes
Rated: R
Street Date: July 31, 2012
Sound: Dolby Digital 5.1
SRP: $20.99 for the DVD and $26.99 for the DVD/Blu-Ray Combo
Aspect Ratio: 16×9 1.79
Special Features: Feature-length commentary by writer-director Mario Van Peebles and actors Mandela Van Peebles and Makaylo Van Peebles, 4 music videos from the film (“Truth,” “She’s a Vegan,” “A Light at the End of the Tunnel,” and “Forever”), and the theatrical trailer.

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“Devil’s Playground” Invades Home Entertainment with Launch on DVD and VOD on October 11, 2011

“DEVIL’S PLAYGROUND” INVADES HOME ENTERTAINMENT WITH LAUNCH ON DVD AND VOD  ON OCTOBER 11, 2011

“…good old-fashioned zombie carnage.” – Dreadcentral.com

LOS ANGELES, CA (September 13, 2011) – Prepare for a bloodcurdling invasion as Indomina Releasing unleashes Devil’s Playground on DVD and Video on Demand on October 11, 2011.  When an experimental new drug treatment goes terribly wrong, the results are hair-raising as thousands of patients rapidly turn into insatiable killers.  Distributed by Vivendi Entertainment, the DVD will be available at an SRP of $14.93.

SYNOPSIS

Flesh-eating zombies have taken over London, and humanity’s only hope for the future lies in one woman’s DNA.  Cole, a hardened mercenary who works for the pharmaceutical company responsible for the horrific disaster, is charged with bringing her in.  But, he’s already battling the demons of his violent past.  Can he take on an army of bloodthirsty creatures as well?  Find out-if you dare-in this terrifying sci-fi thriller filled with ravenous killers on a feeding frenzy.

DVD SPECIAL FEATURES

  • Behind-the-scenes Featurette and Deleted Scenes
  • Aspect ratio: 16×9 2.40 Widescreen Version
  • Sound: Engligh 5.1 Dolby Digital, English Stereo
 INDOMINA RELEASING HAS HORROR COVERED

The critics are clamoring for Outcast, the gripping thriller about black magic and witchery that stars James Nesbitt (The Hobbit) and James Cosmo (Braveheart). Ain’t It Cool News calls it “an excellent film” to be seen “at all costs,” and Eight Rooks of TwitchFilm.com proclaims it “a genuinely menacing piece of horror.” Mary (Kate Dickie, TV’s “The Pillars of the Earth”) harbors a dark history, but must confront her past when a hunter with magical powers (Nesbitt) is assigned to capture her and kill her son. As the terrifying cat-and-mouse game continues, locals begin to die at the hands of an unknown life force and a deadly fear takes hold.  Currently available on Video on Demand.

The Pack follows Charlotte (Emilie Dequenne), a beautiful but rough around the edges kind of girl, who drives a beat-up station wagon in the countryside of northern France. Her journey takes a turn when she picks up a mysterious hitchhiker (Benjamine Biolay), with whom she strikes an unusual bond. Stopping at a roadside diner, her new companion strangely disappears, and Charlotte finds herself knocked unconscious and held captive. She soon encounters a peculiar and disturbed woman (Yolande Moreau), and discovers that her blood is being used to feed a “pack” of flesh-eating ghouls. Available on Demand on September 27.

ABOUT INDOMINA RELEASING

The Indomina Group is a vertically integrated independent studio launched in 2008 by Vice Chairman and CEO Jasbinder Singh Mann.  Operating in Los Angeles and the Dominican Republic, Indomina takes a transmedia approach to collaborating with content creators around the world to bring innovative entertainment properties to the market. The company’s global operations include the production and distribution of motion pictures, television, music, interactive games, and the ownership of world-class studio facilities and production services.  For more information please visit www.indomina.com

ABOUT VIVENDI ENTERTAINMENT

Vivendi Entertainment is a full service independent film, television, DVD and digital distribution company operating in the United States and Canada. Representing a vast range of genres including action, comedy, urban, family, Latino, sports and stand-up comedies, Vivendi Entertainment has become a favorite distribution partner for independent content providers. The company has built an extensive catalog of over 3,000 titles, and its customer-centric business model was founded on the principles of collaboration and financial transparency. The company provides sales, marketing, and distribution services to many of the home entertainment industry’s most prestigious brands including: World Wrestling Entertainment, The Weinstein Company, Shout! Factory, Classic Media, Big Idea, RHI, Code Black, National Geographic, Salient, Televisa, Sid and Marty Krofft Pictures and Nelvana. Vivendi Entertainment is a division of Universal Music Group Distribution, the award-winning sales, marketing and distribution arm of Universal Music Group, the world’s leading music company.

For more information about Devil’s Playground, please visit indomina.com.

Street Date: October 11, 2011
Pricing: $14.93

Feature Running Time: 97 Minutes

MPAA Ratings: This film is not rated

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Filed Under: Film Headlines Tagged With: 11, 2011, devils, dvd, entertainment, home, ...
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